Neo-avant-garde / / edited by David Hopkins ; editorial assistant: Anna Katharina Schaffner.

The neo-avant-garde of the 1950's, 60's and 70's, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particul...

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Bibliographic Details
Superior document:Avant garde critical studies ; 20
TeilnehmendeR:
Year of Publication:2006
Language:English
Series:Avant garde critical studies ; 20.
Physical Description:1 online resource (x, 454 pages) :; illustrations
Notes:"Represents the outcome of a conference titled 'Mapping the neo-avant garde', which took place at the University of Edinburgh between 23rd-25th September 2005"--Preface.
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245 0 0 |a Neo-avant-garde /  |c edited by David Hopkins ; editorial assistant: Anna Katharina Schaffner. 
260 |a Amsterdam ;  |a New York :  |b Rodopi,  |c 2006. 
300 |a 1 online resource (x, 454 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Avant garde critical studies ;  |v 20 
546 |a English 
500 |a "Represents the outcome of a conference titled 'Mapping the neo-avant garde', which took place at the University of Edinburgh between 23rd-25th September 2005"--Preface. 
505 0 0 |t Preliminary Material /  |r David Hopkins and Anna Katharina Schaffner --  |t INTRODUCTION /  |r DAVID HOPKINS --  |t ‘ART’ AND ‘LIFE’… AND DEATH: MARCEL DUCHAMP, ROBERT MORRIS AND NEO-AVANT-GARDE IRONY /  |r DAVID HOPKINS --  |t WORKING IN THE GAP BETWEEN ART AND LIFE: FRANK O’HARA’S PROCESS POEMS /  |r MARK SILVERBERG --  |t ‘NEO-DADA’, ‘JUNK AESTHETIC’ AND SPECTATOR PARTICIPATION /  |r ANNA DEZEUZE --  |t NEO-DADA PERFORMANCE ART /  |r GÜNTER BERGHAUS --  |t INHERITING THE AVANT-GARDE: ON THE RECONCILIATION OF TRADITION AND INVENTION IN CONCRETE POETRY /  |r ANNA KATHARINA SCHAFFNER --  |t THE STRUCTURAL FILM: RUPTURES AND CONTINUITIES IN AVANT-GARDE ART /  |r R. BRUCE ELDER --  |t MINIMAL REQUIREMENTS OF THE POST-WAR AVANT-GARDE OF THE 1960's /  |r TANIA ØRUM --  |t THE “RUPTURA” PROCLAIMED BY BRAZIL’S SELF-STYLED “VANGUARDAS” OF THE FIFTIES /  |r CLAUS CLÜVER --  |t TOWARDS AN AESTHETICS OF POVERTY: ARCHITECTURE AND THE NEO-AVANT-GARDE IN 1960's BRAZIL /  |r RICHARD J. WILLIAMS --  |t THE AVANT-GARDE, NEO-AVANT-GARDE AND RADIO: ROBERT DESNOS AND PHILIPPE SOUPAULT /  |r KEITH ASPLEY --  |t HOME FURNISHINGS: RICHARD HAMILTON, DOMESTICITY AND ‘POST-AVANT-GARDISM’ /  |r BEN HIGHMORE --  |t GENDER TROUBLE? BODY TROUBLE? REINVESTIGATING THE WORK OF MARISOL ESCOBAR /  |r KATHARINE SWARBRICK --  |t JOE BRAINARD’S QUEER SERIOUSNESS, OR, HOW TO MAKE FUN OUT OF THE AVANT-GARDE /  |r GAVIN BUTT --  |t THE DIALOGICAL IMAGINATION: THE CONVERSATIONAL AESTHETIC OF CONCEPTUAL ART /  |r MICHAEL CORRIS --  |t DESTRUKTION RSG-6: TOWARDS A SITUATIONIST AVANT-GARDE TODAY /  |r FRANCES STRACEY --  |t “MOVENS” OR THE AESTHETICS OF MOVEMENT AS A PROGRAMMATIC PERSPECTIVE /  |r FRIEDRICH W. BLOCK --  |t THE AVANT-GARDE IS DEAD; LONG LIVE THE AVANT-GARDE! /  |r MARTIN PUCHNER --  |t TOWARDS A “RECONCILIATION OF MAN AND NATURE”. NATURE AND ECOLOGY IN THE AESTHETIC AVANT-GARDE OF THE TWENTIETH CENTURY /  |r HUBERT F. VAN DEN BERG --  |t “BLACKBIRDS RISE FROM A FIELD...”: PRODUCTION, STRUCTURE AND OBEDIENCE IN JOHN CAGE'S LECTURE ON NOTHING /  |r MARTIN J. C. DIXON --  |t “JEDER KANN DADA”: THE REPETITION, TRAUMA AND DEFERRED COMPLETION OF THE AVANT-GARDE /  |r DAFYDD JONES --  |t LIST OF ILLUSTRATIONS /  |r David Hopkins and Anna Katharina Schaffner --  |t ABSTRACTS /  |r David Hopkins and Anna Katharina Schaffner --  |t CONTRIBUTORS /  |r David Hopkins and Anna Katharina Schaffner --  |t INDEX /  |r David Hopkins and Anna Katharina Schaffner. 
520 |a The neo-avant-garde of the 1950's, 60's and 70's, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particularly painting and sculpture, thereby adding significantly to the growing art historical literature in the field, but a number of the contributions also focus on poetry, performance, theatre, film, architecture and music. Given that there are also major essays here dealing with geographical blind spots in current neo-avant-garde studies, with thematic issues such as art’s entanglement with gender, mass culture and politics, with key neo-avant-garde publications, and with the purely theoretical problems attaching to the theorisation of the topic, this collection offers a multi-dimensional approach to the subject which is noticeably lacking elsewhere. Taken together these essays represent a consolidated attempt at re-thinking the ‘cultural logic’ of the immediate post-World War II period. 
504 |a Includes bibliographical references. 
650 0 |a Art and society  |v Congresses. 
650 0 |a Art, European  |v Congresses. 
650 0 |a Avant-garde (Aesthetics)  |v Congresses. 
700 1 |a Hopkins, David,  |d 1955- 
700 1 |a Schaffner, Anna Katharina. 
776 0 |z 90-420-2125-X 
830 0 |a Avant garde critical studies ;  |v 20. 
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