Neo-avant-garde / / edited by David Hopkins ; editorial assistant: Anna Katharina Schaffner.
The neo-avant-garde of the 1950's, 60's and 70's, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particul...
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Superior document: | Avant garde critical studies ; 20 |
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TeilnehmendeR: | |
Year of Publication: | 2006 |
Language: | English |
Series: | Avant garde critical studies ;
20. |
Physical Description: | 1 online resource (x, 454 pages) :; illustrations |
Notes: | "Represents the outcome of a conference titled 'Mapping the neo-avant garde', which took place at the University of Edinburgh between 23rd-25th September 2005"--Preface. |
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245 | 0 | 0 | |a Neo-avant-garde / |c edited by David Hopkins ; editorial assistant: Anna Katharina Schaffner. |
260 | |a Amsterdam ; |a New York : |b Rodopi, |c 2006. | ||
300 | |a 1 online resource (x, 454 pages) : |b illustrations | ||
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490 | 1 | |a Avant garde critical studies ; |v 20 | |
546 | |a English | ||
500 | |a "Represents the outcome of a conference titled 'Mapping the neo-avant garde', which took place at the University of Edinburgh between 23rd-25th September 2005"--Preface. | ||
505 | 0 | 0 | |t Preliminary Material / |r David Hopkins and Anna Katharina Schaffner -- |t INTRODUCTION / |r DAVID HOPKINS -- |t ‘ART’ AND ‘LIFE’… AND DEATH: MARCEL DUCHAMP, ROBERT MORRIS AND NEO-AVANT-GARDE IRONY / |r DAVID HOPKINS -- |t WORKING IN THE GAP BETWEEN ART AND LIFE: FRANK O’HARA’S PROCESS POEMS / |r MARK SILVERBERG -- |t ‘NEO-DADA’, ‘JUNK AESTHETIC’ AND SPECTATOR PARTICIPATION / |r ANNA DEZEUZE -- |t NEO-DADA PERFORMANCE ART / |r GÜNTER BERGHAUS -- |t INHERITING THE AVANT-GARDE: ON THE RECONCILIATION OF TRADITION AND INVENTION IN CONCRETE POETRY / |r ANNA KATHARINA SCHAFFNER -- |t THE STRUCTURAL FILM: RUPTURES AND CONTINUITIES IN AVANT-GARDE ART / |r R. BRUCE ELDER -- |t MINIMAL REQUIREMENTS OF THE POST-WAR AVANT-GARDE OF THE 1960's / |r TANIA ØRUM -- |t THE “RUPTURA” PROCLAIMED BY BRAZIL’S SELF-STYLED “VANGUARDAS” OF THE FIFTIES / |r CLAUS CLÜVER -- |t TOWARDS AN AESTHETICS OF POVERTY: ARCHITECTURE AND THE NEO-AVANT-GARDE IN 1960's BRAZIL / |r RICHARD J. WILLIAMS -- |t THE AVANT-GARDE, NEO-AVANT-GARDE AND RADIO: ROBERT DESNOS AND PHILIPPE SOUPAULT / |r KEITH ASPLEY -- |t HOME FURNISHINGS: RICHARD HAMILTON, DOMESTICITY AND ‘POST-AVANT-GARDISM’ / |r BEN HIGHMORE -- |t GENDER TROUBLE? BODY TROUBLE? REINVESTIGATING THE WORK OF MARISOL ESCOBAR / |r KATHARINE SWARBRICK -- |t JOE BRAINARD’S QUEER SERIOUSNESS, OR, HOW TO MAKE FUN OUT OF THE AVANT-GARDE / |r GAVIN BUTT -- |t THE DIALOGICAL IMAGINATION: THE CONVERSATIONAL AESTHETIC OF CONCEPTUAL ART / |r MICHAEL CORRIS -- |t DESTRUKTION RSG-6: TOWARDS A SITUATIONIST AVANT-GARDE TODAY / |r FRANCES STRACEY -- |t “MOVENS” OR THE AESTHETICS OF MOVEMENT AS A PROGRAMMATIC PERSPECTIVE / |r FRIEDRICH W. BLOCK -- |t THE AVANT-GARDE IS DEAD; LONG LIVE THE AVANT-GARDE! / |r MARTIN PUCHNER -- |t TOWARDS A “RECONCILIATION OF MAN AND NATURE”. NATURE AND ECOLOGY IN THE AESTHETIC AVANT-GARDE OF THE TWENTIETH CENTURY / |r HUBERT F. VAN DEN BERG -- |t “BLACKBIRDS RISE FROM A FIELD...”: PRODUCTION, STRUCTURE AND OBEDIENCE IN JOHN CAGE'S LECTURE ON NOTHING / |r MARTIN J. C. DIXON -- |t “JEDER KANN DADA”: THE REPETITION, TRAUMA AND DEFERRED COMPLETION OF THE AVANT-GARDE / |r DAFYDD JONES -- |t LIST OF ILLUSTRATIONS / |r David Hopkins and Anna Katharina Schaffner -- |t ABSTRACTS / |r David Hopkins and Anna Katharina Schaffner -- |t CONTRIBUTORS / |r David Hopkins and Anna Katharina Schaffner -- |t INDEX / |r David Hopkins and Anna Katharina Schaffner. |
520 | |a The neo-avant-garde of the 1950's, 60's and 70's, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particularly painting and sculpture, thereby adding significantly to the growing art historical literature in the field, but a number of the contributions also focus on poetry, performance, theatre, film, architecture and music. Given that there are also major essays here dealing with geographical blind spots in current neo-avant-garde studies, with thematic issues such as art’s entanglement with gender, mass culture and politics, with key neo-avant-garde publications, and with the purely theoretical problems attaching to the theorisation of the topic, this collection offers a multi-dimensional approach to the subject which is noticeably lacking elsewhere. Taken together these essays represent a consolidated attempt at re-thinking the ‘cultural logic’ of the immediate post-World War II period. | ||
504 | |a Includes bibliographical references. | ||
650 | 0 | |a Art and society |v Congresses. | |
650 | 0 | |a Art, European |v Congresses. | |
650 | 0 | |a Avant-garde (Aesthetics) |v Congresses. | |
700 | 1 | |a Hopkins, David, |d 1955- | |
700 | 1 | |a Schaffner, Anna Katharina. | |
776 | 0 | |z 90-420-2125-X | |
830 | 0 | |a Avant garde critical studies ; |v 20. | |
906 | |a BOOK | ||
ADM | |b 2024-03-22 00:40:39 Europe/Vienna |f system |c marc21 |a 2012-02-25 23:48:22 Europe/Vienna |g false | ||
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