Techniques of Modern Orchestral Conducting : : Second edition, revised and enlarged / / Benjamin Grosbayne.
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Superior document: | Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package |
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VerfasserIn: | |
Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2013] ©1973 |
Year of Publication: | 2013 |
Edition: | 2nd ed., revised and enlarged. Reprint 2014 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (356 p.) :; illustrated |
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Table of Contents:
- Frontmatter
- ACKNOWLEDGMENTS
- CONTENTS
- FOREWORD
- INTERPRETATION OF PATTERNS AND ABBREVIATIONS
- Part One THE PHYSICAL BASES OF CONDUCTING
- Chapter One GENERAL CONSIDERATIONS
- Chapter Two REQUIREMENTS AND EXPERIENCE
- Chapter Three THE TOOLS
- Chapter Four PREPARATORY EXERCISES
- Chapter Five TWO BEATS TO THE BAR
- Chapter Six THREE BEATS TO THE BAR
- Chapter Seven ONE BEAT TO THE BAR
- Chapter Eight FOUR BEATS TO THE BAR
- Chapter Nine SIX BEATS TO THE BAR
- Chapter Ten ATTACKS
- Chapter Eleven COMBINATION PULSES
- Chapter Twelve THE LEFT HAND
- Chapter Thirteen THE HOLD
- Chapter Fourteen VOLUME, ACCENTS, LEGATO AND STACCATO
- Chapter Fifteen TECHNIQUES OF RHYTHM
- Chapter Sixteen COMBINED RHYTHMS
- Part Two STYLE AND INTERPRETATION
- Chapter Seventeen TEMPO
- Chapter Eighteen MEASURE GROUPINGS AND RUBATO
- Chapter Nineteen ORCHESTRAL CADENZAS AND ACCOMPANIMENT
- Chapter Twenty RECITATIVE
- Chapter Twenty-One STUDYING AND ANALYZING AN ORCHESTRAL SCORE
- Chapter Twenty-Two MARKING, CORRECTING, AND EDITING SCORES
- Chapter Twenty-Three PREPARING FOR THE REHEARSAL
- Chapter Twenty-Four THE REHEARSAL
- Chapter Twenty-Five THE PERFORMANCE
- Chapter Twenty-Six ON PROGRAMS
- Chapter Twenty-Seven PROGRAMS IN PRACTICE
- Chapter Twenty-Eight BYPATHS AND BYGONE DAYS
- APPENDICES
- BIBLIOGRAPHIES
- INDEX