Rancière and Film / / Paul Bowman.
The first collection of critical essays on the film work of the philosopher Jacques RancièreJacques Rancière rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controver...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
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| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2013 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Critical Connections : CRCO
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| Physical Description: | 1 online resource (224 p.) |
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9780748647378 |
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2013409731 |
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(DE-B1597)616047 (OCoLC)1301550146 |
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Bowman, Paul, author. aut http://id.loc.gov/vocabulary/relators/aut Rancière and Film / Paul Bowman. Edinburgh : Edinburgh University Press, [2022] ©2013 1 online resource (224 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Critical Connections : CRCO Frontmatter -- Contents -- Acknowledgements -- 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies -- 2 What Does It Mean to Call Film an Art? -- 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications -- 4 The Spectator without Qualities -- 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism -- 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad -- 7 Inhuman Spectatorship -- 8 Cinemarxis: Rancière and Godard -- 9 Jacques Rancière's Animated Vertigo; or, How to be Specific about Medium -- 10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema -- 11 Remarks by Way of a Postface -- Contributors -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The first collection of critical essays on the film work of the philosopher Jacques RancièreJacques Rancière rose to prominence as a radical egalitarian philosopher, political theorist and historian. Recently he has intervened into the discourses of film theory and film studies, publishing controversial and challenging works on these topics. This book offers an exciting range of responses to and assessments of his contributions to film studies and includes an afterword response to the essays by Rancière himself.Contributors includeNico Baumbach, Columbia UniversityRey Chow, Duke UniversityBram Ieven, Utrecht UniversityMónica Lopez Lerma, Helsinki UniversityPatricia MacCormack, University of East AngliaRichard Stamp, Bath Spa UniversityJames Steintrager, University of California, Irvine Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) Motion pictures Philosophy. Philosophy. PERFORMING ARTS / Film & Video / Reference. bisacsh Baumbach, Nico, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bowman, Paul, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Chow, Rey, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Geil, Abraham, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ieven, Bram, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb López Lerma, Mónica, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb MacCormack, Patricia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rancière, Jacques, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Robson, Mark, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stamp, Richard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Steintrager, James A., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 9783110780468 print 9780748647361 https://doi.org/10.1515/9780748647378 https://www.degruyter.com/isbn/9780748647378 Cover https://www.degruyter.com/document/cover/isbn/9780748647378/original |
| language |
English |
| format |
eBook |
| author |
Bowman, Paul, Bowman, Paul, |
| spellingShingle |
Bowman, Paul, Bowman, Paul, Rancière and Film / Critical Connections : CRCO Frontmatter -- Contents -- Acknowledgements -- 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies -- 2 What Does It Mean to Call Film an Art? -- 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications -- 4 The Spectator without Qualities -- 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism -- 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad -- 7 Inhuman Spectatorship -- 8 Cinemarxis: Rancière and Godard -- 9 Jacques Rancière's Animated Vertigo; or, How to be Specific about Medium -- 10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema -- 11 Remarks by Way of a Postface -- Contributors -- Bibliography -- Index |
| author_facet |
Bowman, Paul, Bowman, Paul, Baumbach, Nico, Baumbach, Nico, Bowman, Paul, Bowman, Paul, Chow, Rey, Chow, Rey, Geil, Abraham, Geil, Abraham, Ieven, Bram, Ieven, Bram, López Lerma, Mónica, López Lerma, Mónica, MacCormack, Patricia, MacCormack, Patricia, Rancière, Jacques, Rancière, Jacques, Robson, Mark, Robson, Mark, Stamp, Richard, Stamp, Richard, Steintrager, James A., Steintrager, James A., |
| author_variant |
p b pb p b pb |
| author_role |
VerfasserIn VerfasserIn |
| author2 |
Baumbach, Nico, Baumbach, Nico, Bowman, Paul, Bowman, Paul, Chow, Rey, Chow, Rey, Geil, Abraham, Geil, Abraham, Ieven, Bram, Ieven, Bram, López Lerma, Mónica, López Lerma, Mónica, MacCormack, Patricia, MacCormack, Patricia, Rancière, Jacques, Rancière, Jacques, Robson, Mark, Robson, Mark, Stamp, Richard, Stamp, Richard, Steintrager, James A., Steintrager, James A., |
| author2_variant |
n b nb n b nb p b pb p b pb r c rc r c rc a g ag a g ag b i bi b i bi l m l lm lml l m l lm lml p m pm p m pm j r jr j r jr m r mr m r mr r s rs r s rs j a s ja jas j a s ja jas |
| author2_role |
MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR |
| author_sort |
Bowman, Paul, |
| title |
Rancière and Film / |
| title_full |
Rancière and Film / Paul Bowman. |
| title_fullStr |
Rancière and Film / Paul Bowman. |
| title_full_unstemmed |
Rancière and Film / Paul Bowman. |
| title_auth |
Rancière and Film / |
| title_alt |
Frontmatter -- Contents -- Acknowledgements -- 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies -- 2 What Does It Mean to Call Film an Art? -- 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications -- 4 The Spectator without Qualities -- 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism -- 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad -- 7 Inhuman Spectatorship -- 8 Cinemarxis: Rancière and Godard -- 9 Jacques Rancière's Animated Vertigo; or, How to be Specific about Medium -- 10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema -- 11 Remarks by Way of a Postface -- Contributors -- Bibliography -- Index |
| title_new |
Rancière and Film / |
| title_sort |
rancière and film / |
| series |
Critical Connections : CRCO |
| series2 |
Critical Connections : CRCO |
| publisher |
Edinburgh University Press, |
| publishDate |
2022 |
| physical |
1 online resource (224 p.) Issued also in print. |
| contents |
Frontmatter -- Contents -- Acknowledgements -- 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies -- 2 What Does It Mean to Call Film an Art? -- 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications -- 4 The Spectator without Qualities -- 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism -- 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad -- 7 Inhuman Spectatorship -- 8 Cinemarxis: Rancière and Godard -- 9 Jacques Rancière's Animated Vertigo; or, How to be Specific about Medium -- 10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema -- 11 Remarks by Way of a Postface -- Contributors -- Bibliography -- Index |
| isbn |
9780748647378 9783110780468 9780748647361 |
| callnumber-first |
P - Language and Literature |
| callnumber-subject |
PN - General Literature |
| callnumber-label |
PN1995 |
| callnumber-sort |
PN 41995 R333 42013 |
| url |
https://doi.org/10.1515/9780748647378 https://www.degruyter.com/isbn/9780748647378 https://www.degruyter.com/document/cover/isbn/9780748647378/original |
| illustrated |
Not Illustrated |
| dewey-hundreds |
700 - Arts & recreation |
| dewey-tens |
790 - Sports, games & entertainment |
| dewey-ones |
791 - Public performances |
| dewey-full |
791.4301 |
| dewey-sort |
3791.4301 |
| dewey-raw |
791.4301 |
| dewey-search |
791.4301 |
| doi_str_mv |
10.1515/9780748647378 |
| oclc_num |
1301550146 |
| work_keys_str_mv |
AT bowmanpaul ranciereandfilm AT baumbachnico ranciereandfilm AT chowrey ranciereandfilm AT geilabraham ranciereandfilm AT ievenbram ranciereandfilm AT lopezlermamonica ranciereandfilm AT maccormackpatricia ranciereandfilm AT rancierejacques ranciereandfilm AT robsonmark ranciereandfilm AT stamprichard ranciereandfilm AT steintragerjamesa ranciereandfilm |
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n |
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cr |
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Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
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Rancière and Film / |
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Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 |
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