Horace across the Media : : Textual, Visual and Musical Receptions of Horace from the 15th to the 18th Century / / edited by Karl A.E. Enenkel and Marc Laureys.

This volume explores various perceptions, adaptations, and appropriations of Horace in the Early Modern age across textual, visual and musical media. It thus intends to advocate an interdisciplinary and multi-medial approach to the exceptionally rich and variegated afterlife of Horace.

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Superior document:Intersections ; 82
TeilnehmendeR:
Place / Publishing House:Leiden ;, Boston : : Brill,, 2022.
Year of Publication:2022
Edition:1st ed.
Language:English
Series:Intersections ; 82.
Physical Description:1 online resource (763 pages)
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(Au-PeEL)EBL30171813
(CKB)24978740600041
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spelling Horace across the Media : Textual, Visual and Musical Receptions of Horace from the 15th to the 18th Century / edited by Karl A.E. Enenkel and Marc Laureys.
Textual, Visual and Musical Receptions of Horace from the 15th to the 18th Century
1st ed.
Leiden ; Boston : Brill, 2022.
1 online resource (763 pages)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Intersections ; 82
Intro -- Contents -- Illustrations -- Notes on the Editors -- Notes on the Contributors -- Chapter 1 Some Introductory Thoughts on the Reception of Horace in the Early Modern Age -- Part 1 The Reception of the Ars Poetica as a Model for the Theory of Painting, Drama, Diplomacy, Cookery and Other Arts -- Chapter 2 Rethinking Horace in Dutch Classicist Art Theory and in the Theory of Poetry and Drama: Gerard de Lairesse and Andries Pels -- Chapter 3 From Poetry to Cookery, Architecture, and Stock-Jobbing: Imitation and Parodia of Horace's Ars Poetica in 18th-Century England -- Part 2 The Reception of Horace in the Visual Arts -- Chapter 4 The Reception of Horace in the Visual Arts, 15th Century until ca. 1840: A First Exploration -- Chapter 5 Vaenius's Pluri-Medial Horace: Images for Contemplation, Primer of Philosophy, Iconological Templates for Artists, Latin Commonplace Book, and Vernacular Emblem Book -- Part 3 Horace and Music -- Chapter 6 Before Melopoiae: Conrad Celtis, Laurentius Corvinus, Arnold Wöstefeld and the Use of Music in the Teaching and Performance of Horace's Metres around 1500 -- Chapter 7 Horace among Early Modern Teachers and Music Theorists: Poetics and Songs -- Chapter 8 Singing Horace in Sixteenth-Century France: A Reappraisal of the Sources and Their Interpretation -- Part 4 Other Materializations of Horace: School Book Production and Funeral Inscriptions -- Chapter 9 Librum pulcherrimum et utilissimum edidit: Editions of Horace by Johannes Honorius Cubitensis (c.1465-1504) -- Chapter 10 Horace and Sepulchral Sapphics - Some English Examples -- Part 5 The Reception of the Odes in Early Modern Lyrical Poetry -- Chapter 11 The Reception of the "Horatian Hymn" in Quattrocento Neo-Latin Poetry: Aurelius Laurentius Albrisius and Giovanni Pontano.
Chapter 12 Horace across Seventeenth-Century Italian Literature: Carlo de' Dottori and his Odes -- Chapter 13 "As closely as possible after the model of Horace"? Degrees of Horatianism in James Alban Gibbes' Lyric Poetry -- Chapter 14 On the Reception of Horace's Carmen Saeculare in the Early Modern Period -- Part 6 Horatian Topics and Commonplaces -- Chapter 15 John Cruso of Norwich and the Reception of Horatius Sententiosus in Early Modern Provincial England -- Chapter 16 De laudibus vitae rusticae: Horace's Second Epode and the Tradition of Georgic Poetry -- Index Nominum.
Description based on print version record.
This volume explores various perceptions, adaptations, and appropriations of Horace in the Early Modern age across textual, visual and musical media. It thus intends to advocate an interdisciplinary and multi-medial approach to the exceptionally rich and variegated afterlife of Horace.
This volume explores various perceptions, adaptations and appropriations of both the personality and the writings of Horace in the Early Modern age. The fifteen essays of this book are devoted to uncharted facets of the reception of Horace and thus substantially broaden our picture of the Horatian tradition. Special attention is given to the legacy of Horace in the visual arts and in music, beyond the domain of letters. By focusing on the multiple channels, through which the influence of Horace was felt and transported, this volume aims to present instances of the Horatian heritage across the media and to stimulate a more thorough reflection on an interdisciplinary and multi-medial approach to the exceptionally rich and variegated afterlife of Horace. Contributors include: Veronica Brandis, Philippe Canguilhem, Giacomo Comiati, Karl A.E. Enenkel, Carolin A. Giere, Inga Mai Groote, Luke B.T. Houghton, Chris Joby, Marc Laureys, Grantley McDonald, Lukas Reddemann, Bernd Roling, Robert Seidel, Marcela Slavíková, Paul J. Smith, and Tijana Žakula.
Includes bibliographical references and index.
Horace Appreciation.
Horace Influence.
Essays. lcgft
Print version: Enenkel, Karl A. E. Horace Across the Media Boston : BRILL,c2022
Enenkel, Karl A.E., editor.
Laureys, Marc, editor.
Intersections ; 82.
language English
format eBook
author2 Enenkel, Karl A.E.,
Laureys, Marc,
author_facet Enenkel, Karl A.E.,
Laureys, Marc,
author2_variant k a e ka kae
m l ml
author2_role TeilnehmendeR
TeilnehmendeR
title Horace across the Media : Textual, Visual and Musical Receptions of Horace from the 15th to the 18th Century /
spellingShingle Horace across the Media : Textual, Visual and Musical Receptions of Horace from the 15th to the 18th Century /
Intersections ;
Intro -- Contents -- Illustrations -- Notes on the Editors -- Notes on the Contributors -- Chapter 1 Some Introductory Thoughts on the Reception of Horace in the Early Modern Age -- Part 1 The Reception of the Ars Poetica as a Model for the Theory of Painting, Drama, Diplomacy, Cookery and Other Arts -- Chapter 2 Rethinking Horace in Dutch Classicist Art Theory and in the Theory of Poetry and Drama: Gerard de Lairesse and Andries Pels -- Chapter 3 From Poetry to Cookery, Architecture, and Stock-Jobbing: Imitation and Parodia of Horace's Ars Poetica in 18th-Century England -- Part 2 The Reception of Horace in the Visual Arts -- Chapter 4 The Reception of Horace in the Visual Arts, 15th Century until ca. 1840: A First Exploration -- Chapter 5 Vaenius's Pluri-Medial Horace: Images for Contemplation, Primer of Philosophy, Iconological Templates for Artists, Latin Commonplace Book, and Vernacular Emblem Book -- Part 3 Horace and Music -- Chapter 6 Before Melopoiae: Conrad Celtis, Laurentius Corvinus, Arnold Wöstefeld and the Use of Music in the Teaching and Performance of Horace's Metres around 1500 -- Chapter 7 Horace among Early Modern Teachers and Music Theorists: Poetics and Songs -- Chapter 8 Singing Horace in Sixteenth-Century France: A Reappraisal of the Sources and Their Interpretation -- Part 4 Other Materializations of Horace: School Book Production and Funeral Inscriptions -- Chapter 9 Librum pulcherrimum et utilissimum edidit: Editions of Horace by Johannes Honorius Cubitensis (c.1465-1504) -- Chapter 10 Horace and Sepulchral Sapphics - Some English Examples -- Part 5 The Reception of the Odes in Early Modern Lyrical Poetry -- Chapter 11 The Reception of the "Horatian Hymn" in Quattrocento Neo-Latin Poetry: Aurelius Laurentius Albrisius and Giovanni Pontano.
Chapter 12 Horace across Seventeenth-Century Italian Literature: Carlo de' Dottori and his Odes -- Chapter 13 "As closely as possible after the model of Horace"? Degrees of Horatianism in James Alban Gibbes' Lyric Poetry -- Chapter 14 On the Reception of Horace's Carmen Saeculare in the Early Modern Period -- Part 6 Horatian Topics and Commonplaces -- Chapter 15 John Cruso of Norwich and the Reception of Horatius Sententiosus in Early Modern Provincial England -- Chapter 16 De laudibus vitae rusticae: Horace's Second Epode and the Tradition of Georgic Poetry -- Index Nominum.
title_sub Textual, Visual and Musical Receptions of Horace from the 15th to the 18th Century /
title_full Horace across the Media : Textual, Visual and Musical Receptions of Horace from the 15th to the 18th Century / edited by Karl A.E. Enenkel and Marc Laureys.
title_fullStr Horace across the Media : Textual, Visual and Musical Receptions of Horace from the 15th to the 18th Century / edited by Karl A.E. Enenkel and Marc Laureys.
title_full_unstemmed Horace across the Media : Textual, Visual and Musical Receptions of Horace from the 15th to the 18th Century / edited by Karl A.E. Enenkel and Marc Laureys.
title_auth Horace across the Media : Textual, Visual and Musical Receptions of Horace from the 15th to the 18th Century /
title_alt Textual, Visual and Musical Receptions of Horace from the 15th to the 18th Century
title_new Horace across the Media :
title_sort horace across the media : textual, visual and musical receptions of horace from the 15th to the 18th century /
series Intersections ;
series2 Intersections ;
publisher Brill,
publishDate 2022
physical 1 online resource (763 pages)
edition 1st ed.
contents Intro -- Contents -- Illustrations -- Notes on the Editors -- Notes on the Contributors -- Chapter 1 Some Introductory Thoughts on the Reception of Horace in the Early Modern Age -- Part 1 The Reception of the Ars Poetica as a Model for the Theory of Painting, Drama, Diplomacy, Cookery and Other Arts -- Chapter 2 Rethinking Horace in Dutch Classicist Art Theory and in the Theory of Poetry and Drama: Gerard de Lairesse and Andries Pels -- Chapter 3 From Poetry to Cookery, Architecture, and Stock-Jobbing: Imitation and Parodia of Horace's Ars Poetica in 18th-Century England -- Part 2 The Reception of Horace in the Visual Arts -- Chapter 4 The Reception of Horace in the Visual Arts, 15th Century until ca. 1840: A First Exploration -- Chapter 5 Vaenius's Pluri-Medial Horace: Images for Contemplation, Primer of Philosophy, Iconological Templates for Artists, Latin Commonplace Book, and Vernacular Emblem Book -- Part 3 Horace and Music -- Chapter 6 Before Melopoiae: Conrad Celtis, Laurentius Corvinus, Arnold Wöstefeld and the Use of Music in the Teaching and Performance of Horace's Metres around 1500 -- Chapter 7 Horace among Early Modern Teachers and Music Theorists: Poetics and Songs -- Chapter 8 Singing Horace in Sixteenth-Century France: A Reappraisal of the Sources and Their Interpretation -- Part 4 Other Materializations of Horace: School Book Production and Funeral Inscriptions -- Chapter 9 Librum pulcherrimum et utilissimum edidit: Editions of Horace by Johannes Honorius Cubitensis (c.1465-1504) -- Chapter 10 Horace and Sepulchral Sapphics - Some English Examples -- Part 5 The Reception of the Odes in Early Modern Lyrical Poetry -- Chapter 11 The Reception of the "Horatian Hymn" in Quattrocento Neo-Latin Poetry: Aurelius Laurentius Albrisius and Giovanni Pontano.
Chapter 12 Horace across Seventeenth-Century Italian Literature: Carlo de' Dottori and his Odes -- Chapter 13 "As closely as possible after the model of Horace"? Degrees of Horatianism in James Alban Gibbes' Lyric Poetry -- Chapter 14 On the Reception of Horace's Carmen Saeculare in the Early Modern Period -- Part 6 Horatian Topics and Commonplaces -- Chapter 15 John Cruso of Norwich and the Reception of Horatius Sententiosus in Early Modern Provincial England -- Chapter 16 De laudibus vitae rusticae: Horace's Second Epode and the Tradition of Georgic Poetry -- Index Nominum.
isbn 90-04-37373-X
callnumber-first P - Language and Literature
callnumber-subject PA - Latin and Greek
callnumber-label PA6411
callnumber-sort PA 46411
genre Essays. lcgft
genre_facet Essays.
illustrated Not Illustrated
dewey-hundreds 800 - Literature
dewey-tens 880 - Classical & modern Greek literatures
dewey-ones 880 - Hellenic literatures; classical Greek
dewey-full 880.09
dewey-sort 3880.09
dewey-raw 880.09
dewey-search 880.09
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