The White Indians of Mexican Cinema : : Racial Masquerade Throughout the Golden Age.
Examines the filmic representation of Whiteness as Indigeneity and its role in mediating racial politics in Mexico.
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Superior document: | SUNY Series in Latin American Cinema Series |
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Place / Publishing House: | Albany : : State University of New York Press,, 2022. {copy}2022. |
Year of Publication: | 2022 |
Edition: | 1st ed. |
Language: | English |
Series: | SUNY Series in Latin American Cinema Series
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Online Access: | |
Physical Description: | 1 online resource (328 pages) |
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(MiAaPQ)5006940978 (Au-PeEL)EBL6940978 (OCoLC)1294398971 |
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García Blizzard, Mónica. The White Indians of Mexican Cinema : Racial Masquerade Throughout the Golden Age. 1st ed. Albany : State University of New York Press, 2022. {copy}2022. 1 online resource (328 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier SUNY Series in Latin American Cinema Series Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- The Persistent Privilege of Whiteness in Mexico -- Indigenista Visual Production and Cultural Anxiety -- Contextualizing Race and Gender On-screen -- Colonizing Desire -- Colonizing Subjectivity -- Whiteness, Melodrama, and Hegemony -- The White Indians of Mexican Cinema -- Chapter 1 Idealized Pre-Columbian Womanhood -- Zítari (1931) -- Chilam Balam (1957) -- Conclusion -- Chapter 2 Taming the Tehuana -- Nineteenthand Early Twentieth-Century Representations of the Tehuana in Mexico -- La Zandunga (1938) -- Tierra de pasiones (1943) -- Conclusion -- Chapter 3 Revolutionary Politics, Colonized Aesthetics -- La india bonita (1938) -- El indio (1939) -- María Candelaria (1944) -- Maclovia (1948) -- Looking Beyond Industrial Representation: Janitzio (1935) and "La potranca" (Raíces, 1955) as Counterexamples -- Conclusion -- Chapter 4 Reframing Mestizaje: White Mayans, Indigenous Spirituality, and Cenote Suicides -- La noche de los mayas (1939) -- Deseada (1951) -- Conclusion -- Chapter 5 María Isabel: A White Indita for Modern Mexico -- María Isabel (1967) -- El amor de María Isabel (1970) -- Conclusion -- Chapter 6 Indios, Desire, and the White Mexican Woman -- Tribu (1935) -- Lola Casanova (1949) -- Tizoc (Amor indio) (1957) -- El violetero (1960) -- Beyond the Golden Age -- Conclusion -- Conclusion -- Bibliography -- Index. Examines the filmic representation of Whiteness as Indigeneity and its role in mediating racial politics in Mexico. Description based on publisher supplied metadata and other sources. Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. Electronic books. Print version: García Blizzard, Mónica The White Indians of Mexican Cinema Albany : State University of New York Press,c2022 9781438488035 ProQuest (Firm) https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6940978 Click to View |
language |
English |
format |
eBook |
author |
García Blizzard, Mónica. |
spellingShingle |
García Blizzard, Mónica. The White Indians of Mexican Cinema : Racial Masquerade Throughout the Golden Age. SUNY Series in Latin American Cinema Series Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- The Persistent Privilege of Whiteness in Mexico -- Indigenista Visual Production and Cultural Anxiety -- Contextualizing Race and Gender On-screen -- Colonizing Desire -- Colonizing Subjectivity -- Whiteness, Melodrama, and Hegemony -- The White Indians of Mexican Cinema -- Chapter 1 Idealized Pre-Columbian Womanhood -- Zítari (1931) -- Chilam Balam (1957) -- Conclusion -- Chapter 2 Taming the Tehuana -- Nineteenthand Early Twentieth-Century Representations of the Tehuana in Mexico -- La Zandunga (1938) -- Tierra de pasiones (1943) -- Conclusion -- Chapter 3 Revolutionary Politics, Colonized Aesthetics -- La india bonita (1938) -- El indio (1939) -- María Candelaria (1944) -- Maclovia (1948) -- Looking Beyond Industrial Representation: Janitzio (1935) and "La potranca" (Raíces, 1955) as Counterexamples -- Conclusion -- Chapter 4 Reframing Mestizaje: White Mayans, Indigenous Spirituality, and Cenote Suicides -- La noche de los mayas (1939) -- Deseada (1951) -- Conclusion -- Chapter 5 María Isabel: A White Indita for Modern Mexico -- María Isabel (1967) -- El amor de María Isabel (1970) -- Conclusion -- Chapter 6 Indios, Desire, and the White Mexican Woman -- Tribu (1935) -- Lola Casanova (1949) -- Tizoc (Amor indio) (1957) -- El violetero (1960) -- Beyond the Golden Age -- Conclusion -- Conclusion -- Bibliography -- Index. |
author_facet |
García Blizzard, Mónica. |
author_variant |
b m g bm bmg |
author_sort |
García Blizzard, Mónica. |
title |
The White Indians of Mexican Cinema : Racial Masquerade Throughout the Golden Age. |
title_sub |
Racial Masquerade Throughout the Golden Age. |
title_full |
The White Indians of Mexican Cinema : Racial Masquerade Throughout the Golden Age. |
title_fullStr |
The White Indians of Mexican Cinema : Racial Masquerade Throughout the Golden Age. |
title_full_unstemmed |
The White Indians of Mexican Cinema : Racial Masquerade Throughout the Golden Age. |
title_auth |
The White Indians of Mexican Cinema : Racial Masquerade Throughout the Golden Age. |
title_new |
The White Indians of Mexican Cinema : |
title_sort |
the white indians of mexican cinema : racial masquerade throughout the golden age. |
series |
SUNY Series in Latin American Cinema Series |
series2 |
SUNY Series in Latin American Cinema Series |
publisher |
State University of New York Press, |
publishDate |
2022 |
physical |
1 online resource (328 pages) |
edition |
1st ed. |
contents |
Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- The Persistent Privilege of Whiteness in Mexico -- Indigenista Visual Production and Cultural Anxiety -- Contextualizing Race and Gender On-screen -- Colonizing Desire -- Colonizing Subjectivity -- Whiteness, Melodrama, and Hegemony -- The White Indians of Mexican Cinema -- Chapter 1 Idealized Pre-Columbian Womanhood -- Zítari (1931) -- Chilam Balam (1957) -- Conclusion -- Chapter 2 Taming the Tehuana -- Nineteenthand Early Twentieth-Century Representations of the Tehuana in Mexico -- La Zandunga (1938) -- Tierra de pasiones (1943) -- Conclusion -- Chapter 3 Revolutionary Politics, Colonized Aesthetics -- La india bonita (1938) -- El indio (1939) -- María Candelaria (1944) -- Maclovia (1948) -- Looking Beyond Industrial Representation: Janitzio (1935) and "La potranca" (Raíces, 1955) as Counterexamples -- Conclusion -- Chapter 4 Reframing Mestizaje: White Mayans, Indigenous Spirituality, and Cenote Suicides -- La noche de los mayas (1939) -- Deseada (1951) -- Conclusion -- Chapter 5 María Isabel: A White Indita for Modern Mexico -- María Isabel (1967) -- El amor de María Isabel (1970) -- Conclusion -- Chapter 6 Indios, Desire, and the White Mexican Woman -- Tribu (1935) -- Lola Casanova (1949) -- Tizoc (Amor indio) (1957) -- El violetero (1960) -- Beyond the Golden Age -- Conclusion -- Conclusion -- Bibliography -- Index. |
isbn |
9781438488059 9781438488035 |
genre |
Electronic books. |
genre_facet |
Electronic books. |
url |
https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6940978 |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43652997072 |
dewey-sort |
3791.43652997072 |
dewey-raw |
791.43652997072 |
dewey-search |
791.43652997072 |
oclc_num |
1294398971 |
work_keys_str_mv |
AT garciablizzardmonica thewhiteindiansofmexicancinemaracialmasqueradethroughoutthegoldenage AT garciablizzardmonica whiteindiansofmexicancinemaracialmasqueradethroughoutthegoldenage |
status_str |
n |
ids_txt_mv |
(MiAaPQ)5006940978 (Au-PeEL)EBL6940978 (OCoLC)1294398971 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
SUNY Series in Latin American Cinema Series |
is_hierarchy_title |
The White Indians of Mexican Cinema : Racial Masquerade Throughout the Golden Age. |
container_title |
SUNY Series in Latin American Cinema Series |
marc_error |
Info : MARC8 translation shorter than ISO-8859-1, choosing MARC8. --- [ 856 : z ] |
_version_ |
1792331062165110784 |
fullrecord |
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