Horace across the Media : : Textual, Visual and Musical Receptions of Horace from the 15th to the 18th Century / / edited by Karl A.E. Enenkel and Marc Laureys.

• Superior document: Intersections ; 82
• TeilnehmendeR: Enenkel, Karl A.E.,; Laureys, Marc,
• Place / Publishing House: Leiden ;, Boston : : Brill,, 2022.
• Year of Publication: 2022
• Edition: 1st ed.
• Language: English
• Series: Intersections ; 82.
• Physical Description: 1 online resource (763 pages)

This volume explores various perceptions, adaptations, and appropriations of Horace in the Early Modern age across textual, visual and musical media. It thus intends to advocate an interdisciplinary and multi-medial approach to the exceptionally rich and variegated afterlife of Horace.

Table of Contents

• Intro
• Contents
• Illustrations
• Notes on the Editors
• Notes on the Contributors
• Chapter 1 Some Introductory Thoughts on the Reception of Horace in the Early Modern Age
• Part 1 The Reception of the Ars Poetica as a Model for the Theory of Painting, Drama, Diplomacy, Cookery and Other Arts
• Chapter 2 Rethinking Horace in Dutch Classicist Art Theory and in the Theory of Poetry and Drama: Gerard de Lairesse and Andries Pels
• Chapter 3 From Poetry to Cookery, Architecture, and Stock-Jobbing: Imitation and Parodia of Horace's Ars Poetica in 18th-Century England
• Part 2 The Reception of Horace in the Visual Arts
• Chapter 4 The Reception of Horace in the Visual Arts, 15th Century until ca. 1840: A First Exploration
• Chapter 5 Vaenius's Pluri-Medial Horace: Images for Contemplation, Primer of Philosophy, Iconological Templates for Artists, Latin Commonplace Book, and Vernacular Emblem Book
• Part 3 Horace and Music
• Chapter 6 Before Melopoiae: Conrad Celtis, Laurentius Corvinus, Arnold Wöstefeld and the Use of Music in the Teaching and Performance of Horace's Metres around 1500
• Chapter 7 Horace among Early Modern Teachers and Music Theorists: Poetics and Songs
• Chapter 8 Singing Horace in Sixteenth-Century France: A Reappraisal of the Sources and Their Interpretation
• Part 4 Other Materializations of Horace: School Book Production and Funeral Inscriptions
• Chapter 9 Librum pulcherrimum et utilissimum edidit: Editions of Horace by Johannes Honorius Cubitensis (c.1465-1504)
• Chapter 10 Horace and Sepulchral Sapphics - Some English Examples
• Part 5 The Reception of the Odes in Early Modern Lyrical Poetry
• Chapter 11 The Reception of the "Horatian Hymn" in Quattrocento Neo-Latin Poetry: Aurelius Laurentius Albrisius and Giovanni Pontano.
• Chapter 12 Horace across Seventeenth-Century Italian Literature: Carlo de' Dottori and his Odes
• Chapter 13 "As closely as possible after the model of Horace"? Degrees of Horatianism in James Alban Gibbes' Lyric Poetry
• Chapter 14 On the Reception of Horace's Carmen Saeculare in the Early Modern Period
• Part 6 Horatian Topics and Commonplaces
• Chapter 15 John Cruso of Norwich and the Reception of Horatius Sententiosus in Early Modern Provincial England
• Chapter 16 De laudibus vitae rusticae: Horace's Second Epode and the Tradition of Georgic Poetry
• Index Nominum.