The Literary Mind and the Carving of Dragons : : A Study of Thought and Pattern in Chinese Literature / / Liu Hsieh.
Traces the origins of Chinese literature and the impact of nature by looking at Confucius, through the classics, poetry, and the relationship between music and poetry.
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Superior document: | Title is part of eBook package: De Gruyter CUP eBook Package Archive 1898-1999 (pre Pub) |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [1959] ©1959 |
Year of Publication: | 1959 |
Language: | English |
Series: | Records of Civilization. Sources and Studies
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Online Access: | |
Physical Description: | 1 online resource |
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Other title: | Frontmatter -- Acknowledgments -- Contents -- Introduction -- Preface -- I. On Tao, the Source -- II. Evidence from the Sage -- III. The Classics as Literary Sources -- IV. Emendation of Apocrypha -- V. An Analysis of Sao -- VI. An Exegesis of Poetry -- VII. Musical Poetry (Yüeh-fu) -- VIII. Elucidation of Fu -- IX. Ode and Pronouncement (The Sung and the Tsan) -- X. Sacrificial Prayer and Oath of Agreement (The Chu and the Meng) -- XI. Inscription and Exhortation (The Ming and the Chen) -- XII. Elegy and Stone Inscription (The Lei and the Pei) -- XIII. Lament and Condolence (The Ai and the Tiao) -- XIV. Miscellaneous Writings -- XV. Humor and Enigma (The Hsieh and the Yin) -- XVI. Historical Writings -- XVII. Speculative Writings -- XVIII. Treatise and Discussion (The Lun and the Shuo) -- XIX. Edict and Script (The Chao and the Ts'e) -- XX. War Proclamation and Dispatch (The Hsi and the I) -- XXI. Sacrifices to Heaven and Earth (Feng Shan) -- XXII. Memorial, Part I (The Chang and the Piao) -- XXIII. Memorial, Part II (The Tsou and the Ch'i) -- XXIV. Discussion and Answer (The I and the Tui) -- XXV. Epistolary Writing (The Shu and the Chi) -- XXVI. Spiritual Thought or Imagination (Shen-ssu) -- XXVII. Style and Nature (T'i-hsing) -- XXVIII. The Wind and the Bone (Feng-ku) -- XXIX. Flexible Adaptability to Varying Situations (T'ung-pien ) -- XXX. On Choice of Style -- XXXI. Emotion and Literary Expression -- XXXII. Casting and Cutting, or, on Editing of Ideas and Rhetoric (]ung-ts'ai) -- XXXIII. Musicalness -- XXXIV. Paragraph and Sentence -- XXXV. Linguistic Parallelism -- XXXVI. Metaphor and Allegory (Pi and Hsing) -- XXXVII. Embellishment as Description -- XXXVIII. Factual Allusion and Textual Reference -- XXXIX. Philology and Choice of Words -- XL. The Recondite and the Conspicuous (Yin-hsiu) -- XLI. Literary Flaws -- XLII. The Nourishing of Vitality -- XLIII. Organization (Fu-hui) -- XLIV. Discussion on the Art of Writing (Tsung-shu) -- XLV. Literary Development and Time (Shih-hsu) -- XLVI. The Physical World -- XLVII. Literary Talents -- XLVIII. An Understanding Critic (Chih-Yin) -- XLIX. The Capacity of a Vessel (Ch'eng-ch'i) -- Glossary -- Index |
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Summary: | Traces the origins of Chinese literature and the impact of nature by looking at Confucius, through the classics, poetry, and the relationship between music and poetry. |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9780231895224 9783110442489 |
DOI: | 10.7312/liu-93742 |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | Liu Hsieh. |