Modernist Montage : : The Obscurity of Vision in Cinema and Literature / / P. Adams Sitney.
Presents readings of modern texts and films concentrating of the later reaches of modernism from the 1920's to 1980.
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| Superior document: | Title is part of eBook package: De Gruyter CUP eBook Package Archive 1898-1999 (pre Pub) |
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| Place / Publishing House: | New York, NY : : Columbia University Press, , [1990] ©1990 |
| Year of Publication: | 1990 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource |
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Table of Contents:
- Frontmatter
- Contents
- Preface
- Introduction
- 1. The Instant of Love: Image and Title in Surrealist Cinema
- 2. Revolutionary Time: Image and Title in Soviet Cinema
- 3. Moments of Revelation: Dreyer's Anachronistic Modernity
- 4. Cinematography vs. the Cinema: Bresson's Figures
- 5. The Récit and the Figure: Blanchot's Au moment voulu
- 6. Saying "Nothing": Persona as an Allegory of Psychoanalysis
- 7. The Sentiment of Doing Nothing: Stein's Autobiographies
- 8. Out Via Nothing: Olson's Genealogy of the Proper Poem
- 9. Whoever Sees God Dies: Cinematic Epiphanies
- 10. Theology vs. Psychoanalysis: Landow's Wit
- Notes
- Bibliography
- Index