From Film Practice to Data Process : : Production Aesthetics and Representational Practices of a Film Industry in Transition / / Sarah Atkinson.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018
• VerfasserIn: Atkinson, Sarah,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2018
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (288 p.) :; 70 colour illustrations
• Other title: Frontmatter --; Contents --; Acknowledgements --; Preface --; Tables and Figures --; CHAPTER 1 Digital Film Production Studies --; CHAPTER 2 Digital Film Production People --; CHAPTER 3 Digital Film Production Time --; CHAPTER 4 Digital Film Production Space --; CHAPTER 5 Digital Film Production Representations --; CHAPTER 6 Digital Film Production Preservation and Access --; CHAPTER 7 Epilogue --; Practitioner Filmography --; Ginger & Rosa Full Credit List --; Filmography --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780748693597; 9783110780437
• DOI: 10.1515/9780748693597?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Sarah Atkinson.

Examines the practices of independent digital feature-filmmaking in contemporary BritainTo what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking professionals?The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. By focusing on the pivotal year of 2012, and by considering the input of every single contributor to the process, this book illuminates how this period of analogue to digital transition is impacting upon working practices, cultures, opportunities and structures in the industry, and examines the various causative forces behind their adoptions and resistances. With an in-depth case study of Sally Potter’s 2012 film Ginger & Rosa, and drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is a groundbreaking examination of film production in its totality, in a moment of profound change.