Laughing at domestica facta : : Identity construction in mid-Republican Rome through the lens of the togata /

Laughing at domestica facta : : Identity construction in mid-Republican Rome through the lens of the togata / / Giuseppe Eugenio Rallo.

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Bibliographic Details
Superior document:Studia Comica
VerfasserIn:
Rallo, Giuseppe Eugenio,
Place / Publishing House:Göttingen, Germany : : Verlag Antike,, [2024]
©2024
Year of Publication:2024
Edition:First edition.
Language:English
Series:Studia comica.
Physical Description:1 online resource (289 pages)
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Table of Contents:
  • Intro
  • Title Page
  • Copyright
  • Table of Contents
  • Acknowledgements
  • Abstract
  • A preliminary note for the reader
  • Introduction
  • 1. Foreword: the togata
  • 2. Why a monograph on the togata?
  • 3. Identity: Theoretical framework and definition
  • 4. Identity in the middle Republic
  • 5. The historical context of the middle Republic
  • 6. The literary context of the middle Republic
  • 7. The literary identity of the togata
  • 8. The cultural identity of the togata
  • 9. Outline
  • 10. Working on fragments
  • 11. Critical editions of the togata
  • Chapter I - Authors, term, elements
  • Part I - The authors of the togata: Chronology and origins
  • I.1.1 Chronology of the authors of the togata
  • I.1.2 The names and origins of the authors of the togata
  • I.1.3 Mid-Republican Roman authors
  • Part II - The togata and its theatrical identity: An analysis of the ancient sources
  • I.2.1 Togata as 'play'
  • I.2.2 Togata as '(a type of) comedy'
  • I.2.3 Togata as a 'theatrical genre between comedy and tragedy'
  • I.2.4 Togata as a 'term of unclear meaning'
  • Part III - The togata and the construction of its 'Roman' identity through internal pieces of evidence
  • I.3.1 Roman elements
  • I.3.1.1 Roman settings
  • I.3.1.2 Roman names
  • I.3.1.3 Roman themes
  • I.3.2 Latin elements
  • I.3.2.1 Latin settings
  • I.3.2.2 Latin (and Italian) names
  • I.3.2.3 Toga as Latin dress
  • I.3.3 Italian elements
  • I.3.3.1 Italian settings
  • I.3.3.2 Italian motifs
  • I.3.4 Greek elements
  • I.3.4.1 Greek names and motifs
  • Some concluding remarks
  • Chapter II - Female and male characters
  • Part I - Female characters
  • II.1.2 Female stock characters in the togata
  • II.1.3 Prostitutes in the togata
  • II.1.4 The uxor dotata in the togata
  • II.1.5 Roman women in daily life.
  • II.1.6 The portrayal of powerful and masculine Roman women in the togata: Positive, negative, either, or neither?
  • II.1.7 New female characters in the togata
  • Part II - Male characters
  • II.2.1 Male stock characters in the togata
  • II.2.2 Slaves in the togata
  • II.2.3 'New' male characters in the togata
  • Some concluding remarks
  • Chapter III - Ancient reception and lexicon
  • Part I - The reception of the togata
  • III.1.1 The perception of the togata: Terms with a rhetorical flavour
  • III.1.1.1 Afranius and lepos
  • III.1.1.2 Afranius and facundia
  • III.1.2 The perception of the togata: Rhetorical terms and the idealised Attic style
  • III.1.2.1 Afranius and the imitation of Titius and his Attic style
  • III.1.2.2 Afranius and the classical Attic grace perceived in his togatae
  • III.1.2.3 Togata and elegantia
  • III.1.2.4 Titinius' clarae togatae
  • III.1.2.5 Togata and urbanitas
  • III.1.3 Mid-Republican Romans and their native ways of speaking: Assessments from ancient sources
  • Part II - The lexicon of the togata and its 'Roman-ness'
  • III.2.1 Hapax legomena and primum dicta
  • III.2.1.1 Hapax legomena
  • III.2.1.2 Primum dicta
  • III.2.2 Graecisms
  • III.2.3 Rare Plautine terms
  • Some concluding remarks
  • Conclusions
  • Appendix
  • Quotation of the fragments of the togata in ancient sources
  • Bibliography
  • Indices.

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