Techniques of Modern Orchestral Conducting : : Second edition, revised and enlarged / / Benjamin Grosbayne.

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package
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Place / Publishing House:Cambridge, MA : : Harvard University Press, , [2013]
©1973
Year of Publication:2013
Edition:2nd ed., revised and enlarged. Reprint 2014
Language:English
Online Access:
Physical Description:1 online resource (356 p.) :; illustrated
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Table of Contents:
  • Frontmatter
  • ACKNOWLEDGMENTS
  • CONTENTS
  • FOREWORD
  • INTERPRETATION OF PATTERNS AND ABBREVIATIONS
  • Part One THE PHYSICAL BASES OF CONDUCTING
  • Chapter One GENERAL CONSIDERATIONS
  • Chapter Two REQUIREMENTS AND EXPERIENCE
  • Chapter Three THE TOOLS
  • Chapter Four PREPARATORY EXERCISES
  • Chapter Five TWO BEATS TO THE BAR
  • Chapter Six THREE BEATS TO THE BAR
  • Chapter Seven ONE BEAT TO THE BAR
  • Chapter Eight FOUR BEATS TO THE BAR
  • Chapter Nine SIX BEATS TO THE BAR
  • Chapter Ten ATTACKS
  • Chapter Eleven COMBINATION PULSES
  • Chapter Twelve THE LEFT HAND
  • Chapter Thirteen THE HOLD
  • Chapter Fourteen VOLUME, ACCENTS, LEGATO AND STACCATO
  • Chapter Fifteen TECHNIQUES OF RHYTHM
  • Chapter Sixteen COMBINED RHYTHMS
  • Part Two STYLE AND INTERPRETATION
  • Chapter Seventeen TEMPO
  • Chapter Eighteen MEASURE GROUPINGS AND RUBATO
  • Chapter Nineteen ORCHESTRAL CADENZAS AND ACCOMPANIMENT
  • Chapter Twenty RECITATIVE
  • Chapter Twenty-One STUDYING AND ANALYZING AN ORCHESTRAL SCORE
  • Chapter Twenty-Two MARKING, CORRECTING, AND EDITING SCORES
  • Chapter Twenty-Three PREPARING FOR THE REHEARSAL
  • Chapter Twenty-Four THE REHEARSAL
  • Chapter Twenty-Five THE PERFORMANCE
  • Chapter Twenty-Six ON PROGRAMS
  • Chapter Twenty-Seven PROGRAMS IN PRACTICE
  • Chapter Twenty-Eight BYPATHS AND BYGONE DAYS
  • APPENDICES
  • BIBLIOGRAPHIES
  • INDEX