Techniques of Modern Orchestral Conducting : : Second edition, revised and enlarged / / Benjamin Grosbayne.

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Superior document:Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package
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Place / Publishing House:Cambridge, MA : : Harvard University Press, , [2013]
©1973
Year of Publication:2013
Edition:2nd ed., revised and enlarged. Reprint 2014
Language:English
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Physical Description:1 online resource (356 p.) :; illustrated
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id 9780674284197
ctrlnum (DE-B1597)247278
(OCoLC)900841615
collection bib_alma
record_format marc
spelling Grosbayne, Benjamin, author. aut http://id.loc.gov/vocabulary/relators/aut
Techniques of Modern Orchestral Conducting : Second edition, revised and enlarged / Benjamin Grosbayne.
2nd ed., revised and enlarged. Reprint 2014
Cambridge, MA : Harvard University Press, [2013]
©1973
1 online resource (356 p.) : illustrated
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- ACKNOWLEDGMENTS -- CONTENTS -- FOREWORD -- INTERPRETATION OF PATTERNS AND ABBREVIATIONS -- Part One THE PHYSICAL BASES OF CONDUCTING -- Chapter One GENERAL CONSIDERATIONS -- Chapter Two REQUIREMENTS AND EXPERIENCE -- Chapter Three THE TOOLS -- Chapter Four PREPARATORY EXERCISES -- Chapter Five TWO BEATS TO THE BAR -- Chapter Six THREE BEATS TO THE BAR -- Chapter Seven ONE BEAT TO THE BAR -- Chapter Eight FOUR BEATS TO THE BAR -- Chapter Nine SIX BEATS TO THE BAR -- Chapter Ten ATTACKS -- Chapter Eleven COMBINATION PULSES -- Chapter Twelve THE LEFT HAND -- Chapter Thirteen THE HOLD -- Chapter Fourteen VOLUME, ACCENTS, LEGATO AND STACCATO -- Chapter Fifteen TECHNIQUES OF RHYTHM -- Chapter Sixteen COMBINED RHYTHMS -- Part Two STYLE AND INTERPRETATION -- Chapter Seventeen TEMPO -- Chapter Eighteen MEASURE GROUPINGS AND RUBATO -- Chapter Nineteen ORCHESTRAL CADENZAS AND ACCOMPANIMENT -- Chapter Twenty RECITATIVE -- Chapter Twenty-One STUDYING AND ANALYZING AN ORCHESTRAL SCORE -- Chapter Twenty-Two MARKING, CORRECTING, AND EDITING SCORES -- Chapter Twenty-Three PREPARING FOR THE REHEARSAL -- Chapter Twenty-Four THE REHEARSAL -- Chapter Twenty-Five THE PERFORMANCE -- Chapter Twenty-Six ON PROGRAMS -- Chapter Twenty-Seven PROGRAMS IN PRACTICE -- Chapter Twenty-Eight BYPATHS AND BYGONE DAYS -- APPENDICES -- BIBLIOGRAPHIES -- INDEX
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)
Conducting.
Direction musicale.
Musik.
MUSIC / General. bisacsh
Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package 9783110353471 ZDB-23-HAA
Title is part of eBook package: De Gruyter HUP e-dition: Complete eBook Package 9783110353488 ZDB-23-HCO
Title is part of eBook package: De Gruyter HUP eBook Package Archive 1893-1999 9783110442212
print 9780674284180
https://doi.org/10.4159/harvard.9780674284197
https://www.degruyter.com/isbn/9780674284197
Cover https://www.degruyter.com/cover/covers/9780674284197.jpg
language English
format eBook
author Grosbayne, Benjamin,
Grosbayne, Benjamin,
spellingShingle Grosbayne, Benjamin,
Grosbayne, Benjamin,
Techniques of Modern Orchestral Conducting : Second edition, revised and enlarged /
Frontmatter --
ACKNOWLEDGMENTS --
CONTENTS --
FOREWORD --
INTERPRETATION OF PATTERNS AND ABBREVIATIONS --
Part One THE PHYSICAL BASES OF CONDUCTING --
Chapter One GENERAL CONSIDERATIONS --
Chapter Two REQUIREMENTS AND EXPERIENCE --
Chapter Three THE TOOLS --
Chapter Four PREPARATORY EXERCISES --
Chapter Five TWO BEATS TO THE BAR --
Chapter Six THREE BEATS TO THE BAR --
Chapter Seven ONE BEAT TO THE BAR --
Chapter Eight FOUR BEATS TO THE BAR --
Chapter Nine SIX BEATS TO THE BAR --
Chapter Ten ATTACKS --
Chapter Eleven COMBINATION PULSES --
Chapter Twelve THE LEFT HAND --
Chapter Thirteen THE HOLD --
Chapter Fourteen VOLUME, ACCENTS, LEGATO AND STACCATO --
Chapter Fifteen TECHNIQUES OF RHYTHM --
Chapter Sixteen COMBINED RHYTHMS --
Part Two STYLE AND INTERPRETATION --
Chapter Seventeen TEMPO --
Chapter Eighteen MEASURE GROUPINGS AND RUBATO --
Chapter Nineteen ORCHESTRAL CADENZAS AND ACCOMPANIMENT --
Chapter Twenty RECITATIVE --
Chapter Twenty-One STUDYING AND ANALYZING AN ORCHESTRAL SCORE --
Chapter Twenty-Two MARKING, CORRECTING, AND EDITING SCORES --
Chapter Twenty-Three PREPARING FOR THE REHEARSAL --
Chapter Twenty-Four THE REHEARSAL --
Chapter Twenty-Five THE PERFORMANCE --
Chapter Twenty-Six ON PROGRAMS --
Chapter Twenty-Seven PROGRAMS IN PRACTICE --
Chapter Twenty-Eight BYPATHS AND BYGONE DAYS --
APPENDICES --
BIBLIOGRAPHIES --
INDEX
author_facet Grosbayne, Benjamin,
Grosbayne, Benjamin,
author_variant b g bg
b g bg
author_role VerfasserIn
VerfasserIn
author_sort Grosbayne, Benjamin,
title Techniques of Modern Orchestral Conducting : Second edition, revised and enlarged /
title_sub Second edition, revised and enlarged /
title_full Techniques of Modern Orchestral Conducting : Second edition, revised and enlarged / Benjamin Grosbayne.
title_fullStr Techniques of Modern Orchestral Conducting : Second edition, revised and enlarged / Benjamin Grosbayne.
title_full_unstemmed Techniques of Modern Orchestral Conducting : Second edition, revised and enlarged / Benjamin Grosbayne.
title_auth Techniques of Modern Orchestral Conducting : Second edition, revised and enlarged /
title_alt Frontmatter --
ACKNOWLEDGMENTS --
CONTENTS --
FOREWORD --
INTERPRETATION OF PATTERNS AND ABBREVIATIONS --
Part One THE PHYSICAL BASES OF CONDUCTING --
Chapter One GENERAL CONSIDERATIONS --
Chapter Two REQUIREMENTS AND EXPERIENCE --
Chapter Three THE TOOLS --
Chapter Four PREPARATORY EXERCISES --
Chapter Five TWO BEATS TO THE BAR --
Chapter Six THREE BEATS TO THE BAR --
Chapter Seven ONE BEAT TO THE BAR --
Chapter Eight FOUR BEATS TO THE BAR --
Chapter Nine SIX BEATS TO THE BAR --
Chapter Ten ATTACKS --
Chapter Eleven COMBINATION PULSES --
Chapter Twelve THE LEFT HAND --
Chapter Thirteen THE HOLD --
Chapter Fourteen VOLUME, ACCENTS, LEGATO AND STACCATO --
Chapter Fifteen TECHNIQUES OF RHYTHM --
Chapter Sixteen COMBINED RHYTHMS --
Part Two STYLE AND INTERPRETATION --
Chapter Seventeen TEMPO --
Chapter Eighteen MEASURE GROUPINGS AND RUBATO --
Chapter Nineteen ORCHESTRAL CADENZAS AND ACCOMPANIMENT --
Chapter Twenty RECITATIVE --
Chapter Twenty-One STUDYING AND ANALYZING AN ORCHESTRAL SCORE --
Chapter Twenty-Two MARKING, CORRECTING, AND EDITING SCORES --
Chapter Twenty-Three PREPARING FOR THE REHEARSAL --
Chapter Twenty-Four THE REHEARSAL --
Chapter Twenty-Five THE PERFORMANCE --
Chapter Twenty-Six ON PROGRAMS --
Chapter Twenty-Seven PROGRAMS IN PRACTICE --
Chapter Twenty-Eight BYPATHS AND BYGONE DAYS --
APPENDICES --
BIBLIOGRAPHIES --
INDEX
title_new Techniques of Modern Orchestral Conducting :
title_sort techniques of modern orchestral conducting : second edition, revised and enlarged /
publisher Harvard University Press,
publishDate 2013
physical 1 online resource (356 p.) : illustrated
edition 2nd ed., revised and enlarged. Reprint 2014
contents Frontmatter --
ACKNOWLEDGMENTS --
CONTENTS --
FOREWORD --
INTERPRETATION OF PATTERNS AND ABBREVIATIONS --
Part One THE PHYSICAL BASES OF CONDUCTING --
Chapter One GENERAL CONSIDERATIONS --
Chapter Two REQUIREMENTS AND EXPERIENCE --
Chapter Three THE TOOLS --
Chapter Four PREPARATORY EXERCISES --
Chapter Five TWO BEATS TO THE BAR --
Chapter Six THREE BEATS TO THE BAR --
Chapter Seven ONE BEAT TO THE BAR --
Chapter Eight FOUR BEATS TO THE BAR --
Chapter Nine SIX BEATS TO THE BAR --
Chapter Ten ATTACKS --
Chapter Eleven COMBINATION PULSES --
Chapter Twelve THE LEFT HAND --
Chapter Thirteen THE HOLD --
Chapter Fourteen VOLUME, ACCENTS, LEGATO AND STACCATO --
Chapter Fifteen TECHNIQUES OF RHYTHM --
Chapter Sixteen COMBINED RHYTHMS --
Part Two STYLE AND INTERPRETATION --
Chapter Seventeen TEMPO --
Chapter Eighteen MEASURE GROUPINGS AND RUBATO --
Chapter Nineteen ORCHESTRAL CADENZAS AND ACCOMPANIMENT --
Chapter Twenty RECITATIVE --
Chapter Twenty-One STUDYING AND ANALYZING AN ORCHESTRAL SCORE --
Chapter Twenty-Two MARKING, CORRECTING, AND EDITING SCORES --
Chapter Twenty-Three PREPARING FOR THE REHEARSAL --
Chapter Twenty-Four THE REHEARSAL --
Chapter Twenty-Five THE PERFORMANCE --
Chapter Twenty-Six ON PROGRAMS --
Chapter Twenty-Seven PROGRAMS IN PRACTICE --
Chapter Twenty-Eight BYPATHS AND BYGONE DAYS --
APPENDICES --
BIBLIOGRAPHIES --
INDEX
isbn 9780674284197
9783110353471
9783110353488
9783110442212
9780674284180
callnumber-first M - Music
callnumber-subject MT - Instruction and Study
callnumber-label MT85
callnumber-sort MT 285
url https://doi.org/10.4159/harvard.9780674284197
https://www.degruyter.com/isbn/9780674284197
https://www.degruyter.com/cover/covers/9780674284197.jpg
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 780 - Music
dewey-ones 781 - General principles & musical forms
dewey-full 781.6/35
dewey-sort 3781.6 235
dewey-raw 781.6/35
dewey-search 781.6/35
doi_str_mv 10.4159/harvard.9780674284197
oclc_num 900841615
work_keys_str_mv AT grosbaynebenjamin techniquesofmodernorchestralconductingsecondeditionrevisedandenlarged
status_str n
ids_txt_mv (DE-B1597)247278
(OCoLC)900841615
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package
Title is part of eBook package: De Gruyter HUP e-dition: Complete eBook Package
Title is part of eBook package: De Gruyter HUP eBook Package Archive 1893-1999
is_hierarchy_title Techniques of Modern Orchestral Conducting : Second edition, revised and enlarged /
container_title Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package
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