Rancière and Film / / Paul Bowman.
The first collection of critical essays on the film work of the philosopher Jacques RancièreJacques Rancière rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controver...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2013 |
Year of Publication: | 2022 |
Language: | English |
Series: | Critical Connections : CRCO
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Online Access: | |
Physical Description: | 1 online resource (224 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgements
- 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies
- 2 What Does It Mean to Call Film an Art?
- 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications
- 4 The Spectator without Qualities
- 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism
- 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad
- 7 Inhuman Spectatorship
- 8 Cinemarxis: Rancière and Godard
- 9 Jacques Rancière's Animated Vertigo; or, How to be Specific about Medium
- 10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema
- 11 Remarks by Way of a Postface
- Contributors
- Bibliography
- Index