Laughing at domestica facta : : Identity construction in mid-Republican Rome through the lens of the togata / / Giuseppe Eugenio Rallo.
Saved in:
Superior document: | Studia Comica |
---|---|
VerfasserIn: | |
Place / Publishing House: | Göttingen, Germany : : Verlag Antike,, [2024] ©2024 |
Year of Publication: | 2024 |
Edition: | First edition. |
Language: | English |
Series: | Studia comica.
|
Physical Description: | 1 online resource (289 pages) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993650864404498 |
---|---|
ctrlnum |
(MiAaPQ)EBC7388573 (Au-PeEL)EBL7388573 (CKB)30020028900041 (EXLCZ)9930020028900041 |
collection |
bib_alma |
record_format |
marc |
spelling |
Rallo, Giuseppe Eugenio, author. Laughing at domestica facta : Identity construction in mid-Republican Rome through the lens of the togata / Giuseppe Eugenio Rallo. First edition. Göttingen, Germany : Verlag Antike, [2024] ©2024 1 online resource (289 pages) text txt rdacontent computer c rdamedia online resource cr rdacarrier Studia Comica Intro -- Title Page -- Copyright -- Table of Contents -- Acknowledgements -- Abstract -- A preliminary note for the reader -- Introduction -- 1. Foreword: the togata -- 2. Why a monograph on the togata? -- 3. Identity: Theoretical framework and definition -- 4. Identity in the middle Republic -- 5. The historical context of the middle Republic -- 6. The literary context of the middle Republic -- 7. The literary identity of the togata -- 8. The cultural identity of the togata -- 9. Outline -- 10. Working on fragments -- 11. Critical editions of the togata -- Chapter I - Authors, term, elements -- Part I - The authors of the togata: Chronology and origins -- I.1.1 Chronology of the authors of the togata -- I.1.2 The names and origins of the authors of the togata -- I.1.3 Mid-Republican Roman authors -- Part II - The togata and its theatrical identity: An analysis of the ancient sources -- I.2.1 Togata as 'play' -- I.2.2 Togata as '(a type of) comedy' -- I.2.3 Togata as a 'theatrical genre between comedy and tragedy' -- I.2.4 Togata as a 'term of unclear meaning' -- Part III - The togata and the construction of its 'Roman' identity through internal pieces of evidence -- I.3.1 Roman elements -- I.3.1.1 Roman settings -- I.3.1.2 Roman names -- I.3.1.3 Roman themes -- I.3.2 Latin elements -- I.3.2.1 Latin settings -- I.3.2.2 Latin (and Italian) names -- I.3.2.3 Toga as Latin dress -- I.3.3 Italian elements -- I.3.3.1 Italian settings -- I.3.3.2 Italian motifs -- I.3.4 Greek elements -- I.3.4.1 Greek names and motifs -- Some concluding remarks -- Chapter II - Female and male characters -- Part I - Female characters -- II.1.2 Female stock characters in the togata -- II.1.3 Prostitutes in the togata -- II.1.4 The uxor dotata in the togata -- II.1.5 Roman women in daily life. II.1.6 The portrayal of powerful and masculine Roman women in the togata: Positive, negative, either, or neither? -- II.1.7 New female characters in the togata -- Part II - Male characters -- II.2.1 Male stock characters in the togata -- II.2.2 Slaves in the togata -- II.2.3 'New' male characters in the togata -- Some concluding remarks -- Chapter III - Ancient reception and lexicon -- Part I - The reception of the togata -- III.1.1 The perception of the togata: Terms with a rhetorical flavour -- III.1.1.1 Afranius and lepos -- III.1.1.2 Afranius and facundia -- III.1.2 The perception of the togata: Rhetorical terms and the idealised Attic style -- III.1.2.1 Afranius and the imitation of Titius and his Attic style -- III.1.2.2 Afranius and the classical Attic grace perceived in his togatae -- III.1.2.3 Togata and elegantia -- III.1.2.4 Titinius' clarae togatae -- III.1.2.5 Togata and urbanitas -- III.1.3 Mid-Republican Romans and their native ways of speaking: Assessments from ancient sources -- Part II - The lexicon of the togata and its 'Roman-ness' -- III.2.1 Hapax legomena and primum dicta -- III.2.1.1 Hapax legomena -- III.2.1.2 Primum dicta -- III.2.2 Graecisms -- III.2.3 Rare Plautine terms -- Some concluding remarks -- Conclusions -- Appendix -- Quotation of the fragments of the togata in ancient sources -- Bibliography -- Indices. Description based on publisher supplied metadata and other sources. Description based on print version record. Includes bibliographical references. Politics and literature. Liberalism. Print version: Rallo, Giuseppe Eugenio Laughing at domestica facta Göttingen : Vandenhoeck & Ruprecht,c2024 9783949189968 Studia comica. |
language |
English |
format |
eBook |
author |
Rallo, Giuseppe Eugenio, |
spellingShingle |
Rallo, Giuseppe Eugenio, Laughing at domestica facta : Identity construction in mid-Republican Rome through the lens of the togata / Studia Comica Intro -- Title Page -- Copyright -- Table of Contents -- Acknowledgements -- Abstract -- A preliminary note for the reader -- Introduction -- 1. Foreword: the togata -- 2. Why a monograph on the togata? -- 3. Identity: Theoretical framework and definition -- 4. Identity in the middle Republic -- 5. The historical context of the middle Republic -- 6. The literary context of the middle Republic -- 7. The literary identity of the togata -- 8. The cultural identity of the togata -- 9. Outline -- 10. Working on fragments -- 11. Critical editions of the togata -- Chapter I - Authors, term, elements -- Part I - The authors of the togata: Chronology and origins -- I.1.1 Chronology of the authors of the togata -- I.1.2 The names and origins of the authors of the togata -- I.1.3 Mid-Republican Roman authors -- Part II - The togata and its theatrical identity: An analysis of the ancient sources -- I.2.1 Togata as 'play' -- I.2.2 Togata as '(a type of) comedy' -- I.2.3 Togata as a 'theatrical genre between comedy and tragedy' -- I.2.4 Togata as a 'term of unclear meaning' -- Part III - The togata and the construction of its 'Roman' identity through internal pieces of evidence -- I.3.1 Roman elements -- I.3.1.1 Roman settings -- I.3.1.2 Roman names -- I.3.1.3 Roman themes -- I.3.2 Latin elements -- I.3.2.1 Latin settings -- I.3.2.2 Latin (and Italian) names -- I.3.2.3 Toga as Latin dress -- I.3.3 Italian elements -- I.3.3.1 Italian settings -- I.3.3.2 Italian motifs -- I.3.4 Greek elements -- I.3.4.1 Greek names and motifs -- Some concluding remarks -- Chapter II - Female and male characters -- Part I - Female characters -- II.1.2 Female stock characters in the togata -- II.1.3 Prostitutes in the togata -- II.1.4 The uxor dotata in the togata -- II.1.5 Roman women in daily life. II.1.6 The portrayal of powerful and masculine Roman women in the togata: Positive, negative, either, or neither? -- II.1.7 New female characters in the togata -- Part II - Male characters -- II.2.1 Male stock characters in the togata -- II.2.2 Slaves in the togata -- II.2.3 'New' male characters in the togata -- Some concluding remarks -- Chapter III - Ancient reception and lexicon -- Part I - The reception of the togata -- III.1.1 The perception of the togata: Terms with a rhetorical flavour -- III.1.1.1 Afranius and lepos -- III.1.1.2 Afranius and facundia -- III.1.2 The perception of the togata: Rhetorical terms and the idealised Attic style -- III.1.2.1 Afranius and the imitation of Titius and his Attic style -- III.1.2.2 Afranius and the classical Attic grace perceived in his togatae -- III.1.2.3 Togata and elegantia -- III.1.2.4 Titinius' clarae togatae -- III.1.2.5 Togata and urbanitas -- III.1.3 Mid-Republican Romans and their native ways of speaking: Assessments from ancient sources -- Part II - The lexicon of the togata and its 'Roman-ness' -- III.2.1 Hapax legomena and primum dicta -- III.2.1.1 Hapax legomena -- III.2.1.2 Primum dicta -- III.2.2 Graecisms -- III.2.3 Rare Plautine terms -- Some concluding remarks -- Conclusions -- Appendix -- Quotation of the fragments of the togata in ancient sources -- Bibliography -- Indices. |
author_facet |
Rallo, Giuseppe Eugenio, |
author_variant |
g e r ge ger |
author_role |
VerfasserIn |
author_sort |
Rallo, Giuseppe Eugenio, |
title |
Laughing at domestica facta : Identity construction in mid-Republican Rome through the lens of the togata / |
title_sub |
Identity construction in mid-Republican Rome through the lens of the togata / |
title_full |
Laughing at domestica facta : Identity construction in mid-Republican Rome through the lens of the togata / Giuseppe Eugenio Rallo. |
title_fullStr |
Laughing at domestica facta : Identity construction in mid-Republican Rome through the lens of the togata / Giuseppe Eugenio Rallo. |
title_full_unstemmed |
Laughing at domestica facta : Identity construction in mid-Republican Rome through the lens of the togata / Giuseppe Eugenio Rallo. |
title_auth |
Laughing at domestica facta : Identity construction in mid-Republican Rome through the lens of the togata / |
title_new |
Laughing at domestica facta : |
title_sort |
laughing at domestica facta : identity construction in mid-republican rome through the lens of the togata / |
series |
Studia Comica |
series2 |
Studia Comica |
publisher |
Verlag Antike, |
publishDate |
2024 |
physical |
1 online resource (289 pages) |
edition |
First edition. |
contents |
Intro -- Title Page -- Copyright -- Table of Contents -- Acknowledgements -- Abstract -- A preliminary note for the reader -- Introduction -- 1. Foreword: the togata -- 2. Why a monograph on the togata? -- 3. Identity: Theoretical framework and definition -- 4. Identity in the middle Republic -- 5. The historical context of the middle Republic -- 6. The literary context of the middle Republic -- 7. The literary identity of the togata -- 8. The cultural identity of the togata -- 9. Outline -- 10. Working on fragments -- 11. Critical editions of the togata -- Chapter I - Authors, term, elements -- Part I - The authors of the togata: Chronology and origins -- I.1.1 Chronology of the authors of the togata -- I.1.2 The names and origins of the authors of the togata -- I.1.3 Mid-Republican Roman authors -- Part II - The togata and its theatrical identity: An analysis of the ancient sources -- I.2.1 Togata as 'play' -- I.2.2 Togata as '(a type of) comedy' -- I.2.3 Togata as a 'theatrical genre between comedy and tragedy' -- I.2.4 Togata as a 'term of unclear meaning' -- Part III - The togata and the construction of its 'Roman' identity through internal pieces of evidence -- I.3.1 Roman elements -- I.3.1.1 Roman settings -- I.3.1.2 Roman names -- I.3.1.3 Roman themes -- I.3.2 Latin elements -- I.3.2.1 Latin settings -- I.3.2.2 Latin (and Italian) names -- I.3.2.3 Toga as Latin dress -- I.3.3 Italian elements -- I.3.3.1 Italian settings -- I.3.3.2 Italian motifs -- I.3.4 Greek elements -- I.3.4.1 Greek names and motifs -- Some concluding remarks -- Chapter II - Female and male characters -- Part I - Female characters -- II.1.2 Female stock characters in the togata -- II.1.3 Prostitutes in the togata -- II.1.4 The uxor dotata in the togata -- II.1.5 Roman women in daily life. II.1.6 The portrayal of powerful and masculine Roman women in the togata: Positive, negative, either, or neither? -- II.1.7 New female characters in the togata -- Part II - Male characters -- II.2.1 Male stock characters in the togata -- II.2.2 Slaves in the togata -- II.2.3 'New' male characters in the togata -- Some concluding remarks -- Chapter III - Ancient reception and lexicon -- Part I - The reception of the togata -- III.1.1 The perception of the togata: Terms with a rhetorical flavour -- III.1.1.1 Afranius and lepos -- III.1.1.2 Afranius and facundia -- III.1.2 The perception of the togata: Rhetorical terms and the idealised Attic style -- III.1.2.1 Afranius and the imitation of Titius and his Attic style -- III.1.2.2 Afranius and the classical Attic grace perceived in his togatae -- III.1.2.3 Togata and elegantia -- III.1.2.4 Titinius' clarae togatae -- III.1.2.5 Togata and urbanitas -- III.1.3 Mid-Republican Romans and their native ways of speaking: Assessments from ancient sources -- Part II - The lexicon of the togata and its 'Roman-ness' -- III.2.1 Hapax legomena and primum dicta -- III.2.1.1 Hapax legomena -- III.2.1.2 Primum dicta -- III.2.2 Graecisms -- III.2.3 Rare Plautine terms -- Some concluding remarks -- Conclusions -- Appendix -- Quotation of the fragments of the togata in ancient sources -- Bibliography -- Indices. |
isbn |
3-949189-98-X 3-949189-97-1 9783949189968 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN98 |
callnumber-sort |
PN 298 P64 R355 42024 |
illustrated |
Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
800 - Literature, rhetoric & criticism |
dewey-ones |
809 - History, description & criticism |
dewey-full |
809.93358 |
dewey-sort |
3809.93358 |
dewey-raw |
809.93358 |
dewey-search |
809.93358 |
work_keys_str_mv |
AT rallogiuseppeeugenio laughingatdomesticafactaidentityconstructioninmidrepublicanromethroughthelensofthetogata |
status_str |
n |
ids_txt_mv |
(MiAaPQ)EBC7388573 (Au-PeEL)EBL7388573 (CKB)30020028900041 (EXLCZ)9930020028900041 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Studia Comica |
is_hierarchy_title |
Laughing at domestica facta : Identity construction in mid-Republican Rome through the lens of the togata / |
container_title |
Studia Comica |
_version_ |
1797653666459549696 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01663nam a2200385 i 4500</leader><controlfield tag="001">993650864404498</controlfield><controlfield tag="005">20240403082537.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr cnu||||||||</controlfield><controlfield tag="008">240403s2024 gw a ob 000 0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3-949189-98-X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">3-949189-97-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC7388573</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL7388573</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)30020028900041</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)9930020028900041</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="b">eng</subfield><subfield code="e">rda</subfield><subfield code="e">pn</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN98.P64</subfield><subfield code="b">.R355 2024</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">809.93358</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Rallo, Giuseppe Eugenio,</subfield><subfield code="e">author.</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Laughing at domestica facta :</subfield><subfield code="b">Identity construction in mid-Republican Rome through the lens of the togata /</subfield><subfield code="c">Giuseppe Eugenio Rallo.</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Göttingen, Germany :</subfield><subfield code="b">Verlag Antike,</subfield><subfield code="c">[2024]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (289 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Studia Comica</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Intro -- Title Page -- Copyright -- Table of Contents -- Acknowledgements -- Abstract -- A preliminary note for the reader -- Introduction -- 1. Foreword: the togata -- 2. Why a monograph on the togata? -- 3. Identity: Theoretical framework and definition -- 4. Identity in the middle Republic -- 5. The historical context of the middle Republic -- 6. The literary context of the middle Republic -- 7. The literary identity of the togata -- 8. The cultural identity of the togata -- 9. Outline -- 10. Working on fragments -- 11. Critical editions of the togata -- Chapter I - Authors, term, elements -- Part I - The authors of the togata: Chronology and origins -- I.1.1 Chronology of the authors of the togata -- I.1.2 The names and origins of the authors of the togata -- I.1.3 Mid-Republican Roman authors -- Part II - The togata and its theatrical identity: An analysis of the ancient sources -- I.2.1 Togata as 'play' -- I.2.2 Togata as '(a type of) comedy' -- I.2.3 Togata as a 'theatrical genre between comedy and tragedy' -- I.2.4 Togata as a 'term of unclear meaning' -- Part III - The togata and the construction of its 'Roman' identity through internal pieces of evidence -- I.3.1 Roman elements -- I.3.1.1 Roman settings -- I.3.1.2 Roman names -- I.3.1.3 Roman themes -- I.3.2 Latin elements -- I.3.2.1 Latin settings -- I.3.2.2 Latin (and Italian) names -- I.3.2.3 Toga as Latin dress -- I.3.3 Italian elements -- I.3.3.1 Italian settings -- I.3.3.2 Italian motifs -- I.3.4 Greek elements -- I.3.4.1 Greek names and motifs -- Some concluding remarks -- Chapter II - Female and male characters -- Part I - Female characters -- II.1.2 Female stock characters in the togata -- II.1.3 Prostitutes in the togata -- II.1.4 The uxor dotata in the togata -- II.1.5 Roman women in daily life.</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">II.1.6 The portrayal of powerful and masculine Roman women in the togata: Positive, negative, either, or neither? -- II.1.7 New female characters in the togata -- Part II - Male characters -- II.2.1 Male stock characters in the togata -- II.2.2 Slaves in the togata -- II.2.3 'New' male characters in the togata -- Some concluding remarks -- Chapter III - Ancient reception and lexicon -- Part I - The reception of the togata -- III.1.1 The perception of the togata: Terms with a rhetorical flavour -- III.1.1.1 Afranius and lepos -- III.1.1.2 Afranius and facundia -- III.1.2 The perception of the togata: Rhetorical terms and the idealised Attic style -- III.1.2.1 Afranius and the imitation of Titius and his Attic style -- III.1.2.2 Afranius and the classical Attic grace perceived in his togatae -- III.1.2.3 Togata and elegantia -- III.1.2.4 Titinius' clarae togatae -- III.1.2.5 Togata and urbanitas -- III.1.3 Mid-Republican Romans and their native ways of speaking: Assessments from ancient sources -- Part II - The lexicon of the togata and its 'Roman-ness' -- III.2.1 Hapax legomena and primum dicta -- III.2.1.1 Hapax legomena -- III.2.1.2 Primum dicta -- III.2.2 Graecisms -- III.2.3 Rare Plautine terms -- Some concluding remarks -- Conclusions -- Appendix -- Quotation of the fragments of the togata in ancient sources -- Bibliography -- Indices.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources.</subfield></datafield><datafield tag="588" ind1=" " ind2=" "><subfield code="a">Description based on print version record.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Politics and literature.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Liberalism.</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Print version:</subfield><subfield code="a">Rallo, Giuseppe Eugenio</subfield><subfield code="t">Laughing at domestica facta</subfield><subfield code="d">Göttingen : Vandenhoeck & Ruprecht,c2024</subfield><subfield code="z">9783949189968</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Studia comica.</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2024-04-25 02:26:43 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2024-01-24 10:00:50 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">Vandenhoeck & Ruprecht Journals</subfield><subfield code="P">Vandenhoeck And Ruprecht Complete</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5353119050004498&Force_direct=true</subfield><subfield code="Z">5353119050004498</subfield><subfield code="b">Available</subfield><subfield code="8">5353119050004498</subfield></datafield></record></collection> |