Feminism, Film, Fascism : : Women's Auto/biographical Film in Postwar Germany / / Susan E. Linville.
German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books b...
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| Superior document: | Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000 |
|---|---|
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| Place / Publishing House: | Austin : : University of Texas Press, , [2022] ©1998 |
| Year of Publication: | 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource |
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| 100 | 1 | |a Linville, Susan E., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Feminism, Film, Fascism : |b Women's Auto/biographical Film in Postwar Germany / |c Susan E. Linville. |
| 264 | 1 | |a Austin : |b University of Texas Press, |c [2022] | |
| 264 | 4 | |c ©1998 | |
| 300 | |a 1 online resource | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction: Seeing Through he "Postwar" Years -- |t 1 Kinder, Kirche, Kino: The Optical Politics of Marianne Rosenbaum's Peppermint Peace -- |t 2 The mother-daughter plot in history: Helma Sander-Brahm's Germany, pale mother -- |t 3 Self-consuming Images: The Idenity Politics of Jutta Brückner;s Hunger Years -- |t 4 Rertieving History: Margarethe von Tro -- |t 5 The Autoethnographic aesthetic of Jeanine Meerapfel's Malou -- |t Epilogue -- |t Notes -- |t Filmography -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a German society's inability and/or refusal to come to terms with its Nazi past has been analyzed in many cultural works, including the well-known books Society without the Father and The Inability to Mourn. In this pathfinding study, Susan Linville challenges the accepted wisdom of these books by focusing on a cultural realm in which mourning for the Nazi past and opposing the patriarchal and authoritarian nature of postwar German culture are central concerns—namely, women's feminist auto/biographical films of the 1970s and 1980s. After a broad survey of feminist theory, Linville analyzes five important films that reflect back on the Third Reich through the experiences of women of different ages—Marianne Rosenbaum's Peppermint Peace, Helma Sanders-Brahms's Germany, Pale Mother, Jutta Brückner's Hunger Years, Margarethe von Trotta's Marianne and Juliane, and Jeanine Meerapfel's Malou. By juxtaposing these films with the accepted theories on German culture, Linville offers a fresh appraisal not only of the films' importance but especially of their challenge to misogynist interpretations of the German failure to grieve for the horrors of its Nazi past. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) | |
| 650 | 0 | |a Guilt. | |
| 650 | 0 | |a Motion pictures |z Germany |x History. | |
| 650 | 0 | |a Motion pictures |z Germany |x Psychological aspects. | |
| 650 | 0 | |a Women in motion pictures. | |
| 650 | 0 | |a Women motion picture producers and directors |z Germany. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / General. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Texas Press Complete eBook-Package Pre-2000 |z 9783110745351 |
| 856 | 4 | 0 | |u https://doi.org/10.7560/746961 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780292799721 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780292799721/original |
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