The Literary Mind and the Carving of Dragons : : A Study of Thought and Pattern in Chinese Literature / / Liu Hsieh.

• Superior document: Title is part of eBook package: De Gruyter CUP eBook Package Archive 1898-1999 (pre Pub)
• VerfasserIn: Hsieh, Liu,
• TeilnehmendeR: Shih, Vincent Yu-Chung.
• Place / Publishing House: New York, NY : : Columbia University Press, , [1959]; ©1959
• Year of Publication: 1959
• Language: English
• Series: Records of Civilization. Sources and Studies
• Physical Description: 1 online resource
• Other title: Frontmatter --; Acknowledgments --; Contents --; Introduction --; Preface --; I. On Tao, the Source --; II. Evidence from the Sage --; III. The Classics as Literary Sources --; IV. Emendation of Apocrypha --; V. An Analysis of Sao --; VI. An Exegesis of Poetry --; VII. Musical Poetry (Yüeh-fu) --; VIII. Elucidation of Fu --; IX. Ode and Pronouncement (The Sung and the Tsan) --; X. Sacrificial Prayer and Oath of Agreement (The Chu and the Meng) --; XI. Inscription and Exhortation (The Ming and the Chen) --; XII. Elegy and Stone Inscription (The Lei and the Pei) --; XIII. Lament and Condolence (The Ai and the Tiao) --; XIV. Miscellaneous Writings --; XV. Humor and Enigma (The Hsieh and the Yin) --; XVI. Historical Writings --; XVII. Speculative Writings --; XVIII. Treatise and Discussion (The Lun and the Shuo) --; XIX. Edict and Script (The Chao and the Ts'e) --; XX. War Proclamation and Dispatch (The Hsi and the I) --; XXI. Sacrifices to Heaven and Earth (Feng Shan) --; XXII. Memorial, Part I (The Chang and the Piao) --; XXIII. Memorial, Part II (The Tsou and the Ch'i) --; XXIV. Discussion and Answer (The I and the Tui) --; XXV. Epistolary Writing (The Shu and the Chi) --; XXVI. Spiritual Thought or Imagination (Shen-ssu) --; XXVII. Style and Nature (T'i-hsing) --; XXVIII. The Wind and the Bone (Feng-ku) --; XXIX. Flexible Adaptability to Varying Situations (T'ung-pien ) --; XXX. On Choice of Style --; XXXI. Emotion and Literary Expression --; XXXII. Casting and Cutting, or, on Editing of Ideas and Rhetoric (]ung-ts'ai) --; XXXIII. Musicalness --; XXXIV. Paragraph and Sentence --; XXXV. Linguistic Parallelism --; XXXVI. Metaphor and Allegory (Pi and Hsing) --; XXXVII. Embellishment as Description --; XXXVIII. Factual Allusion and Textual Reference --; XXXIX. Philology and Choice of Words --; XL. The Recondite and the Conspicuous (Yin-hsiu) --; XLI. Literary Flaws --; XLII. The Nourishing of Vitality --; XLIII. Organization (Fu-hui) --; XLIV. Discussion on the Art of Writing (Tsung-shu) --; XLV. Literary Development and Time (Shih-hsu) --; XLVI. The Physical World --; XLVII. Literary Talents --; XLVIII. An Understanding Critic (Chih-Yin) --; XLIX. The Capacity of a Vessel (Ch'eng-ch'i) --; Glossary --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780231895224; 9783110442489
• DOI: 10.7312/liu-93742
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Liu Hsieh.

Traces the origins of Chinese literature and the impact of nature by looking at Confucius, through the classics, poetry, and the relationship between music and poetry.