The Western reinvention of Chinese literature, 1910-2010 : : from Ezra Pound to Maxine Hong Kingston / / edited by Zong-qi Cai, Stephen Roddy.

• TeilnehmendeR: Cai, Zong-qi, 1955-; Roddy, Stephen,
• Place / Publishing House: Leiden ;, Boston : : Brill,, [2022]
• Year of Publication: 2022
• Language: English
• Series: Chinese texts in the world ; volume 1
• Physical Description: 1 online resource :; illustrations.
• Other title: Acknowledgements --; Notes on Contributors --; Introduction /; 1 Walter Benjamin’s China /; 2 The Chinese Written Character and the Reinvention of Western and Chinese Poetry: Ernest Fenollosa and Ezra Pound /; 3 A Semiopoetic Re imagi nation of Concreteness: Chinese Ideograms in Haroldo de Campos /; 4 A Poet-Knight-Errant Traveling North: Three Russian Poets’ Translations of Li Bai /; 5 Robert Hans van Gulik and the Reinvention of Chinese Detective Fiction /; 6 Rethinking Pearl S. Buck and Tanci Fiction /; 7 Transcultural, Transmedial Reinvention: Shuihu zhuan 水滸傳 (Water Margin) from Chinese Classic to Italian Comic Art /; 8 A Post-Orientalist Turn: Pascal Quignard, Michèle Métail, and China /; 9 Global South Feminisms in Maxine Hong Kingston’s Woman Warrior: Memoirs of a Girlhood Among Ghosts and Patricia Galvão’s Industrial Park /; 10 Sino-Pacifism : China in the Peace Work(s) of Maxine Hong Kingston, Kenneth Rexroth, & Lou Harrison /; Index.
• Bibliography: Includes bibliographical references and index.
• ISBN: 9789004515031; 9789004515048; 9004515038
• Hierarchical level: Monograph
• Statement of Responsibility: edited by Zong-qi Cai, Stephen Roddy.

During much of China’s tumultuous 20th century, May 4th and Maoist iconoclasts regarded their classical literary heritage as a burden to be dislodged in the quest for modernization. This volume demonstrates how the traditions that had deeply impressed earlier generations of Western writers like Goethe and Voltaire did not lose their lustre; to the contrary, a fascination with these past riches sprouted with renewed vigour among Euro-American poets, novelists, and other cultural figures after the fall of imperial China in 1911. From Petrograd to Paris, and from São Paolo to San Francisco, China’s premodern poetry, theatre, essays, and fiction inspired numerous prominent writers and intellectuals. The contributors survey the fruits of this engagement in multiple Western languages and nations.