Techniques of Modern Orchestral Conducting : : Second edition, revised and enlarged / / Benjamin Grosbayne.
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| Superior document: | Title is part of eBook package: De Gruyter HUP e-dition: Art & Architecture eBook Package |
|---|---|
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| Place / Publishing House: | Cambridge, MA : : Harvard University Press, , [2013] ©1973 |
| Year of Publication: | 2013 |
| Edition: | 2nd ed., revised and enlarged. Reprint 2014 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (356 p.) :; illustrated |
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| 100 | 1 | |a Grosbayne, Benjamin, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Techniques of Modern Orchestral Conducting : |b Second edition, revised and enlarged / |c Benjamin Grosbayne. |
| 250 | |a 2nd ed., revised and enlarged. Reprint 2014 | ||
| 264 | 1 | |a Cambridge, MA : |b Harvard University Press, |c [2013] | |
| 264 | 4 | |c ©1973 | |
| 300 | |a 1 online resource (356 p.) : |b illustrated | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 347 | |a text file |b PDF |2 rda | ||
| 505 | 0 | 0 | |t Frontmatter -- |t ACKNOWLEDGMENTS -- |t CONTENTS -- |t FOREWORD -- |t INTERPRETATION OF PATTERNS AND ABBREVIATIONS -- |t Part One THE PHYSICAL BASES OF CONDUCTING -- |t Chapter One GENERAL CONSIDERATIONS -- |t Chapter Two REQUIREMENTS AND EXPERIENCE -- |t Chapter Three THE TOOLS -- |t Chapter Four PREPARATORY EXERCISES -- |t Chapter Five TWO BEATS TO THE BAR -- |t Chapter Six THREE BEATS TO THE BAR -- |t Chapter Seven ONE BEAT TO THE BAR -- |t Chapter Eight FOUR BEATS TO THE BAR -- |t Chapter Nine SIX BEATS TO THE BAR -- |t Chapter Ten ATTACKS -- |t Chapter Eleven COMBINATION PULSES -- |t Chapter Twelve THE LEFT HAND -- |t Chapter Thirteen THE HOLD -- |t Chapter Fourteen VOLUME, ACCENTS, LEGATO AND STACCATO -- |t Chapter Fifteen TECHNIQUES OF RHYTHM -- |t Chapter Sixteen COMBINED RHYTHMS -- |t Part Two STYLE AND INTERPRETATION -- |t Chapter Seventeen TEMPO -- |t Chapter Eighteen MEASURE GROUPINGS AND RUBATO -- |t Chapter Nineteen ORCHESTRAL CADENZAS AND ACCOMPANIMENT -- |t Chapter Twenty RECITATIVE -- |t Chapter Twenty-One STUDYING AND ANALYZING AN ORCHESTRAL SCORE -- |t Chapter Twenty-Two MARKING, CORRECTING, AND EDITING SCORES -- |t Chapter Twenty-Three PREPARING FOR THE REHEARSAL -- |t Chapter Twenty-Four THE REHEARSAL -- |t Chapter Twenty-Five THE PERFORMANCE -- |t Chapter Twenty-Six ON PROGRAMS -- |t Chapter Twenty-Seven PROGRAMS IN PRACTICE -- |t Chapter Twenty-Eight BYPATHS AND BYGONE DAYS -- |t APPENDICES -- |t BIBLIOGRAPHIES -- |t INDEX |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) | |
| 650 | 0 | |a Conducting. | |
| 650 | 0 | |a Direction musicale. | |
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| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t HUP e-dition: Complete eBook Package |z 9783110353488 |o ZDB-23-HCO |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t HUP eBook Package Archive 1893-1999 |z 9783110442212 |
| 776 | 0 | |c print |z 9780674284180 | |
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