Feminism, Film, Fascism : : Women's Auto/biographical Film in Postwar Germany / / Susan E. Linville.
German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books b...
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| Superior document: | Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000 |
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| Place / Publishing House: | Austin : : University of Texas Press, , [2022] ©1998 |
| Year of Publication: | 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction: Seeing Through he "Postwar" Years
- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace
- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother
- 3 Self-consuming Images: The Idenity Politics of Jutta Brückner;s Hunger Years
- 4 Rertieving History: Margarethe von Tro
- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou
- Epilogue
- Notes
- Filmography
- Bibliography
- Index