German expressionism and the Messianism of a generation / Lisa Marie Anderson.

This book reads messianic expectation as the defining characteristic of German culture in the first decades of the twentieth century. It has long been accepted that the Expressionist movement in Germany was infused with a thoroughly messianic strain. Here, with unprecedented detail and focus, that s...

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Bibliographic Details
Superior document:Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 150
:
Year of Publication:2011
Edition:1st ed.
Language:English
Series:Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 150.
Physical Description:1 online resource (206 p.)
Notes:Bibliographic Level Mode of Issuance: Monograph
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100 1 |a Anderson, Lisa Marie. 
245 1 0 |a German expressionism and the Messianism of a generation  |h [electronic resource] /  |c Lisa Marie Anderson. 
250 |a 1st ed. 
260 |a Amsterdam ;  |a New York :  |b Rodopi,  |c 2011. 
300 |a 1 online resource (206 p.) 
336 |a text  |b txt 
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490 1 |a Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft,  |x 0929-6999 ;  |v 150 
500 |a Bibliographic Level Mode of Issuance: Monograph 
546 |a English 
520 |a This book reads messianic expectation as the defining characteristic of German culture in the first decades of the twentieth century. It has long been accepted that the Expressionist movement in Germany was infused with a thoroughly messianic strain. Here, with unprecedented detail and focus, that strain is traced through the work of four important Expressionist playwrights: Ernst Barlach, Georg Kaiser, Ernst Toller and Franz Werfel. Moreover, these dramatists are brought into new and sustained dialogues with the theorists and philosophers of messianism who were their contemporaries: Walter Benjamin, Ernst Bloch, Martin Buber, Hermann Cohen, Gershom Scholem. In arguing, for example, that concepts like Bloch’s utopian self-encounter ( Selbstbegegnung ) and Benjamin’s messianic now-time ( Jetztzeit ) reappear as the framework for Expressionism’s staging of collective redemption in a new age, Anderson forges a previously underappreciated link in the study of Central European thought in the early twentieth century. 
505 0 0 |a Preliminary Material -- Notes on the Text -- Acknowledgements -- Introduction - Expressionism as a “Literature of Redemption” -- Jewish Messianism and the Philosophy of the Expressionist Era -- The Hebrew Scriptures and Jewish Messianism in Expressionist Literature -- The ‘Judeo-Christian’ Dialectic in the Expressionist Era -- Birth and Rebirth in Christianity and Expressionism -- The Mission and Passion of Expressionist Messianism -- The Culmination of Expressionist Messianism: Apocalypse -- Expressionism as Literature of the Unredeemed -- Bibliography -- Index. 
504 |a Includes bibliographical references (p. [189]-202) and index. 
650 0 |a German drama  |y 20th century  |x History and criticism. 
650 0 |a Expressionism in literature. 
650 0 |a Messianism in literature. 
650 0 |a National socialism and literature. 
600 1 0 |a Barlach, Ernst,  |d 1870-1938  |x Criticism and interpretation. 
600 1 0 |a Kaiser, Georg,  |d 1878-1945  |x Criticism and interpretation. 
600 1 0 |a Toller, Ernst,  |d 1893-1939  |x Criticism and interpretation. 
600 1 0 |a Werfel, Franz,  |d 1890-1945  |x Criticism and interpretation. 
776 |z 90-420-3352-5 
830 0 |a Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;  |v 150. 
906 |a BOOK 
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