The gaze of the listener : English representations of domestic music-making / / Regula Hohl Trillini.
This study analyzes representations of music in fiction, drama and poetry as well as normative texts in order to contribute to a gendered cultural history of domestic performance. From the Tudors to the First World War, playing the harpsichord or piano was an indispensable asset of any potential bri...
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Superior document: | Word and music studies ; 10 |
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: | |
Year of Publication: | 2008 |
Language: | English |
Series: | Word and music studies ;
10. |
Physical Description: | 1 online resource (262 p.) |
Notes: | Originally presented as: Thesis (Ph.D.)--Universität Basel, 2004. |
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Hohl Trillini, Regula. The gaze of the listener [electronic resource] : English representations of domestic music-making / Regula Hohl Trillini. Amsterdam ; New York, NY : Rodopi, 2008. 1 online resource (262 p.) text txt computer c online resource cr Word and music studies ; 10 English Preliminary Material -- Introduction -- Sex and the Virginals Gender and Keyboards around 1600 -- “Musick in the House, Musick in the Heart, and Musick also in Heaven”: The Harpsichord -- “Accomplishments, Accomplishments, Accomplishments”: The Piano-Forté -- “Glorious disability” The Piano and the Mid-Victorians -- Triumph and Oblivion The Piano after 1880 -- Conclusion -- References. This study analyzes representations of music in fiction, drama and poetry as well as normative texts in order to contribute to a gendered cultural history of domestic performance. From the Tudors to the First World War, playing the harpsichord or piano was an indispensable asset of any potential bride, and education manuals as well as courtship plots and love poems pay homage to this social function of music. The Gaze of the Listener charts the fundamental tension which determines all these texts: while music is warmly recommended in conduct books and provides standard metaphors like concord and harmony for virtuous love, a profound anxiety about its sensuous inarticulateness and implicit femininity unsettles all descriptions of actual music-making. Along with repressive plot lines, the privileging of visual perception over musical appreciation is the most telling indicator of this problem. The Gaze of the Listener is the first coherent account of this discourse and its historical continuity from the Elizabethan to the Edwardian period and provides a significant background for more narrowly focused research. Its uniquely wide database contextualizes numerous minor works with classics without limiting itself to the fringe phenomenon of musician novels. Including a fresh account of the novels of Jane Austen in their contemporary (rather than Victorian) context, the book is of interest to scholars and students in gender studies, English literature, cultural studies and musicology. Originally presented as: Thesis (Ph.D.)--Universität Basel, 2004. Includes bibliographical references (p. [217]-249). Music in literature History 17th century. Music in literature History 18th century. Music in literature History 19th century. Music Social aspects England. Austen, Jane, 1775-1817 Knowledge Music. Shakespeare, William, 1564-1616 Knowledge Music. 90-420-2489-5 Word and music studies ; 10. |
language |
English |
format |
Electronic eBook |
author |
Hohl Trillini, Regula. |
spellingShingle |
Hohl Trillini, Regula. The gaze of the listener English representations of domestic music-making / Word and music studies ; Preliminary Material -- Introduction -- Sex and the Virginals Gender and Keyboards around 1600 -- “Musick in the House, Musick in the Heart, and Musick also in Heaven”: The Harpsichord -- “Accomplishments, Accomplishments, Accomplishments”: The Piano-Forté -- “Glorious disability” The Piano and the Mid-Victorians -- Triumph and Oblivion The Piano after 1880 -- Conclusion -- References. |
author_facet |
Hohl Trillini, Regula. |
author_variant |
t r h tr trh |
author_sort |
Hohl Trillini, Regula. |
title |
The gaze of the listener English representations of domestic music-making / |
title_sub |
English representations of domestic music-making / |
title_full |
The gaze of the listener [electronic resource] : English representations of domestic music-making / Regula Hohl Trillini. |
title_fullStr |
The gaze of the listener [electronic resource] : English representations of domestic music-making / Regula Hohl Trillini. |
title_full_unstemmed |
The gaze of the listener [electronic resource] : English representations of domestic music-making / Regula Hohl Trillini. |
title_auth |
The gaze of the listener English representations of domestic music-making / |
title_new |
The gaze of the listener |
title_sort |
the gaze of the listener english representations of domestic music-making / |
series |
Word and music studies ; |
series2 |
Word and music studies ; |
publisher |
Rodopi, |
publishDate |
2008 |
physical |
1 online resource (262 p.) |
contents |
Preliminary Material -- Introduction -- Sex and the Virginals Gender and Keyboards around 1600 -- “Musick in the House, Musick in the Heart, and Musick also in Heaven”: The Harpsichord -- “Accomplishments, Accomplishments, Accomplishments”: The Piano-Forté -- “Glorious disability” The Piano and the Mid-Victorians -- Triumph and Oblivion The Piano after 1880 -- Conclusion -- References. |
isbn |
94-012-0651-1 1-4416-0343-3 90-420-2489-5 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN56 |
callnumber-sort |
PN 256 M87 H64 42008 |
genre_facet |
Music. |
geographic_facet |
England. |
era_facet |
1775-1817 1564-1616 17th century. 18th century. 19th century. |
illustrated |
Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
820 - English & Old English literatures |
dewey-ones |
820 - English & Old English literatures |
dewey-full |
820.93578 |
dewey-sort |
3820.93578 |
dewey-raw |
820.93578 |
dewey-search |
820.93578 |
oclc_num |
714567312 |
work_keys_str_mv |
AT hohltrilliniregula thegazeofthelistenerenglishrepresentationsofdomesticmusicmaking AT hohltrilliniregula gazeofthelistenerenglishrepresentationsofdomesticmusicmaking |
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hierarchy_parent_title |
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hierarchy_sequence |
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container_title |
Word and music studies ; 10 |
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