Modernist Montage : : The Obscurity of Vision in Cinema and Literature / / P. Adams Sitney.
Presents readings of modern texts and films concentrating of the later reaches of modernism from the 1920's to 1980.
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Superior document: | Title is part of eBook package: De Gruyter CUP eBook Package Archive 1898-1999 (pre Pub) |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [1990] ©1990 |
Year of Publication: | 1990 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource |
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Other title: | Frontmatter -- Contents -- Preface -- Introduction -- 1. The Instant of Love: Image and Title in Surrealist Cinema -- 2. Revolutionary Time: Image and Title in Soviet Cinema -- 3. Moments of Revelation: Dreyer's Anachronistic Modernity -- 4. Cinematography vs. the Cinema: Bresson's Figures -- 5. The Récit and the Figure: Blanchot's Au moment voulu -- 6. Saying "Nothing": Persona as an Allegory of Psychoanalysis -- 7. The Sentiment of Doing Nothing: Stein's Autobiographies -- 8. Out Via Nothing: Olson's Genealogy of the Proper Poem -- 9. Whoever Sees God Dies: Cinematic Epiphanies -- 10. Theology vs. Psychoanalysis: Landow's Wit -- Notes -- Bibliography -- Index |
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Summary: | Presents readings of modern texts and films concentrating of the later reaches of modernism from the 1920's to 1980. |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9780231886680 9783110442489 |
DOI: | 10.7312/sitn92032 |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | P. Adams Sitney. |