Mapping intermediality in performance / / edited by Sarah Bay-Cheng [et al.].
This volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional 'liveness' of theatre with media interfaces and internet protocols. The time and space of the 'here and now' are both chal...
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| Superior document: | MediaMatters, 5 ; v.No. 4 |
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| TeilnehmendeR: | |
| Place / Publishing House: | Amsterdam : : Amsterdam University Press,, 2010. ©2010 |
| Year of Publication: | 2010 |
| Language: | English |
| Series: | MediaMatters, 5
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| Physical Description: | 1 online resource (305 pages) |
| Tags: |
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| Summary: | This volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional 'liveness' of theatre with media interfaces and internet protocols. The time and space of the 'here and now' are both challenged and adapted, just as barriers between theatre-makers and the 'experiencers' of events are broken down. Today many of us are everyday players performing the interconnectedness of digital culture and a key aim of the book is to unpack the multiple interrelations within the landscape of contemporary performance. |
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| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9048513146 |
| Hierarchical level: | Monograph |
| Statement of Responsibility: | edited by Sarah Bay-Cheng [et al.]. |