Rancière and Film / / Paul Bowman.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
• VerfasserIn: Bowman, Paul,
• MitwirkendeR: Baumbach, Nico,; Bowman, Paul,; Chow, Rey,; Geil, Abraham,; Ieven, Bram,; López Lerma, Mónica,; MacCormack, Patricia,; Rancière, Jacques,; Robson, Mark,; Stamp, Richard,; Steintrager, James A.,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2013
• Year of Publication: 2022
• Language: English
• Series: Critical Connections : CRCO
• Physical Description: 1 online resource (224 p.)
• Other title: Frontmatter --; Contents --; Acknowledgements --; 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies --; 2 What Does It Mean to Call Film an Art? --; 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications --; 4 The Spectator without Qualities --; 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism --; 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad --; 7 Inhuman Spectatorship --; 8 Cinemarxis: Rancière and Godard --; 9 Jacques Rancière's Animated Vertigo; or, How to be Specific about Medium --; 10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema --; 11 Remarks by Way of a Postface --; Contributors --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780748647378; 9783110780468
• DOI: 10.1515/9780748647378
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Paul Bowman.

The first collection of critical essays on the film work of the philosopher Jacques RancièreJacques Rancière rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Rancière himself.Contributors includeNico Baumbach, Columbia UniversityRey Chow, Duke UniversityBram Ieven, Utrecht UniversityMónica Lopez Lerma, Helsinki UniversityPatricia MacCormack, University of East AngliaRichard Stamp, Bath Spa UniversityJames Steintrager, University of California, Irvine