Neo-avant-garde / / edited by David Hopkins ; editorial assistant: Anna Katharina Schaffner.
The neo-avant-garde of the 1950's, 60's and 70's, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particul...
Saved in:
Superior document: | Avant garde critical studies ; 20 |
---|---|
TeilnehmendeR: | |
Year of Publication: | 2006 |
Language: | English |
Series: | Avant garde critical studies ;
20. |
Physical Description: | 1 online resource (x, 454 pages) :; illustrations |
Notes: | "Represents the outcome of a conference titled 'Mapping the neo-avant garde', which took place at the University of Edinburgh between 23rd-25th September 2005"--Preface. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
993583849404498 |
---|---|
ctrlnum |
(CKB)1000000000475284 (EBL)556888 (OCoLC)714568423 (SSID)ssj0000209222 (PQKBManifestationID)11189336 (PQKBTitleCode)TC0000209222 (PQKBWorkID)10245314 (PQKB)11347891 (MiAaPQ)EBC556888 (OCoLC)166141915 (nllekb)BRILL9789401203760 (Au-PeEL)EBL556888 (CaPaEBR)ebr10380280 (CaONFJC)MIL988951 (EXLCZ)991000000000475284 |
collection |
bib_alma |
record_format |
marc |
spelling |
Neo-avant-garde / edited by David Hopkins ; editorial assistant: Anna Katharina Schaffner. Amsterdam ; New York : Rodopi, 2006. 1 online resource (x, 454 pages) : illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier Avant garde critical studies ; 20 English "Represents the outcome of a conference titled 'Mapping the neo-avant garde', which took place at the University of Edinburgh between 23rd-25th September 2005"--Preface. Preliminary Material / David Hopkins and Anna Katharina Schaffner -- INTRODUCTION / DAVID HOPKINS -- ‘ART’ AND ‘LIFE’… AND DEATH: MARCEL DUCHAMP, ROBERT MORRIS AND NEO-AVANT-GARDE IRONY / DAVID HOPKINS -- WORKING IN THE GAP BETWEEN ART AND LIFE: FRANK O’HARA’S PROCESS POEMS / MARK SILVERBERG -- ‘NEO-DADA’, ‘JUNK AESTHETIC’ AND SPECTATOR PARTICIPATION / ANNA DEZEUZE -- NEO-DADA PERFORMANCE ART / GÜNTER BERGHAUS -- INHERITING THE AVANT-GARDE: ON THE RECONCILIATION OF TRADITION AND INVENTION IN CONCRETE POETRY / ANNA KATHARINA SCHAFFNER -- THE STRUCTURAL FILM: RUPTURES AND CONTINUITIES IN AVANT-GARDE ART / R. BRUCE ELDER -- MINIMAL REQUIREMENTS OF THE POST-WAR AVANT-GARDE OF THE 1960's / TANIA ØRUM -- THE “RUPTURA” PROCLAIMED BY BRAZIL’S SELF-STYLED “VANGUARDAS” OF THE FIFTIES / CLAUS CLÜVER -- TOWARDS AN AESTHETICS OF POVERTY: ARCHITECTURE AND THE NEO-AVANT-GARDE IN 1960's BRAZIL / RICHARD J. WILLIAMS -- THE AVANT-GARDE, NEO-AVANT-GARDE AND RADIO: ROBERT DESNOS AND PHILIPPE SOUPAULT / KEITH ASPLEY -- HOME FURNISHINGS: RICHARD HAMILTON, DOMESTICITY AND ‘POST-AVANT-GARDISM’ / BEN HIGHMORE -- GENDER TROUBLE? BODY TROUBLE? REINVESTIGATING THE WORK OF MARISOL ESCOBAR / KATHARINE SWARBRICK -- JOE BRAINARD’S QUEER SERIOUSNESS, OR, HOW TO MAKE FUN OUT OF THE AVANT-GARDE / GAVIN BUTT -- THE DIALOGICAL IMAGINATION: THE CONVERSATIONAL AESTHETIC OF CONCEPTUAL ART / MICHAEL CORRIS -- DESTRUKTION RSG-6: TOWARDS A SITUATIONIST AVANT-GARDE TODAY / FRANCES STRACEY -- “MOVENS” OR THE AESTHETICS OF MOVEMENT AS A PROGRAMMATIC PERSPECTIVE / FRIEDRICH W. BLOCK -- THE AVANT-GARDE IS DEAD; LONG LIVE THE AVANT-GARDE! / MARTIN PUCHNER -- TOWARDS A “RECONCILIATION OF MAN AND NATURE”. NATURE AND ECOLOGY IN THE AESTHETIC AVANT-GARDE OF THE TWENTIETH CENTURY / HUBERT F. VAN DEN BERG -- “BLACKBIRDS RISE FROM A FIELD...”: PRODUCTION, STRUCTURE AND OBEDIENCE IN JOHN CAGE'S LECTURE ON NOTHING / MARTIN J. C. DIXON -- “JEDER KANN DADA”: THE REPETITION, TRAUMA AND DEFERRED COMPLETION OF THE AVANT-GARDE / DAFYDD JONES -- LIST OF ILLUSTRATIONS / David Hopkins and Anna Katharina Schaffner -- ABSTRACTS / David Hopkins and Anna Katharina Schaffner -- CONTRIBUTORS / David Hopkins and Anna Katharina Schaffner -- INDEX / David Hopkins and Anna Katharina Schaffner. The neo-avant-garde of the 1950's, 60's and 70's, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particularly painting and sculpture, thereby adding significantly to the growing art historical literature in the field, but a number of the contributions also focus on poetry, performance, theatre, film, architecture and music. Given that there are also major essays here dealing with geographical blind spots in current neo-avant-garde studies, with thematic issues such as art’s entanglement with gender, mass culture and politics, with key neo-avant-garde publications, and with the purely theoretical problems attaching to the theorisation of the topic, this collection offers a multi-dimensional approach to the subject which is noticeably lacking elsewhere. Taken together these essays represent a consolidated attempt at re-thinking the ‘cultural logic’ of the immediate post-World War II period. Includes bibliographical references. Art and society Congresses. Art, European Congresses. Avant-garde (Aesthetics) Congresses. Hopkins, David, 1955- Schaffner, Anna Katharina. 90-420-2125-X Avant garde critical studies ; 20. |
language |
English |
format |
eBook |
author2 |
Hopkins, David, 1955- Schaffner, Anna Katharina. |
author_facet |
Hopkins, David, 1955- Schaffner, Anna Katharina. |
author2_variant |
d h dh a k s ak aks |
author2_role |
TeilnehmendeR TeilnehmendeR |
author_sort |
Hopkins, David, 1955- |
author_additional |
David Hopkins and Anna Katharina Schaffner -- DAVID HOPKINS -- MARK SILVERBERG -- ANNA DEZEUZE -- GÜNTER BERGHAUS -- ANNA KATHARINA SCHAFFNER -- R. BRUCE ELDER -- TANIA ØRUM -- CLAUS CLÜVER -- RICHARD J. WILLIAMS -- KEITH ASPLEY -- BEN HIGHMORE -- KATHARINE SWARBRICK -- GAVIN BUTT -- MICHAEL CORRIS -- FRANCES STRACEY -- FRIEDRICH W. BLOCK -- MARTIN PUCHNER -- HUBERT F. VAN DEN BERG -- MARTIN J. C. DIXON -- DAFYDD JONES -- David Hopkins and Anna Katharina Schaffner. |
title |
Neo-avant-garde / |
spellingShingle |
Neo-avant-garde / Avant garde critical studies ; Preliminary Material / INTRODUCTION / ‘ART’ AND ‘LIFE’… AND DEATH: MARCEL DUCHAMP, ROBERT MORRIS AND NEO-AVANT-GARDE IRONY / WORKING IN THE GAP BETWEEN ART AND LIFE: FRANK O’HARA’S PROCESS POEMS / ‘NEO-DADA’, ‘JUNK AESTHETIC’ AND SPECTATOR PARTICIPATION / NEO-DADA PERFORMANCE ART / INHERITING THE AVANT-GARDE: ON THE RECONCILIATION OF TRADITION AND INVENTION IN CONCRETE POETRY / THE STRUCTURAL FILM: RUPTURES AND CONTINUITIES IN AVANT-GARDE ART / MINIMAL REQUIREMENTS OF THE POST-WAR AVANT-GARDE OF THE 1960's / THE “RUPTURA” PROCLAIMED BY BRAZIL’S SELF-STYLED “VANGUARDAS” OF THE FIFTIES / TOWARDS AN AESTHETICS OF POVERTY: ARCHITECTURE AND THE NEO-AVANT-GARDE IN 1960's BRAZIL / THE AVANT-GARDE, NEO-AVANT-GARDE AND RADIO: ROBERT DESNOS AND PHILIPPE SOUPAULT / HOME FURNISHINGS: RICHARD HAMILTON, DOMESTICITY AND ‘POST-AVANT-GARDISM’ / GENDER TROUBLE? BODY TROUBLE? REINVESTIGATING THE WORK OF MARISOL ESCOBAR / JOE BRAINARD’S QUEER SERIOUSNESS, OR, HOW TO MAKE FUN OUT OF THE AVANT-GARDE / THE DIALOGICAL IMAGINATION: THE CONVERSATIONAL AESTHETIC OF CONCEPTUAL ART / DESTRUKTION RSG-6: TOWARDS A SITUATIONIST AVANT-GARDE TODAY / “MOVENS” OR THE AESTHETICS OF MOVEMENT AS A PROGRAMMATIC PERSPECTIVE / THE AVANT-GARDE IS DEAD; LONG LIVE THE AVANT-GARDE! / TOWARDS A “RECONCILIATION OF MAN AND NATURE”. NATURE AND ECOLOGY IN THE AESTHETIC AVANT-GARDE OF THE TWENTIETH CENTURY / “BLACKBIRDS RISE FROM A FIELD...”: PRODUCTION, STRUCTURE AND OBEDIENCE IN JOHN CAGE'S LECTURE ON NOTHING / “JEDER KANN DADA”: THE REPETITION, TRAUMA AND DEFERRED COMPLETION OF THE AVANT-GARDE / LIST OF ILLUSTRATIONS / ABSTRACTS / CONTRIBUTORS / INDEX / |
title_full |
Neo-avant-garde / edited by David Hopkins ; editorial assistant: Anna Katharina Schaffner. |
title_fullStr |
Neo-avant-garde / edited by David Hopkins ; editorial assistant: Anna Katharina Schaffner. |
title_full_unstemmed |
Neo-avant-garde / edited by David Hopkins ; editorial assistant: Anna Katharina Schaffner. |
title_auth |
Neo-avant-garde / |
title_alt |
Preliminary Material / INTRODUCTION / ‘ART’ AND ‘LIFE’… AND DEATH: MARCEL DUCHAMP, ROBERT MORRIS AND NEO-AVANT-GARDE IRONY / WORKING IN THE GAP BETWEEN ART AND LIFE: FRANK O’HARA’S PROCESS POEMS / ‘NEO-DADA’, ‘JUNK AESTHETIC’ AND SPECTATOR PARTICIPATION / NEO-DADA PERFORMANCE ART / INHERITING THE AVANT-GARDE: ON THE RECONCILIATION OF TRADITION AND INVENTION IN CONCRETE POETRY / THE STRUCTURAL FILM: RUPTURES AND CONTINUITIES IN AVANT-GARDE ART / MINIMAL REQUIREMENTS OF THE POST-WAR AVANT-GARDE OF THE 1960's / THE “RUPTURA” PROCLAIMED BY BRAZIL’S SELF-STYLED “VANGUARDAS” OF THE FIFTIES / TOWARDS AN AESTHETICS OF POVERTY: ARCHITECTURE AND THE NEO-AVANT-GARDE IN 1960's BRAZIL / THE AVANT-GARDE, NEO-AVANT-GARDE AND RADIO: ROBERT DESNOS AND PHILIPPE SOUPAULT / HOME FURNISHINGS: RICHARD HAMILTON, DOMESTICITY AND ‘POST-AVANT-GARDISM’ / GENDER TROUBLE? BODY TROUBLE? REINVESTIGATING THE WORK OF MARISOL ESCOBAR / JOE BRAINARD’S QUEER SERIOUSNESS, OR, HOW TO MAKE FUN OUT OF THE AVANT-GARDE / THE DIALOGICAL IMAGINATION: THE CONVERSATIONAL AESTHETIC OF CONCEPTUAL ART / DESTRUKTION RSG-6: TOWARDS A SITUATIONIST AVANT-GARDE TODAY / “MOVENS” OR THE AESTHETICS OF MOVEMENT AS A PROGRAMMATIC PERSPECTIVE / THE AVANT-GARDE IS DEAD; LONG LIVE THE AVANT-GARDE! / TOWARDS A “RECONCILIATION OF MAN AND NATURE”. NATURE AND ECOLOGY IN THE AESTHETIC AVANT-GARDE OF THE TWENTIETH CENTURY / “BLACKBIRDS RISE FROM A FIELD...”: PRODUCTION, STRUCTURE AND OBEDIENCE IN JOHN CAGE'S LECTURE ON NOTHING / “JEDER KANN DADA”: THE REPETITION, TRAUMA AND DEFERRED COMPLETION OF THE AVANT-GARDE / LIST OF ILLUSTRATIONS / ABSTRACTS / CONTRIBUTORS / INDEX / |
title_new |
Neo-avant-garde / |
title_sort |
neo-avant-garde / |
series |
Avant garde critical studies ; |
series2 |
Avant garde critical studies ; |
publisher |
Rodopi, |
publishDate |
2006 |
physical |
1 online resource (x, 454 pages) : illustrations |
contents |
Preliminary Material / INTRODUCTION / ‘ART’ AND ‘LIFE’… AND DEATH: MARCEL DUCHAMP, ROBERT MORRIS AND NEO-AVANT-GARDE IRONY / WORKING IN THE GAP BETWEEN ART AND LIFE: FRANK O’HARA’S PROCESS POEMS / ‘NEO-DADA’, ‘JUNK AESTHETIC’ AND SPECTATOR PARTICIPATION / NEO-DADA PERFORMANCE ART / INHERITING THE AVANT-GARDE: ON THE RECONCILIATION OF TRADITION AND INVENTION IN CONCRETE POETRY / THE STRUCTURAL FILM: RUPTURES AND CONTINUITIES IN AVANT-GARDE ART / MINIMAL REQUIREMENTS OF THE POST-WAR AVANT-GARDE OF THE 1960's / THE “RUPTURA” PROCLAIMED BY BRAZIL’S SELF-STYLED “VANGUARDAS” OF THE FIFTIES / TOWARDS AN AESTHETICS OF POVERTY: ARCHITECTURE AND THE NEO-AVANT-GARDE IN 1960's BRAZIL / THE AVANT-GARDE, NEO-AVANT-GARDE AND RADIO: ROBERT DESNOS AND PHILIPPE SOUPAULT / HOME FURNISHINGS: RICHARD HAMILTON, DOMESTICITY AND ‘POST-AVANT-GARDISM’ / GENDER TROUBLE? BODY TROUBLE? REINVESTIGATING THE WORK OF MARISOL ESCOBAR / JOE BRAINARD’S QUEER SERIOUSNESS, OR, HOW TO MAKE FUN OUT OF THE AVANT-GARDE / THE DIALOGICAL IMAGINATION: THE CONVERSATIONAL AESTHETIC OF CONCEPTUAL ART / DESTRUKTION RSG-6: TOWARDS A SITUATIONIST AVANT-GARDE TODAY / “MOVENS” OR THE AESTHETICS OF MOVEMENT AS A PROGRAMMATIC PERSPECTIVE / THE AVANT-GARDE IS DEAD; LONG LIVE THE AVANT-GARDE! / TOWARDS A “RECONCILIATION OF MAN AND NATURE”. NATURE AND ECOLOGY IN THE AESTHETIC AVANT-GARDE OF THE TWENTIETH CENTURY / “BLACKBIRDS RISE FROM A FIELD...”: PRODUCTION, STRUCTURE AND OBEDIENCE IN JOHN CAGE'S LECTURE ON NOTHING / “JEDER KANN DADA”: THE REPETITION, TRAUMA AND DEFERRED COMPLETION OF THE AVANT-GARDE / LIST OF ILLUSTRATIONS / ABSTRACTS / CONTRIBUTORS / INDEX / |
isbn |
94-012-0376-8 1-4294-8051-3 90-420-2125-X |
callnumber-first |
B - Philosophy, Psychology, Religion |
callnumber-subject |
BH - Aesthetics |
callnumber-label |
BH301 |
callnumber-sort |
BH 3301 A94 N46 42006 |
genre_facet |
Congresses. |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
700 - The arts; fine & decorative arts |
dewey-full |
700.103094409041 |
dewey-sort |
3700.103094409041 |
dewey-raw |
700.103094409041 |
dewey-search |
700.103094409041 |
oclc_num |
714568423 166141915 |
work_keys_str_mv |
AT hopkinsdavid neoavantgarde AT schaffnerannakatharina neoavantgarde |
status_str |
n |
ids_txt_mv |
(CKB)1000000000475284 (EBL)556888 (OCoLC)714568423 (SSID)ssj0000209222 (PQKBManifestationID)11189336 (PQKBTitleCode)TC0000209222 (PQKBWorkID)10245314 (PQKB)11347891 (MiAaPQ)EBC556888 (OCoLC)166141915 (OCoLC)170958051 (OCoLC)607924970 (OCoLC)714568423 (OCoLC)764536073 (nllekb)BRILL9789401203760 (Au-PeEL)EBL556888 (CaPaEBR)ebr10380280 (CaONFJC)MIL988951 (EXLCZ)991000000000475284 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Avant garde critical studies ; 20 |
hierarchy_sequence |
20. |
is_hierarchy_title |
Neo-avant-garde / |
container_title |
Avant garde critical studies ; 20 |
author2_original_writing_str_mv |
noLinkedField noLinkedField |
_version_ |
1796652952966922240 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05616nam a2200565Ia 4500</leader><controlfield tag="001">993583849404498</controlfield><controlfield tag="005">20230404230537.0</controlfield><controlfield tag="006">m o d | </controlfield><controlfield tag="007">cr#un####uuuua</controlfield><controlfield tag="008">070302s2006 ne a o 100 0 eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">94-012-0376-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1-4294-8051-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CKB)1000000000475284</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBL)556888</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)714568423</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(SSID)ssj0000209222</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBManifestationID)11189336</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBTitleCode)TC0000209222</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKBWorkID)10245314</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(PQKB)11347891</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(MiAaPQ)EBC556888</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)166141915</subfield><subfield code="z">(OCoLC)170958051</subfield><subfield code="z">(OCoLC)607924970</subfield><subfield code="z">(OCoLC)714568423</subfield><subfield code="z">(OCoLC)764536073</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(nllekb)BRILL9789401203760</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(Au-PeEL)EBL556888</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaPaEBR)ebr10380280</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(CaONFJC)MIL988951</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EXLCZ)991000000000475284</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">MiAaPQ</subfield><subfield code="c">MiAaPQ</subfield><subfield code="d">MiAaPQ</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">BH301.A94</subfield><subfield code="b">N46 2006</subfield></datafield><datafield tag="082" ind1="0" ind2="0"><subfield code="a">700.103094409041</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Neo-avant-garde /</subfield><subfield code="c">edited by David Hopkins ; editorial assistant: Anna Katharina Schaffner.</subfield></datafield><datafield tag="260" ind1=" " ind2=" "><subfield code="a">Amsterdam ;</subfield><subfield code="a">New York :</subfield><subfield code="b">Rodopi,</subfield><subfield code="c">2006.</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (x, 454 pages) :</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Avant garde critical studies ;</subfield><subfield code="v">20</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"Represents the outcome of a conference titled 'Mapping the neo-avant garde', which took place at the University of Edinburgh between 23rd-25th September 2005"--Preface.</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Preliminary Material /</subfield><subfield code="r">David Hopkins and Anna Katharina Schaffner --</subfield><subfield code="t">INTRODUCTION /</subfield><subfield code="r">DAVID HOPKINS --</subfield><subfield code="t">‘ART’ AND ‘LIFE’… AND DEATH: MARCEL DUCHAMP, ROBERT MORRIS AND NEO-AVANT-GARDE IRONY /</subfield><subfield code="r">DAVID HOPKINS --</subfield><subfield code="t">WORKING IN THE GAP BETWEEN ART AND LIFE: FRANK O’HARA’S PROCESS POEMS /</subfield><subfield code="r">MARK SILVERBERG --</subfield><subfield code="t">‘NEO-DADA’, ‘JUNK AESTHETIC’ AND SPECTATOR PARTICIPATION /</subfield><subfield code="r">ANNA DEZEUZE --</subfield><subfield code="t">NEO-DADA PERFORMANCE ART /</subfield><subfield code="r">GÜNTER BERGHAUS --</subfield><subfield code="t">INHERITING THE AVANT-GARDE: ON THE RECONCILIATION OF TRADITION AND INVENTION IN CONCRETE POETRY /</subfield><subfield code="r">ANNA KATHARINA SCHAFFNER --</subfield><subfield code="t">THE STRUCTURAL FILM: RUPTURES AND CONTINUITIES IN AVANT-GARDE ART /</subfield><subfield code="r">R. BRUCE ELDER --</subfield><subfield code="t">MINIMAL REQUIREMENTS OF THE POST-WAR AVANT-GARDE OF THE 1960's /</subfield><subfield code="r">TANIA ØRUM --</subfield><subfield code="t">THE “RUPTURA” PROCLAIMED BY BRAZIL’S SELF-STYLED “VANGUARDAS” OF THE FIFTIES /</subfield><subfield code="r">CLAUS CLÜVER --</subfield><subfield code="t">TOWARDS AN AESTHETICS OF POVERTY: ARCHITECTURE AND THE NEO-AVANT-GARDE IN 1960's BRAZIL /</subfield><subfield code="r">RICHARD J. WILLIAMS --</subfield><subfield code="t">THE AVANT-GARDE, NEO-AVANT-GARDE AND RADIO: ROBERT DESNOS AND PHILIPPE SOUPAULT /</subfield><subfield code="r">KEITH ASPLEY --</subfield><subfield code="t">HOME FURNISHINGS: RICHARD HAMILTON, DOMESTICITY AND ‘POST-AVANT-GARDISM’ /</subfield><subfield code="r">BEN HIGHMORE --</subfield><subfield code="t">GENDER TROUBLE? BODY TROUBLE? REINVESTIGATING THE WORK OF MARISOL ESCOBAR /</subfield><subfield code="r">KATHARINE SWARBRICK --</subfield><subfield code="t">JOE BRAINARD’S QUEER SERIOUSNESS, OR, HOW TO MAKE FUN OUT OF THE AVANT-GARDE /</subfield><subfield code="r">GAVIN BUTT --</subfield><subfield code="t">THE DIALOGICAL IMAGINATION: THE CONVERSATIONAL AESTHETIC OF CONCEPTUAL ART /</subfield><subfield code="r">MICHAEL CORRIS --</subfield><subfield code="t">DESTRUKTION RSG-6: TOWARDS A SITUATIONIST AVANT-GARDE TODAY /</subfield><subfield code="r">FRANCES STRACEY --</subfield><subfield code="t">“MOVENS” OR THE AESTHETICS OF MOVEMENT AS A PROGRAMMATIC PERSPECTIVE /</subfield><subfield code="r">FRIEDRICH W. BLOCK --</subfield><subfield code="t">THE AVANT-GARDE IS DEAD; LONG LIVE THE AVANT-GARDE! /</subfield><subfield code="r">MARTIN PUCHNER --</subfield><subfield code="t">TOWARDS A “RECONCILIATION OF MAN AND NATURE”. NATURE AND ECOLOGY IN THE AESTHETIC AVANT-GARDE OF THE TWENTIETH CENTURY /</subfield><subfield code="r">HUBERT F. VAN DEN BERG --</subfield><subfield code="t">“BLACKBIRDS RISE FROM A FIELD...”: PRODUCTION, STRUCTURE AND OBEDIENCE IN JOHN CAGE'S LECTURE ON NOTHING /</subfield><subfield code="r">MARTIN J. C. DIXON --</subfield><subfield code="t">“JEDER KANN DADA”: THE REPETITION, TRAUMA AND DEFERRED COMPLETION OF THE AVANT-GARDE /</subfield><subfield code="r">DAFYDD JONES --</subfield><subfield code="t">LIST OF ILLUSTRATIONS /</subfield><subfield code="r">David Hopkins and Anna Katharina Schaffner --</subfield><subfield code="t">ABSTRACTS /</subfield><subfield code="r">David Hopkins and Anna Katharina Schaffner --</subfield><subfield code="t">CONTRIBUTORS /</subfield><subfield code="r">David Hopkins and Anna Katharina Schaffner --</subfield><subfield code="t">INDEX /</subfield><subfield code="r">David Hopkins and Anna Katharina Schaffner.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The neo-avant-garde of the 1950's, 60's and 70's, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particularly painting and sculpture, thereby adding significantly to the growing art historical literature in the field, but a number of the contributions also focus on poetry, performance, theatre, film, architecture and music. Given that there are also major essays here dealing with geographical blind spots in current neo-avant-garde studies, with thematic issues such as art’s entanglement with gender, mass culture and politics, with key neo-avant-garde publications, and with the purely theoretical problems attaching to the theorisation of the topic, this collection offers a multi-dimensional approach to the subject which is noticeably lacking elsewhere. Taken together these essays represent a consolidated attempt at re-thinking the ‘cultural logic’ of the immediate post-World War II period.</subfield></datafield><datafield tag="504" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art and society</subfield><subfield code="v">Congresses.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art, European</subfield><subfield code="v">Congresses.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Avant-garde (Aesthetics)</subfield><subfield code="v">Congresses.</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hopkins, David,</subfield><subfield code="d">1955-</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Schaffner, Anna Katharina.</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="z">90-420-2125-X</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Avant garde critical studies ;</subfield><subfield code="v">20.</subfield></datafield><datafield tag="906" ind1=" " ind2=" "><subfield code="a">BOOK</subfield></datafield><datafield tag="ADM" ind1=" " ind2=" "><subfield code="b">2024-03-22 00:40:39 Europe/Vienna</subfield><subfield code="f">system</subfield><subfield code="c">marc21</subfield><subfield code="a">2012-02-25 23:48:22 Europe/Vienna</subfield><subfield code="g">false</subfield></datafield><datafield tag="AVE" ind1=" " ind2=" "><subfield code="i">Brill</subfield><subfield code="P">EBA Brill All</subfield><subfield code="x">https://eu02.alma.exlibrisgroup.com/view/uresolver/43ACC_OEAW/openurl?u.ignore_date_coverage=true&portfolio_pid=5343709430004498&Force_direct=true</subfield><subfield code="Z">5343709430004498</subfield><subfield code="b">Available</subfield><subfield code="8">5343709430004498</subfield></datafield></record></collection> |