Mapping intermediality in performance / / edited by Sarah Bay-Cheng [et al.].

This volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional 'liveness' of theatre with media interfaces and internet protocols. The time and space of the 'here and now' are both chal...

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Bibliographic Details
Superior document:MediaMatters, 5 ; v.No. 4
TeilnehmendeR:
Place / Publishing House:Amsterdam : : Amsterdam University Press,, 2010.
©2010
Year of Publication:2010
Language:English
Series:MediaMatters, 5
Physical Description:1 online resource (305 pages)
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490 1 |a MediaMatters, 5 ;  |v v.No. 4 
588 |a Description based upon print version of record. 
505 0 |a Contents; How to Approach This Book; Introduction: Prospective Mapping and Network of Terms; Portal: Performativity and Corporeal Literacy; Node: Modes of Experience; Instances; Portal: Time and Space; Node: Dimensions; Instances; Portal: Digital Culture and Posthumanism; Node: Actuality-Virtuality; Instances; Portal: Networking; Node: Inter-relations; Instances; Portal: Pedagogic Praxis; Retrospection: The Pre- and Proto-digital; Notes; Cited Works; Contributors; Index 
520 |a This volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional 'liveness' of theatre with media interfaces and internet protocols. The time and space of the 'here and now' are both challenged and adapted, just as barriers between theatre-makers and the 'experiencers' of events are broken down. Today many of us are everyday players performing the interconnectedness of digital culture and a key aim of the book is to unpack the multiple interrelations within the landscape of contemporary performance. 
546 |a English 
504 |a Includes bibliographical references and index. 
650 0 |a Intermediality. 
650 0 |a Digital media. 
650 0 |a Performance art. 
650 0 |a Arts. 
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700 1 |a Bay-Cheng, Sarah. 
830 0 |a MediaMatters, 5 
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