And with the Teian lyre imitate Anacreon : : The reception of Anacreon and the Carmina Anacreontea in Horace's lyric and iambic poetry / / Veronika Lütkenhaus.

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Superior document:Hypomnemata
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Place / Publishing House:Göttingen, Germany : : Vandenhoeck & Ruprecht,, [2023]
©2023
Year of Publication:2023
Edition:First edition.
Language:English
Series:Hypomnemata.
Physical Description:1 online resource (215 pages)
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spelling Lütkenhaus, Veronika, author.
And with the Teian lyre imitate Anacreon : The reception of Anacreon and the Carmina Anacreontea in Horace's lyric and iambic poetry / Veronika Lütkenhaus.
First edition.
Göttingen, Germany : Vandenhoeck & Ruprecht, [2023]
©2023
1 online resource (215 pages)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Hypomnemata
Intro -- Title Page -- Copyright -- Table of Contents -- Body -- Preface -- 1. Introduction -- 1.1 State of Research and Objective of this Study -- 1.1.1 Horace and archaic Greek lyric -- 1.1.2 Anacreon: an underrepresented predecessor in Horatian scholarship -- 1.1.3 The significance of the Carmina Anacreontea -- 1.2 Conceptual Approach -- 1.2.1 Imitatio, aemulatio, influence -- 1.2.2 Allusion, reference, intertextuality -- 1.2.3 Reception -- 1.3 Horace's Choice of Lifestyle -- 1.3.1 Poetry as a serious occupation in the Augustan era -- 1.3.2 Horace's reflection on the profession of poets in the Epistles -- 1.3.3 The role of the Greeks for Horace's poetry and life choice -- 1.3.4 The Horatian life choice in the Odes and its sources -- 2. And with the Teian lyre: Anacreontic reflections in Horace -- 2.1 Wine and Inebriation -- 2.1.1 Odes 1.27 and PMG 356b: restrained partying -- 2.1.2 Odes 2.7 and PMG 356a: madness through inebriation -- 2.1.3 Deducing Zeus in PMG 362 and Epodes 13 -- 2.1.4 Odes 1.36: Bassus, βασσαρεῖν and drunk Damalis -- 2.2 Love and Domination -- 2.2.1 Odes 1.36 and PMG 357: Δαμάλης Ἔρως and beloved Damalis -- 2.2.2 Odes 2.5 and PMG 417: untamed temptation -- 2.2.3 Odes 1.23 and PMG 408: fearful fawns -- 2.2.4 Floating hair and bisexuality -- 2.2.5 Love reloaded: Odes 4.1 and the erotic δηὖτε motif -- 2.3 Satire and Seniority -- 2.3.1 Anacreon's influence as an iambic poet -- 2.3.2 Epodes 14 and Anacreon's Palinode -- 2.3.3 Horace's Artemon in Epodes 4 and 15 (PMG 388 and 372) -- 2.3.4 Aeschrology: beastly women in Epodes 12 and PMG 424, 432, and 437 -- 2.3.5 Lalage, Lyce, and PMG 427: garrulous birds -- 2.3.6 Horace's Baubo and Anacreon's Eubuleus: poetological allusions? -- 3. Imitate Anacreon: The influence of the Carmina Anacreontea -- 3.1 Introductory Remarks -- 3.1.1 Dating the Anacreontea.
3.1.2 Character of the anthology and significance for Horace -- 3.2 Horace's Latin Anacreontea -- 3.2.1 CA 60: questions of unity and dating -- 3.2.2 Odes 1.17 and CA 60b: Horace and the Anacreontean Dog Star -- 3.2.3 Insanire iuuat: welcome mania through drinking -- 3.2.4 Eros and the pouring puer: Anacreontean and Anacreontic wine and love -- 3.2.5 CA 18: Bathyllus, Phyllis, and shadowing hair -- 3.2.6 From Anacreon through the CA to Horace: literature at the third degree -- 4. Conclusion -- 4.1 The Conceptual Approach Revisited -- 4.2 Wine and Inebriation -- 4.3 Love and Domination -- 4.4 Satire and Seniority -- 4.5 And Horace with the Teian lyre imitates Anacreon -- 5. Works Cited -- Index of Passages Discussed.
Description based on print version record.
Comparative literature.
Print version: Lütkenhaus, Veronika And with the Teian lyre imitate Anacreon Göttingen : Vandenhoeck & Ruprecht,c2023 9783525311516
Hypomnemata.
language English
format eBook
author Lütkenhaus, Veronika,
spellingShingle Lütkenhaus, Veronika,
And with the Teian lyre imitate Anacreon : The reception of Anacreon and the Carmina Anacreontea in Horace's lyric and iambic poetry /
Hypomnemata
Intro -- Title Page -- Copyright -- Table of Contents -- Body -- Preface -- 1. Introduction -- 1.1 State of Research and Objective of this Study -- 1.1.1 Horace and archaic Greek lyric -- 1.1.2 Anacreon: an underrepresented predecessor in Horatian scholarship -- 1.1.3 The significance of the Carmina Anacreontea -- 1.2 Conceptual Approach -- 1.2.1 Imitatio, aemulatio, influence -- 1.2.2 Allusion, reference, intertextuality -- 1.2.3 Reception -- 1.3 Horace's Choice of Lifestyle -- 1.3.1 Poetry as a serious occupation in the Augustan era -- 1.3.2 Horace's reflection on the profession of poets in the Epistles -- 1.3.3 The role of the Greeks for Horace's poetry and life choice -- 1.3.4 The Horatian life choice in the Odes and its sources -- 2. And with the Teian lyre: Anacreontic reflections in Horace -- 2.1 Wine and Inebriation -- 2.1.1 Odes 1.27 and PMG 356b: restrained partying -- 2.1.2 Odes 2.7 and PMG 356a: madness through inebriation -- 2.1.3 Deducing Zeus in PMG 362 and Epodes 13 -- 2.1.4 Odes 1.36: Bassus, βασσαρεῖν and drunk Damalis -- 2.2 Love and Domination -- 2.2.1 Odes 1.36 and PMG 357: Δαμάλης Ἔρως and beloved Damalis -- 2.2.2 Odes 2.5 and PMG 417: untamed temptation -- 2.2.3 Odes 1.23 and PMG 408: fearful fawns -- 2.2.4 Floating hair and bisexuality -- 2.2.5 Love reloaded: Odes 4.1 and the erotic δηὖτε motif -- 2.3 Satire and Seniority -- 2.3.1 Anacreon's influence as an iambic poet -- 2.3.2 Epodes 14 and Anacreon's Palinode -- 2.3.3 Horace's Artemon in Epodes 4 and 15 (PMG 388 and 372) -- 2.3.4 Aeschrology: beastly women in Epodes 12 and PMG 424, 432, and 437 -- 2.3.5 Lalage, Lyce, and PMG 427: garrulous birds -- 2.3.6 Horace's Baubo and Anacreon's Eubuleus: poetological allusions? -- 3. Imitate Anacreon: The influence of the Carmina Anacreontea -- 3.1 Introductory Remarks -- 3.1.1 Dating the Anacreontea.
3.1.2 Character of the anthology and significance for Horace -- 3.2 Horace's Latin Anacreontea -- 3.2.1 CA 60: questions of unity and dating -- 3.2.2 Odes 1.17 and CA 60b: Horace and the Anacreontean Dog Star -- 3.2.3 Insanire iuuat: welcome mania through drinking -- 3.2.4 Eros and the pouring puer: Anacreontean and Anacreontic wine and love -- 3.2.5 CA 18: Bathyllus, Phyllis, and shadowing hair -- 3.2.6 From Anacreon through the CA to Horace: literature at the third degree -- 4. Conclusion -- 4.1 The Conceptual Approach Revisited -- 4.2 Wine and Inebriation -- 4.3 Love and Domination -- 4.4 Satire and Seniority -- 4.5 And Horace with the Teian lyre imitates Anacreon -- 5. Works Cited -- Index of Passages Discussed.
author_facet Lütkenhaus, Veronika,
author_variant v l vl
author_role VerfasserIn
author_sort Lütkenhaus, Veronika,
title And with the Teian lyre imitate Anacreon : The reception of Anacreon and the Carmina Anacreontea in Horace's lyric and iambic poetry /
title_sub The reception of Anacreon and the Carmina Anacreontea in Horace's lyric and iambic poetry /
title_full And with the Teian lyre imitate Anacreon : The reception of Anacreon and the Carmina Anacreontea in Horace's lyric and iambic poetry / Veronika Lütkenhaus.
title_fullStr And with the Teian lyre imitate Anacreon : The reception of Anacreon and the Carmina Anacreontea in Horace's lyric and iambic poetry / Veronika Lütkenhaus.
title_full_unstemmed And with the Teian lyre imitate Anacreon : The reception of Anacreon and the Carmina Anacreontea in Horace's lyric and iambic poetry / Veronika Lütkenhaus.
title_auth And with the Teian lyre imitate Anacreon : The reception of Anacreon and the Carmina Anacreontea in Horace's lyric and iambic poetry /
title_new And with the Teian lyre imitate Anacreon :
title_sort and with the teian lyre imitate anacreon : the reception of anacreon and the carmina anacreontea in horace's lyric and iambic poetry /
series Hypomnemata
series2 Hypomnemata
publisher Vandenhoeck & Ruprecht,
publishDate 2023
physical 1 online resource (215 pages)
edition First edition.
contents Intro -- Title Page -- Copyright -- Table of Contents -- Body -- Preface -- 1. Introduction -- 1.1 State of Research and Objective of this Study -- 1.1.1 Horace and archaic Greek lyric -- 1.1.2 Anacreon: an underrepresented predecessor in Horatian scholarship -- 1.1.3 The significance of the Carmina Anacreontea -- 1.2 Conceptual Approach -- 1.2.1 Imitatio, aemulatio, influence -- 1.2.2 Allusion, reference, intertextuality -- 1.2.3 Reception -- 1.3 Horace's Choice of Lifestyle -- 1.3.1 Poetry as a serious occupation in the Augustan era -- 1.3.2 Horace's reflection on the profession of poets in the Epistles -- 1.3.3 The role of the Greeks for Horace's poetry and life choice -- 1.3.4 The Horatian life choice in the Odes and its sources -- 2. And with the Teian lyre: Anacreontic reflections in Horace -- 2.1 Wine and Inebriation -- 2.1.1 Odes 1.27 and PMG 356b: restrained partying -- 2.1.2 Odes 2.7 and PMG 356a: madness through inebriation -- 2.1.3 Deducing Zeus in PMG 362 and Epodes 13 -- 2.1.4 Odes 1.36: Bassus, βασσαρεῖν and drunk Damalis -- 2.2 Love and Domination -- 2.2.1 Odes 1.36 and PMG 357: Δαμάλης Ἔρως and beloved Damalis -- 2.2.2 Odes 2.5 and PMG 417: untamed temptation -- 2.2.3 Odes 1.23 and PMG 408: fearful fawns -- 2.2.4 Floating hair and bisexuality -- 2.2.5 Love reloaded: Odes 4.1 and the erotic δηὖτε motif -- 2.3 Satire and Seniority -- 2.3.1 Anacreon's influence as an iambic poet -- 2.3.2 Epodes 14 and Anacreon's Palinode -- 2.3.3 Horace's Artemon in Epodes 4 and 15 (PMG 388 and 372) -- 2.3.4 Aeschrology: beastly women in Epodes 12 and PMG 424, 432, and 437 -- 2.3.5 Lalage, Lyce, and PMG 427: garrulous birds -- 2.3.6 Horace's Baubo and Anacreon's Eubuleus: poetological allusions? -- 3. Imitate Anacreon: The influence of the Carmina Anacreontea -- 3.1 Introductory Remarks -- 3.1.1 Dating the Anacreontea.
3.1.2 Character of the anthology and significance for Horace -- 3.2 Horace's Latin Anacreontea -- 3.2.1 CA 60: questions of unity and dating -- 3.2.2 Odes 1.17 and CA 60b: Horace and the Anacreontean Dog Star -- 3.2.3 Insanire iuuat: welcome mania through drinking -- 3.2.4 Eros and the pouring puer: Anacreontean and Anacreontic wine and love -- 3.2.5 CA 18: Bathyllus, Phyllis, and shadowing hair -- 3.2.6 From Anacreon through the CA to Horace: literature at the third degree -- 4. Conclusion -- 4.1 The Conceptual Approach Revisited -- 4.2 Wine and Inebriation -- 4.3 Love and Domination -- 4.4 Satire and Seniority -- 4.5 And Horace with the Teian lyre imitates Anacreon -- 5. Works Cited -- Index of Passages Discussed.
isbn 3-666-31151-2
3-647-31151-0
9783525311516
callnumber-first P - Language and Literature
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callnumber-label PN865
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illustrated Not Illustrated
dewey-hundreds 800 - Literature
dewey-tens 800 - Literature, rhetoric & criticism
dewey-ones 809 - History, description & criticism
dewey-full 809
dewey-sort 3809
dewey-raw 809
dewey-search 809
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