American Modernism's Expatriate Scene : : The Labour of Translation / / Daniel Katz.

This study takes as its point of departure an essential premise: that the widespread phenomenon of expatriation in American modernism is less a flight from the homeland than a dialectical return to it, but one which renders uncanny all tropes of familiarity and immediacy which 'fatherlands'...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2007
Year of Publication:2022
Language:English
Series:Edinburgh Studies in Transatlantic Literatures : ESTLI
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Physical Description:1 online resource (208 p.)
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ctrlnum (DE-B1597)616893
(OCoLC)1302165941
collection bib_alma
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spelling Katz, Daniel, author. aut http://id.loc.gov/vocabulary/relators/aut
American Modernism's Expatriate Scene : The Labour of Translation / Daniel Katz.
Edinburgh : Edinburgh University Press, [2022]
©2007
1 online resource (208 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Edinburgh Studies in Transatlantic Literatures : ESTLI
Frontmatter -- Contents -- Acknowledgements -- Introduction -- 1. Native Well Being: Henry James and the “Cosmopolite” -- 2. The Mother’s Tongue: Seduction, Authenticity, and Interference in The Ambassadors -- 3. Ezra Pound’s American Scenes: Henry James and the Labour of Translation -- 4. Pound and Translation: Ideogram and the Vulgar Tongue -- 5. Gertrude Stein, Wyndham Lewis, and the American Language -- 6. Jack Spicer’s After Lorca: Translation as Delocalization -- 7. Homecomings: The Poet’s Prose of Ashbery, Schuyler and Spicer -- Notes -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
This study takes as its point of departure an essential premise: that the widespread phenomenon of expatriation in American modernism is less a flight from the homeland than a dialectical return to it, but one which renders uncanny all tropes of familiarity and immediacy which 'fatherlands' and 'mother tongues' are traditionally seen as providing. In this framework, similarly totalising notions of cultural authenticity are seen to govern both exoticist mystification and 'nativist' obsessions with the purity of the 'mother tongue.' At the same time, cosmopolitanism, translation, and multilingualism become often eroticised tropes of violation of this model, and in consequence, simultaneously courted and abhorred, in a movement which, if crystallised in expatriate modernism, continued to make its presence felt beyond. Beginning with the late work of Henry James, this book goes on to examine at length Ezra Pound and Gertrude Stein, to conclude with the uncanny regionalism of mid-century San Francisco Renaissance poet Jack Spicer, and the deterritorialised aesthetic of Spicer’s peer, John Ashbery. Through an emphasis on modernism as a space of generalized interference, the practice and trope of translation emerges as central to all of the writers concerned, while the book remains in constant dialogue with key recent works on transnationalism, transatlanticism, and modernism.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
American literature History and criticism 19th century.
American literature History and criticism 20th century United States USA.
Modernism (Literature) United States.
Literary Studies.
LITERARY CRITICISM / General. bisacsh
Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000 9783110780468
print 9780748625260
https://doi.org/10.1515/9780748630875?locatt=mode:legacy
https://www.degruyter.com/isbn/9780748630875
Cover https://www.degruyter.com/document/cover/isbn/9780748630875/original
language English
format eBook
author Katz, Daniel,
Katz, Daniel,
spellingShingle Katz, Daniel,
Katz, Daniel,
American Modernism's Expatriate Scene : The Labour of Translation /
Edinburgh Studies in Transatlantic Literatures : ESTLI
Frontmatter --
Contents --
Acknowledgements --
Introduction --
1. Native Well Being: Henry James and the “Cosmopolite” --
2. The Mother’s Tongue: Seduction, Authenticity, and Interference in The Ambassadors --
3. Ezra Pound’s American Scenes: Henry James and the Labour of Translation --
4. Pound and Translation: Ideogram and the Vulgar Tongue --
5. Gertrude Stein, Wyndham Lewis, and the American Language --
6. Jack Spicer’s After Lorca: Translation as Delocalization --
7. Homecomings: The Poet’s Prose of Ashbery, Schuyler and Spicer --
Notes --
Bibliography --
Index
author_facet Katz, Daniel,
Katz, Daniel,
author_variant d k dk
d k dk
author_role VerfasserIn
VerfasserIn
author_sort Katz, Daniel,
title American Modernism's Expatriate Scene : The Labour of Translation /
title_sub The Labour of Translation /
title_full American Modernism's Expatriate Scene : The Labour of Translation / Daniel Katz.
title_fullStr American Modernism's Expatriate Scene : The Labour of Translation / Daniel Katz.
title_full_unstemmed American Modernism's Expatriate Scene : The Labour of Translation / Daniel Katz.
title_auth American Modernism's Expatriate Scene : The Labour of Translation /
title_alt Frontmatter --
Contents --
Acknowledgements --
Introduction --
1. Native Well Being: Henry James and the “Cosmopolite” --
2. The Mother’s Tongue: Seduction, Authenticity, and Interference in The Ambassadors --
3. Ezra Pound’s American Scenes: Henry James and the Labour of Translation --
4. Pound and Translation: Ideogram and the Vulgar Tongue --
5. Gertrude Stein, Wyndham Lewis, and the American Language --
6. Jack Spicer’s After Lorca: Translation as Delocalization --
7. Homecomings: The Poet’s Prose of Ashbery, Schuyler and Spicer --
Notes --
Bibliography --
Index
title_new American Modernism's Expatriate Scene :
title_sort american modernism's expatriate scene : the labour of translation /
series Edinburgh Studies in Transatlantic Literatures : ESTLI
series2 Edinburgh Studies in Transatlantic Literatures : ESTLI
publisher Edinburgh University Press,
publishDate 2022
physical 1 online resource (208 p.)
contents Frontmatter --
Contents --
Acknowledgements --
Introduction --
1. Native Well Being: Henry James and the “Cosmopolite” --
2. The Mother’s Tongue: Seduction, Authenticity, and Interference in The Ambassadors --
3. Ezra Pound’s American Scenes: Henry James and the Labour of Translation --
4. Pound and Translation: Ideogram and the Vulgar Tongue --
5. Gertrude Stein, Wyndham Lewis, and the American Language --
6. Jack Spicer’s After Lorca: Translation as Delocalization --
7. Homecomings: The Poet’s Prose of Ashbery, Schuyler and Spicer --
Notes --
Bibliography --
Index
isbn 9780748630875
9783110780468
9780748625260
url https://doi.org/10.1515/9780748630875?locatt=mode:legacy
https://www.degruyter.com/isbn/9780748630875
https://www.degruyter.com/document/cover/isbn/9780748630875/original
illustrated Not Illustrated
doi_str_mv 10.1515/9780748630875?locatt=mode:legacy
oclc_num 1302165941
work_keys_str_mv AT katzdaniel americanmodernismsexpatriatescenethelabouroftranslation
status_str n
ids_txt_mv (DE-B1597)616893
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carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
is_hierarchy_title American Modernism's Expatriate Scene : The Labour of Translation /
container_title Title is part of eBook package: De Gruyter Edinburgh University Press Backlist eBook-Package 2013-2000
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In this framework, similarly totalising notions of cultural authenticity are seen to govern both exoticist mystification and 'nativist' obsessions with the purity of the 'mother tongue.' At the same time, cosmopolitanism, translation, and multilingualism become often eroticised tropes of violation of this model, and in consequence, simultaneously courted and abhorred, in a movement which, if crystallised in expatriate modernism, continued to make its presence felt beyond. Beginning with the late work of Henry James, this book goes on to examine at length Ezra Pound and Gertrude Stein, to conclude with the uncanny regionalism of mid-century San Francisco Renaissance poet Jack Spicer, and the deterritorialised aesthetic of Spicer’s peer, John Ashbery. 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