Modernist Montage : : The Obscurity of Vision in Cinema and Literature / / P. Adams Sitney.

Presents readings of modern texts and films concentrating of the later reaches of modernism from the 1920's to 1980.

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter CUP eBook Package Archive 1898-1999 (pre Pub)
VerfasserIn:
Place / Publishing House:New York, NY : : Columbia University Press, , [1990]
©1990
Year of Publication:1990
Language:English
Online Access:
Physical Description:1 online resource
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Description
Other title:Frontmatter --
Contents --
Preface --
Introduction --
1. The Instant of Love: Image and Title in Surrealist Cinema --
2. Revolutionary Time: Image and Title in Soviet Cinema --
3. Moments of Revelation: Dreyer's Anachronistic Modernity --
4. Cinematography vs. the Cinema: Bresson's Figures --
5. The Récit and the Figure: Blanchot's Au moment voulu --
6. Saying "Nothing": Persona as an Allegory of Psychoanalysis --
7. The Sentiment of Doing Nothing: Stein's Autobiographies --
8. Out Via Nothing: Olson's Genealogy of the Proper Poem --
9. Whoever Sees God Dies: Cinematic Epiphanies --
10. Theology vs. Psychoanalysis: Landow's Wit --
Notes --
Bibliography --
Index
Summary:Presents readings of modern texts and films concentrating of the later reaches of modernism from the 1920's to 1980.
Format:Mode of access: Internet via World Wide Web.
ISBN:9780231886680
9783110442489
DOI:10.7312/sitn92032
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: P. Adams Sitney.