Feminism, Film, Fascism : : Women's Auto/biographical Film in Postwar Germany / / Susan E. Linville.
German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books b...
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Superior document: | Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000 |
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Place / Publishing House: | Austin : : University of Texas Press, , [2022] ©1998 |
Year of Publication: | 2022 |
Language: | English |
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Linville, Susan E., author. aut http://id.loc.gov/vocabulary/relators/aut Feminism, Film, Fascism : Women's Auto/biographical Film in Postwar Germany / Susan E. Linville. Austin : University of Texas Press, [2022] ©1998 1 online resource text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Introduction: Seeing Through he "Postwar" Years -- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace -- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother -- 3 Self-consuming Images: The Idenity Politics of Jutta Brückner;s Hunger Years -- 4 Rertieving History: Margarethe von Tro -- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou -- Epilogue -- Notes -- Filmography -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns—namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages—Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) Guilt. Motion pictures Germany History. Motion pictures Germany Psychological aspects. Women in motion pictures. Women motion picture producers and directors Germany. PERFORMING ARTS / Film & Video / General. bisacsh Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000 9783110745351 https://doi.org/10.7560/746961 https://www.degruyter.com/isbn/9780292799721 Cover https://www.degruyter.com/document/cover/isbn/9780292799721/original |
language |
English |
format |
eBook |
author |
Linville, Susan E., Linville, Susan E., |
spellingShingle |
Linville, Susan E., Linville, Susan E., Feminism, Film, Fascism : Women's Auto/biographical Film in Postwar Germany / Frontmatter -- Contents -- Acknowledgments -- Introduction: Seeing Through he "Postwar" Years -- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace -- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother -- 3 Self-consuming Images: The Idenity Politics of Jutta Brückner;s Hunger Years -- 4 Rertieving History: Margarethe von Tro -- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou -- Epilogue -- Notes -- Filmography -- Bibliography -- Index |
author_facet |
Linville, Susan E., Linville, Susan E., |
author_variant |
s e l se sel s e l se sel |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Linville, Susan E., |
title |
Feminism, Film, Fascism : Women's Auto/biographical Film in Postwar Germany / |
title_sub |
Women's Auto/biographical Film in Postwar Germany / |
title_full |
Feminism, Film, Fascism : Women's Auto/biographical Film in Postwar Germany / Susan E. Linville. |
title_fullStr |
Feminism, Film, Fascism : Women's Auto/biographical Film in Postwar Germany / Susan E. Linville. |
title_full_unstemmed |
Feminism, Film, Fascism : Women's Auto/biographical Film in Postwar Germany / Susan E. Linville. |
title_auth |
Feminism, Film, Fascism : Women's Auto/biographical Film in Postwar Germany / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction: Seeing Through he "Postwar" Years -- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace -- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother -- 3 Self-consuming Images: The Idenity Politics of Jutta Brückner;s Hunger Years -- 4 Rertieving History: Margarethe von Tro -- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou -- Epilogue -- Notes -- Filmography -- Bibliography -- Index |
title_new |
Feminism, Film, Fascism : |
title_sort |
feminism, film, fascism : women's auto/biographical film in postwar germany / |
publisher |
University of Texas Press, |
publishDate |
2022 |
physical |
1 online resource |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction: Seeing Through he "Postwar" Years -- 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace -- 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother -- 3 Self-consuming Images: The Idenity Politics of Jutta Brückner;s Hunger Years -- 4 Rertieving History: Margarethe von Tro -- 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou -- Epilogue -- Notes -- Filmography -- Bibliography -- Index |
isbn |
9780292799721 9783110745351 |
geographic_facet |
Germany Germany. |
url |
https://doi.org/10.7560/746961 https://www.degruyter.com/isbn/9780292799721 https://www.degruyter.com/document/cover/isbn/9780292799721/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/0943 |
dewey-sort |
3791.43 3943 |
dewey-raw |
791.43/0943 |
dewey-search |
791.43/0943 |
doi_str_mv |
10.7560/746961 |
oclc_num |
1294423668 |
work_keys_str_mv |
AT linvillesusane feminismfilmfascismwomensautobiographicalfilminpostwargermany |
status_str |
n |
ids_txt_mv |
(DE-B1597)586986 (OCoLC)1294423668 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000 |
is_hierarchy_title |
Feminism, Film, Fascism : Women's Auto/biographical Film in Postwar Germany / |
container_title |
Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000 |
_version_ |
1806143157914566656 |
fullrecord |
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