Between the Sign and the Gaze / / Herman Rapaport.

A woman turns into a piece of furniture (Theodor Fontane's Effi Briest); a writer of children's books takes photos of naked little girls (Lewis Carroll); Mont Blanc becomes the maternal breast (Shelley); Hamlet mistakes Ophelia for a phallus (Lacan's Hamlet seminar); and mom turns out...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Cornell University Press Archive Pre-2000
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Place / Publishing House:Ithaca, NY : : Cornell University Press, , [2018]
©1994
Year of Publication:2018
Language:English
Online Access:
Physical Description:1 online resource (312 p.)
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Description
Other title:Frontmatter --
Contents --
Acknowledgments --
Introduction --
PART I. APPEARANCES OF THE FANTASM --
I. Theories of the Fantasm --
2. Staging: Mont Blanc --
3. Jane Eyre and the Mot Tabou --
4. Effi Briest and La Chose freudienne --
5. Disarticulations: Between the Sign and the Gaze --
6. Permission Granted, or Beyond the Fantasm --
PART II. ECHOES OF THE FANTASM --
7. Geoffrey Hartman and the Spell of Sounds --
8. Tonalities of Apocalypse --
9. Durassian Extimacy --
10. "Can You Say Hello?" Laurie Anderson's United States --
Index
Summary:A woman turns into a piece of furniture (Theodor Fontane's Effi Briest); a writer of children's books takes photos of naked little girls (Lewis Carroll); Mont Blanc becomes the maternal breast (Shelley); Hamlet mistakes Ophelia for a phallus (Lacan's Hamlet seminar); and mom turns out to have thermonuclear arms (Laurie Anderson's United States). Reviewing the ways in which women have been fantasized in nineteenth- and twentieth-century Western culture, Herman Rapaport offers a series of brilliant insights into the concept of the fantasm in modern art.
Format:Mode of access: Internet via World Wide Web.
ISBN:9781501729591
9783110536171
DOI:10.7591/9781501729591
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Herman Rapaport.