The Unintended : : Photography, Property, and the Aesthetics of Racial Capitalism / / Monica Huerta.
Reimagines photography through the long history of ideas of expressionThe end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world. The Uninte...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2023 |
---|---|
VerfasserIn: | |
Place / Publishing House: | New York, NY : : New York University Press, , [2023] ©2023 |
Year of Publication: | 2023 |
Language: | English |
Series: | America and the Long 19th Century ;
26 |
Online Access: | |
Physical Description: | 1 online resource :; 19 b/w illustrations |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Other title: | Frontmatter -- Contents -- Figure P.1. Carte-de-visite, captioned “Learning Is Wealth: Wilson, Charley, Rebecca & Rosa, Slaves from New Orleans,” 1864. -- Preface. Read, Don’t Move -- INTRODUCTION. Without Intention -- 1. EXPRESSION -- 2. PROPERTY’S PROSCENIUM -- 3. PROPERTY’S HORIZON -- 4. PROPERTY’S EDGE -- 5. EXPRESSIONLESS -- CODA. Relations beyond Property -- Acknowledgments -- Notes -- Bibliography -- Index -- About the Author |
---|---|
Summary: | Reimagines photography through the long history of ideas of expressionThe end of the nineteenth century saw massive developments and innovations in photography at a time when the forces of Western modernity—industrialization, racialization, and capitalism—were quickly reshaping the world. The Unintended slows down the moment in which the technology of photography seemed to speed itself—and so the history of racial capitalism—up. It follows the substantial shifts in the markets, mediums, and forms of photography during a legally murky period at the end of the nineteenth century. Monica Huerta traces the subtle and paradoxical ways legal thinking through photographic lenses reinscribed a particular aesthetics of whiteness in the very conceptions of property ownership. The book pulls together an archive that encompasses the histories of performance and portraiture alongside the legal, pursuing the logics by which property rights involving photographs are affirmed (or denied) in precedent-setting court cases and legal texts. Emphasizing the making of “expression” into property to focus our attention on the failures of control that cameras do not invent, but rather put new emphasis on, this book argues that designations of control’s absence are central to the practice and idea of property-making. The Unintended? proposes that tracking and analyzing the sensed horizons of intention, control, autonomy, will, and volition offers another way into understanding how white supremacy functions. Ultimately, its unique historical reading practice offers a historically-specific vantage on the everyday workings of racial capitalism and the inheritances of white supremacy that structure so much of our lives. |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9781479812431 9783111318103 9783111319032 9783111319292 9783111318912 9783110751628 9783110751635 |
DOI: | 10.18574/nyu/9781479812431.001.0001 |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | Monica Huerta. |