The Literary Mind and the Carving of Dragons : : A Study of Thought and Pattern in Chinese Literature / / Liu Hsieh.

Traces the origins of Chinese literature and the impact of nature by looking at Confucius, through the classics, poetry, and the relationship between music and poetry.

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Superior document:Title is part of eBook package: De Gruyter CUP eBook Package Archive 1898-1999 (pre Pub)
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Place / Publishing House:New York, NY : : Columbia University Press, , [1959]
©1959
Year of Publication:1959
Language:English
Series:Records of Civilization. Sources and Studies
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spelling Hsieh, Liu, author.
The Literary Mind and the Carving of Dragons : A Study of Thought and Pattern in Chinese Literature / Liu Hsieh.
New York, NY : Columbia University Press, [1959]
©1959
1 online resource
text txt rdacontent
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Records of Civilization. Sources and Studies
Frontmatter -- Acknowledgments -- Contents -- Introduction -- Preface -- I. On Tao, the Source -- II. Evidence from the Sage -- III. The Classics as Literary Sources -- IV. Emendation of Apocrypha -- V. An Analysis of Sao -- VI. An Exegesis of Poetry -- VII. Musical Poetry (Yüeh-fu) -- VIII. Elucidation of Fu -- IX. Ode and Pronouncement (The Sung and the Tsan) -- X. Sacrificial Prayer and Oath of Agreement (The Chu and the Meng) -- XI. Inscription and Exhortation (The Ming and the Chen) -- XII. Elegy and Stone Inscription (The Lei and the Pei) -- XIII. Lament and Condolence (The Ai and the Tiao) -- XIV. Miscellaneous Writings -- XV. Humor and Enigma (The Hsieh and the Yin) -- XVI. Historical Writings -- XVII. Speculative Writings -- XVIII. Treatise and Discussion (The Lun and the Shuo) -- XIX. Edict and Script (The Chao and the Ts'e) -- XX. War Proclamation and Dispatch (The Hsi and the I) -- XXI. Sacrifices to Heaven and Earth (Feng Shan) -- XXII. Memorial, Part I (The Chang and the Piao) -- XXIII. Memorial, Part II (The Tsou and the Ch'i) -- XXIV. Discussion and Answer (The I and the Tui) -- XXV. Epistolary Writing (The Shu and the Chi) -- XXVI. Spiritual Thought or Imagination (Shen-ssu) -- XXVII. Style and Nature (T'i-hsing) -- XXVIII. The Wind and the Bone (Feng-ku) -- XXIX. Flexible Adaptability to Varying Situations (T'ung-pien ) -- XXX. On Choice of Style -- XXXI. Emotion and Literary Expression -- XXXII. Casting and Cutting, or, on Editing of Ideas and Rhetoric (]ung-ts'ai) -- XXXIII. Musicalness -- XXXIV. Paragraph and Sentence -- XXXV. Linguistic Parallelism -- XXXVI. Metaphor and Allegory (Pi and Hsing) -- XXXVII. Embellishment as Description -- XXXVIII. Factual Allusion and Textual Reference -- XXXIX. Philology and Choice of Words -- XL. The Recondite and the Conspicuous (Yin-hsiu) -- XLI. Literary Flaws -- XLII. The Nourishing of Vitality -- XLIII. Organization (Fu-hui) -- XLIV. Discussion on the Art of Writing (Tsung-shu) -- XLV. Literary Development and Time (Shih-hsu) -- XLVI. The Physical World -- XLVII. Literary Talents -- XLVIII. An Understanding Critic (Chih-Yin) -- XLIX. The Capacity of a Vessel (Ch'eng-ch'i) -- Glossary -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Traces the origins of Chinese literature and the impact of nature by looking at Confucius, through the classics, poetry, and the relationship between music and poetry.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019)
LITERARY CRITICISM / Asian / Chinese. bisacsh
Shih, Vincent Yu-Chung.
Title is part of eBook package: De Gruyter CUP eBook Package Archive 1898-1999 (pre Pub) 9783110442489
print 9780231937429
https://doi.org/10.7312/liu-93742
Cover https://www.degruyter.com/cover/covers/9780231895224.jpg
language English
format eBook
author Hsieh, Liu,
spellingShingle Hsieh, Liu,
The Literary Mind and the Carving of Dragons : A Study of Thought and Pattern in Chinese Literature /
Records of Civilization. Sources and Studies
Frontmatter --
Acknowledgments --
Contents --
Introduction --
Preface --
I. On Tao, the Source --
II. Evidence from the Sage --
III. The Classics as Literary Sources --
IV. Emendation of Apocrypha --
V. An Analysis of Sao --
VI. An Exegesis of Poetry --
VII. Musical Poetry (Yüeh-fu) --
VIII. Elucidation of Fu --
IX. Ode and Pronouncement (The Sung and the Tsan) --
X. Sacrificial Prayer and Oath of Agreement (The Chu and the Meng) --
XI. Inscription and Exhortation (The Ming and the Chen) --
XII. Elegy and Stone Inscription (The Lei and the Pei) --
XIII. Lament and Condolence (The Ai and the Tiao) --
XIV. Miscellaneous Writings --
XV. Humor and Enigma (The Hsieh and the Yin) --
XVI. Historical Writings --
XVII. Speculative Writings --
XVIII. Treatise and Discussion (The Lun and the Shuo) --
XIX. Edict and Script (The Chao and the Ts'e) --
XX. War Proclamation and Dispatch (The Hsi and the I) --
XXI. Sacrifices to Heaven and Earth (Feng Shan) --
XXII. Memorial, Part I (The Chang and the Piao) --
XXIII. Memorial, Part II (The Tsou and the Ch'i) --
XXIV. Discussion and Answer (The I and the Tui) --
XXV. Epistolary Writing (The Shu and the Chi) --
XXVI. Spiritual Thought or Imagination (Shen-ssu) --
XXVII. Style and Nature (T'i-hsing) --
XXVIII. The Wind and the Bone (Feng-ku) --
XXIX. Flexible Adaptability to Varying Situations (T'ung-pien ) --
XXX. On Choice of Style --
XXXI. Emotion and Literary Expression --
XXXII. Casting and Cutting, or, on Editing of Ideas and Rhetoric (]ung-ts'ai) --
XXXIII. Musicalness --
XXXIV. Paragraph and Sentence --
XXXV. Linguistic Parallelism --
XXXVI. Metaphor and Allegory (Pi and Hsing) --
XXXVII. Embellishment as Description --
XXXVIII. Factual Allusion and Textual Reference --
XXXIX. Philology and Choice of Words --
XL. The Recondite and the Conspicuous (Yin-hsiu) --
XLI. Literary Flaws --
XLII. The Nourishing of Vitality --
XLIII. Organization (Fu-hui) --
XLIV. Discussion on the Art of Writing (Tsung-shu) --
XLV. Literary Development and Time (Shih-hsu) --
XLVI. The Physical World --
XLVII. Literary Talents --
XLVIII. An Understanding Critic (Chih-Yin) --
XLIX. The Capacity of a Vessel (Ch'eng-ch'i) --
Glossary --
Index
author_facet Hsieh, Liu,
Shih, Vincent Yu-Chung.
author_variant l h lh
author_role VerfasserIn
author2 Shih, Vincent Yu-Chung.
author2_variant v y c s vyc vycs
author2_role TeilnehmendeR
author_sort Hsieh, Liu,
title The Literary Mind and the Carving of Dragons : A Study of Thought and Pattern in Chinese Literature /
title_sub A Study of Thought and Pattern in Chinese Literature /
title_full The Literary Mind and the Carving of Dragons : A Study of Thought and Pattern in Chinese Literature / Liu Hsieh.
title_fullStr The Literary Mind and the Carving of Dragons : A Study of Thought and Pattern in Chinese Literature / Liu Hsieh.
title_full_unstemmed The Literary Mind and the Carving of Dragons : A Study of Thought and Pattern in Chinese Literature / Liu Hsieh.
title_auth The Literary Mind and the Carving of Dragons : A Study of Thought and Pattern in Chinese Literature /
title_alt Frontmatter --
Acknowledgments --
Contents --
Introduction --
Preface --
I. On Tao, the Source --
II. Evidence from the Sage --
III. The Classics as Literary Sources --
IV. Emendation of Apocrypha --
V. An Analysis of Sao --
VI. An Exegesis of Poetry --
VII. Musical Poetry (Yüeh-fu) --
VIII. Elucidation of Fu --
IX. Ode and Pronouncement (The Sung and the Tsan) --
X. Sacrificial Prayer and Oath of Agreement (The Chu and the Meng) --
XI. Inscription and Exhortation (The Ming and the Chen) --
XII. Elegy and Stone Inscription (The Lei and the Pei) --
XIII. Lament and Condolence (The Ai and the Tiao) --
XIV. Miscellaneous Writings --
XV. Humor and Enigma (The Hsieh and the Yin) --
XVI. Historical Writings --
XVII. Speculative Writings --
XVIII. Treatise and Discussion (The Lun and the Shuo) --
XIX. Edict and Script (The Chao and the Ts'e) --
XX. War Proclamation and Dispatch (The Hsi and the I) --
XXI. Sacrifices to Heaven and Earth (Feng Shan) --
XXII. Memorial, Part I (The Chang and the Piao) --
XXIII. Memorial, Part II (The Tsou and the Ch'i) --
XXIV. Discussion and Answer (The I and the Tui) --
XXV. Epistolary Writing (The Shu and the Chi) --
XXVI. Spiritual Thought or Imagination (Shen-ssu) --
XXVII. Style and Nature (T'i-hsing) --
XXVIII. The Wind and the Bone (Feng-ku) --
XXIX. Flexible Adaptability to Varying Situations (T'ung-pien ) --
XXX. On Choice of Style --
XXXI. Emotion and Literary Expression --
XXXII. Casting and Cutting, or, on Editing of Ideas and Rhetoric (]ung-ts'ai) --
XXXIII. Musicalness --
XXXIV. Paragraph and Sentence --
XXXV. Linguistic Parallelism --
XXXVI. Metaphor and Allegory (Pi and Hsing) --
XXXVII. Embellishment as Description --
XXXVIII. Factual Allusion and Textual Reference --
XXXIX. Philology and Choice of Words --
XL. The Recondite and the Conspicuous (Yin-hsiu) --
XLI. Literary Flaws --
XLII. The Nourishing of Vitality --
XLIII. Organization (Fu-hui) --
XLIV. Discussion on the Art of Writing (Tsung-shu) --
XLV. Literary Development and Time (Shih-hsu) --
XLVI. The Physical World --
XLVII. Literary Talents --
XLVIII. An Understanding Critic (Chih-Yin) --
XLIX. The Capacity of a Vessel (Ch'eng-ch'i) --
Glossary --
Index
title_new The Literary Mind and the Carving of Dragons :
title_sort the literary mind and the carving of dragons : a study of thought and pattern in chinese literature /
series Records of Civilization. Sources and Studies
series2 Records of Civilization. Sources and Studies
publisher Columbia University Press,
publishDate 1959
physical 1 online resource
contents Frontmatter --
Acknowledgments --
Contents --
Introduction --
Preface --
I. On Tao, the Source --
II. Evidence from the Sage --
III. The Classics as Literary Sources --
IV. Emendation of Apocrypha --
V. An Analysis of Sao --
VI. An Exegesis of Poetry --
VII. Musical Poetry (Yüeh-fu) --
VIII. Elucidation of Fu --
IX. Ode and Pronouncement (The Sung and the Tsan) --
X. Sacrificial Prayer and Oath of Agreement (The Chu and the Meng) --
XI. Inscription and Exhortation (The Ming and the Chen) --
XII. Elegy and Stone Inscription (The Lei and the Pei) --
XIII. Lament and Condolence (The Ai and the Tiao) --
XIV. Miscellaneous Writings --
XV. Humor and Enigma (The Hsieh and the Yin) --
XVI. Historical Writings --
XVII. Speculative Writings --
XVIII. Treatise and Discussion (The Lun and the Shuo) --
XIX. Edict and Script (The Chao and the Ts'e) --
XX. War Proclamation and Dispatch (The Hsi and the I) --
XXI. Sacrifices to Heaven and Earth (Feng Shan) --
XXII. Memorial, Part I (The Chang and the Piao) --
XXIII. Memorial, Part II (The Tsou and the Ch'i) --
XXIV. Discussion and Answer (The I and the Tui) --
XXV. Epistolary Writing (The Shu and the Chi) --
XXVI. Spiritual Thought or Imagination (Shen-ssu) --
XXVII. Style and Nature (T'i-hsing) --
XXVIII. The Wind and the Bone (Feng-ku) --
XXIX. Flexible Adaptability to Varying Situations (T'ung-pien ) --
XXX. On Choice of Style --
XXXI. Emotion and Literary Expression --
XXXII. Casting and Cutting, or, on Editing of Ideas and Rhetoric (]ung-ts'ai) --
XXXIII. Musicalness --
XXXIV. Paragraph and Sentence --
XXXV. Linguistic Parallelism --
XXXVI. Metaphor and Allegory (Pi and Hsing) --
XXXVII. Embellishment as Description --
XXXVIII. Factual Allusion and Textual Reference --
XXXIX. Philology and Choice of Words --
XL. The Recondite and the Conspicuous (Yin-hsiu) --
XLI. Literary Flaws --
XLII. The Nourishing of Vitality --
XLIII. Organization (Fu-hui) --
XLIV. Discussion on the Art of Writing (Tsung-shu) --
XLV. Literary Development and Time (Shih-hsu) --
XLVI. The Physical World --
XLVII. Literary Talents --
XLVIII. An Understanding Critic (Chih-Yin) --
XLIX. The Capacity of a Vessel (Ch'eng-ch'i) --
Glossary --
Index
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