The White Indians of Mexican Cinema : : Racial Masquerade Throughout the Golden Age.
Examines the filmic representation of Whiteness as Indigeneity and its role in mediating racial politics in Mexico.
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Superior document: | SUNY Series in Latin American Cinema Series |
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Place / Publishing House: | Albany : : State University of New York Press,, 2022. {copy}2022. |
Year of Publication: | 2022 |
Edition: | 1st ed. |
Language: | English |
Series: | SUNY Series in Latin American Cinema Series
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Online Access: | |
Physical Description: | 1 online resource (328 pages) |
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020 | |z 9781438488035 | ||
035 | |a (MiAaPQ)5006940978 | ||
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082 | 0 | |a 791.43652997072 | |
100 | 1 | |a García Blizzard, Mónica. | |
245 | 1 | 4 | |a The White Indians of Mexican Cinema : |b Racial Masquerade Throughout the Golden Age. |
250 | |a 1st ed. | ||
264 | 1 | |a Albany : |b State University of New York Press, |c 2022. | |
264 | 4 | |c {copy}2022. | |
300 | |a 1 online resource (328 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
490 | 1 | |a SUNY Series in Latin American Cinema Series | |
505 | 0 | |a Intro -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- The Persistent Privilege of Whiteness in Mexico -- Indigenista Visual Production and Cultural Anxiety -- Contextualizing Race and Gender On-screen -- Colonizing Desire -- Colonizing Subjectivity -- Whiteness, Melodrama, and Hegemony -- The White Indians of Mexican Cinema -- Chapter 1 Idealized Pre-Columbian Womanhood -- Zítari (1931) -- Chilam Balam (1957) -- Conclusion -- Chapter 2 Taming the Tehuana -- Nineteenthand Early Twentieth-Century Representations of the Tehuana in Mexico -- La Zandunga (1938) -- Tierra de pasiones (1943) -- Conclusion -- Chapter 3 Revolutionary Politics, Colonized Aesthetics -- La india bonita (1938) -- El indio (1939) -- María Candelaria (1944) -- Maclovia (1948) -- Looking Beyond Industrial Representation: Janitzio (1935) and "La potranca" (Raíces, 1955) as Counterexamples -- Conclusion -- Chapter 4 Reframing Mestizaje: White Mayans, Indigenous Spirituality, and Cenote Suicides -- La noche de los mayas (1939) -- Deseada (1951) -- Conclusion -- Chapter 5 María Isabel: A White Indita for Modern Mexico -- María Isabel (1967) -- El amor de María Isabel (1970) -- Conclusion -- Chapter 6 Indios, Desire, and the White Mexican Woman -- Tribu (1935) -- Lola Casanova (1949) -- Tizoc (Amor indio) (1957) -- El violetero (1960) -- Beyond the Golden Age -- Conclusion -- Conclusion -- Bibliography -- Index. | |
520 | |a Examines the filmic representation of Whiteness as Indigeneity and its role in mediating racial politics in Mexico. | ||
588 | |a Description based on publisher supplied metadata and other sources. | ||
590 | |a Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. | ||
655 | 4 | |a Electronic books. | |
776 | 0 | 8 | |i Print version: |a García Blizzard, Mónica |t The White Indians of Mexican Cinema |d Albany : State University of New York Press,c2022 |z 9781438488035 |
797 | 2 | |a ProQuest (Firm) | |
830 | 0 | |a SUNY Series in Latin American Cinema Series | |
856 | 4 | 0 | |u https://ebookcentral.proquest.com/lib/oeawat/detail.action?docID=6940978 |z Click to View |