And with the Teian lyre imitate Anacreon : : The reception of Anacreon and the Carmina Anacreontea in Horace's lyric and iambic poetry / / Veronika Lütkenhaus.

• Superior document: Hypomnemata
• VerfasserIn: Lütkenhaus, Veronika,
• Place / Publishing House: Göttingen, Germany : : Vandenhoeck & Ruprecht,, [2023]; ©2023
• Year of Publication: 2023
• Edition: First edition.
• Language: English
• Series: Hypomnemata.
• Physical Description: 1 online resource (215 pages)

Table of Contents

• Intro
• Title Page
• Copyright
• Table of Contents
• Body
• Preface
• 1. Introduction
• 1.1 State of Research and Objective of this Study
• 1.1.1 Horace and archaic Greek lyric
• 1.1.2 Anacreon: an underrepresented predecessor in Horatian scholarship
• 1.1.3 The significance of the Carmina Anacreontea
• 1.2 Conceptual Approach
• 1.2.1 Imitatio, aemulatio, influence
• 1.2.2 Allusion, reference, intertextuality
• 1.2.3 Reception
• 1.3 Horace's Choice of Lifestyle
• 1.3.1 Poetry as a serious occupation in the Augustan era
• 1.3.2 Horace's reflection on the profession of poets in the Epistles
• 1.3.3 The role of the Greeks for Horace's poetry and life choice
• 1.3.4 The Horatian life choice in the Odes and its sources
• 2. And with the Teian lyre: Anacreontic reflections in Horace
• 2.1 Wine and Inebriation
• 2.1.1 Odes 1.27 and PMG 356b: restrained partying
• 2.1.2 Odes 2.7 and PMG 356a: madness through inebriation
• 2.1.3 Deducing Zeus in PMG 362 and Epodes 13
• 2.1.4 Odes 1.36: Bassus, βασσαρεῖν and drunk Damalis
• 2.2 Love and Domination
• 2.2.1 Odes 1.36 and PMG 357: Δαμάλης Ἔρως and beloved Damalis
• 2.2.2 Odes 2.5 and PMG 417: untamed temptation
• 2.2.3 Odes 1.23 and PMG 408: fearful fawns
• 2.2.4 Floating hair and bisexuality
• 2.2.5 Love reloaded: Odes 4.1 and the erotic δηὖτε motif
• 2.3 Satire and Seniority
• 2.3.1 Anacreon's influence as an iambic poet
• 2.3.2 Epodes 14 and Anacreon's Palinode
• 2.3.3 Horace's Artemon in Epodes 4 and 15 (PMG 388 and 372)
• 2.3.4 Aeschrology: beastly women in Epodes 12 and PMG 424, 432, and 437
• 2.3.5 Lalage, Lyce, and PMG 427: garrulous birds
• 2.3.6 Horace's Baubo and Anacreon's Eubuleus: poetological allusions?
• 3. Imitate Anacreon: The influence of the Carmina Anacreontea
• 3.1 Introductory Remarks
• 3.1.1 Dating the Anacreontea.
• 3.1.2 Character of the anthology and significance for Horace
• 3.2 Horace's Latin Anacreontea
• 3.2.1 CA 60: questions of unity and dating
• 3.2.2 Odes 1.17 and CA 60b: Horace and the Anacreontean Dog Star
• 3.2.3 Insanire iuuat: welcome mania through drinking
• 3.2.4 Eros and the pouring puer: Anacreontean and Anacreontic wine and love
• 3.2.5 CA 18: Bathyllus, Phyllis, and shadowing hair
• 3.2.6 From Anacreon through the CA to Horace: literature at the third degree
• 4. Conclusion
• 4.1 The Conceptual Approach Revisited
• 4.2 Wine and Inebriation
• 4.3 Love and Domination
• 4.4 Satire and Seniority
• 4.5 And Horace with the Teian lyre imitates Anacreon
• 5. Works Cited
• Index of Passages Discussed.