The Noisy Renaissance : : Sound, Architecture, and Florentine Urban Life / / Niall Atkinson.

From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an ac...

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Superior document:Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2016
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Place / Publishing House:University Park, PA : : Penn State University Press, , [2021]
©2016
Year of Publication:2021
Language:English
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Physical Description:1 online resource (280 p.) :; 50 color/110 b&w illustrations
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Summary:From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an acoustic phenomenon in which citizens used sound to navigate space and society.Analyzing a range of documentary and literary evidence, art and architectural historian Niall Atkinson creates an "acoustic topography" of Florence. The dissemination of official messages, the rhythm of prayer, and the murmur of rumor and gossip combined to form a soundscape that became a foundation in the creation and maintenance of the urban community just as much as the city's physical buildings. Sound in this space triggered a wide variety of social behaviors and spatial relations: hierarchical, personal, communal, political, domestic, sexual, spiritual, and religious.By exploring these rarely studied soundscapes, Atkinson shows Florence to be both an exceptional and an exemplary case study of urban conditions in the early modern period.
Format:Mode of access: Internet via World Wide Web.
ISBN:9780271077833
9783110745245
DOI:10.1515/9780271077833?locatt=mode:legacy
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Niall Atkinson.