German expressionism and the Messianism of a generation / Lisa Marie Anderson.

This book reads messianic expectation as the defining characteristic of German culture in the first decades of the twentieth century. It has long been accepted that the Expressionist movement in Germany was infused with a thoroughly messianic strain. Here, with unprecedented detail and focus, that s...

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Bibliographic Details
Superior document:Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 150
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Year of Publication:2011
Edition:1st ed.
Language:English
Series:Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 150.
Physical Description:1 online resource (206 p.)
Notes:Bibliographic Level Mode of Issuance: Monograph
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Summary:This book reads messianic expectation as the defining characteristic of German culture in the first decades of the twentieth century. It has long been accepted that the Expressionist movement in Germany was infused with a thoroughly messianic strain. Here, with unprecedented detail and focus, that strain is traced through the work of four important Expressionist playwrights: Ernst Barlach, Georg Kaiser, Ernst Toller and Franz Werfel. Moreover, these dramatists are brought into new and sustained dialogues with the theorists and philosophers of messianism who were their contemporaries: Walter Benjamin, Ernst Bloch, Martin Buber, Hermann Cohen, Gershom Scholem. In arguing, for example, that concepts like Bloch’s utopian self-encounter ( Selbstbegegnung ) and Benjamin’s messianic now-time ( Jetztzeit ) reappear as the framework for Expressionism’s staging of collective redemption in a new age, Anderson forges a previously underappreciated link in the study of Central European thought in the early twentieth century.
Bibliography:Includes bibliographical references (p. [189]-202) and index.
ISBN:1283250411
9786613250414
9401200513
ISSN:0929-6999 ;
Hierarchical level:Monograph
Statement of Responsibility: Lisa Marie Anderson.