Avant-garde/Neo-avant-garde / / editor, Dietrich Scheunemann.
This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the vari...
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Superior document: | Avant Garde critical studies ; 17 |
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Year of Publication: | 2005 |
Language: | English |
Series: | Avant garde critical studies ;
17. |
Physical Description: | 1 online resource (346 pages) :; illustrations, portrait |
Notes: | Contributions mostly based on papers previously presented at a conference held in Edinburgh in Sept. 2002. |
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Avant-garde/Neo-avant-garde / editor, Dietrich Scheunemann. Amsterdam ; New York, N.Y. : Rodopi, 2005. 1 online resource (346 pages) : illustrations, portrait text txt rdacontent computer c rdamedia online resource cr rdacarrier Avant Garde critical studies ; 17 English Preliminary Material / Dietrich Scheunemann -- Preface / Dietrich Scheunemann -- From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde / DIETRICH SCHEUNEMANN -- Wilhelm Worringer and the Historical Avant-Garde / RHYS W. WILLIAMS -- On the Historiographic Distinction between Historical and Neo-Avant-Garde / HUBERT VAN DEN BERG -- Abstraction, Sublation and the Avant-Garde: The Case of De Stijl / MICHAEL WHITE -- Sameness and Difference: Duchamp’s Editioned Ready-mades and the Neo-Avant-Garde / DAVID HOPKINS -- Paint it Black: Ad Reinhardt’s Paradoxical Avant-Gardism / BEN HIGHMORE -- Verbal Chemistry and Concrete Poetry / KEITH ASPLEY -- How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry / ANNA KATHARINA SCHAFFNER -- American Language Poetry and the Definition of the Avant-Garde / JACOB EDMOND -- From Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance / GÜNTER BERGHAUS -- Actor or Puppet: The Body in the Theatres of the Avant-Garde / OLGA TAXIDOU -- Fragmentation of the Body in Spanish Surrealism / UTA FELTEN -- The Surface of Illusion: Avant-Garde Apperception and Antecedence in Structural/Materialist Film / DAVID MACRAE -- What Avant-Garde? / GÉRARD LEBLANC -- The Limits of “Non-Plan”: Architecture and the Avant-Garde / RICHARD WILLIAMS -- Montage in the Arts: A Reassessment / JENNIFER VALCKE -- Means and Metaphors of Change: Technology and the Danish Avant-Garde of the 1960's / TANIA ØRUM -- Literature under the Impact of Film: On Dutch Author-Critics of the Avant-Garde and Neo-Avant-Garde / KLAUS BEEKMAN -- List of Illustrations / Dietrich Scheunemann -- Index / Dietrich Scheunemann. This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De Stijl , on verbal chemistry and dadaist poetry and on body art from futurism to surrealism. In addition, the collection wishes to open up the discussion of the avant-garde to a thorough investigation of neo-avant-garde activities in the 1950's and 1960's. For decades the appreciation of neo-avant-garde art and literature, film and architecture suffered from a general and all-inclusive rebuke. This volume is designed to contribute to a breakthrough towards a more competent and more precise investigation of this research field. Contributions include a discussion of Warhol’s multiples as well as Duchamp’s editioned ready-mades, forms of concrete and digital poetry as well as the architectural “Non-Plan”. The main body of the volume is based on presentations and discussions of a three-day research seminar held at the University of Edinburgh in September 2002. The research group formed around the Avant-Garde Project at Edinburgh will continue with its efforts to elaborate a new theory of the avant-garde in the coming years. Contributions mostly based on papers previously presented at a conference held in Edinburgh in Sept. 2002. Includes bibliographical references and index. Avant-garde (Aesthetics) Arts, Modern 20th century. Arts, Modern 21st century. Scheunemann, Dietrich. 90-420-1925-5 Avant garde critical studies ; 17. |
language |
English |
format |
eBook |
author2 |
Scheunemann, Dietrich. |
author_facet |
Scheunemann, Dietrich. |
author2_variant |
d s ds |
author2_role |
TeilnehmendeR |
author_sort |
Scheunemann, Dietrich. |
author_additional |
Dietrich Scheunemann -- DIETRICH SCHEUNEMANN -- RHYS W. WILLIAMS -- HUBERT VAN DEN BERG -- MICHAEL WHITE -- DAVID HOPKINS -- BEN HIGHMORE -- KEITH ASPLEY -- ANNA KATHARINA SCHAFFNER -- JACOB EDMOND -- GÜNTER BERGHAUS -- OLGA TAXIDOU -- UTA FELTEN -- DAVID MACRAE -- GÉRARD LEBLANC -- RICHARD WILLIAMS -- JENNIFER VALCKE -- TANIA ØRUM -- KLAUS BEEKMAN -- Dietrich Scheunemann. |
title |
Avant-garde/Neo-avant-garde / |
spellingShingle |
Avant-garde/Neo-avant-garde / Avant Garde critical studies ; Preliminary Material / Preface / From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde / Wilhelm Worringer and the Historical Avant-Garde / On the Historiographic Distinction between Historical and Neo-Avant-Garde / Abstraction, Sublation and the Avant-Garde: The Case of De Stijl / Sameness and Difference: Duchamp’s Editioned Ready-mades and the Neo-Avant-Garde / Paint it Black: Ad Reinhardt’s Paradoxical Avant-Gardism / Verbal Chemistry and Concrete Poetry / How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry / American Language Poetry and the Definition of the Avant-Garde / From Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance / Actor or Puppet: The Body in the Theatres of the Avant-Garde / Fragmentation of the Body in Spanish Surrealism / The Surface of Illusion: Avant-Garde Apperception and Antecedence in Structural/Materialist Film / What Avant-Garde? / The Limits of “Non-Plan”: Architecture and the Avant-Garde / Montage in the Arts: A Reassessment / Means and Metaphors of Change: Technology and the Danish Avant-Garde of the 1960's / Literature under the Impact of Film: On Dutch Author-Critics of the Avant-Garde and Neo-Avant-Garde / List of Illustrations / Index / |
title_full |
Avant-garde/Neo-avant-garde / editor, Dietrich Scheunemann. |
title_fullStr |
Avant-garde/Neo-avant-garde / editor, Dietrich Scheunemann. |
title_full_unstemmed |
Avant-garde/Neo-avant-garde / editor, Dietrich Scheunemann. |
title_auth |
Avant-garde/Neo-avant-garde / |
title_alt |
Preliminary Material / Preface / From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde / Wilhelm Worringer and the Historical Avant-Garde / On the Historiographic Distinction between Historical and Neo-Avant-Garde / Abstraction, Sublation and the Avant-Garde: The Case of De Stijl / Sameness and Difference: Duchamp’s Editioned Ready-mades and the Neo-Avant-Garde / Paint it Black: Ad Reinhardt’s Paradoxical Avant-Gardism / Verbal Chemistry and Concrete Poetry / How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry / American Language Poetry and the Definition of the Avant-Garde / From Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance / Actor or Puppet: The Body in the Theatres of the Avant-Garde / Fragmentation of the Body in Spanish Surrealism / The Surface of Illusion: Avant-Garde Apperception and Antecedence in Structural/Materialist Film / What Avant-Garde? / The Limits of “Non-Plan”: Architecture and the Avant-Garde / Montage in the Arts: A Reassessment / Means and Metaphors of Change: Technology and the Danish Avant-Garde of the 1960's / Literature under the Impact of Film: On Dutch Author-Critics of the Avant-Garde and Neo-Avant-Garde / List of Illustrations / Index / |
title_new |
Avant-garde/Neo-avant-garde / |
title_sort |
avant-garde/neo-avant-garde / |
series |
Avant Garde critical studies ; |
series2 |
Avant Garde critical studies ; |
publisher |
Rodopi, |
publishDate |
2005 |
physical |
1 online resource (346 pages) : illustrations, portrait |
contents |
Preliminary Material / Preface / From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde / Wilhelm Worringer and the Historical Avant-Garde / On the Historiographic Distinction between Historical and Neo-Avant-Garde / Abstraction, Sublation and the Avant-Garde: The Case of De Stijl / Sameness and Difference: Duchamp’s Editioned Ready-mades and the Neo-Avant-Garde / Paint it Black: Ad Reinhardt’s Paradoxical Avant-Gardism / Verbal Chemistry and Concrete Poetry / How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry / American Language Poetry and the Definition of the Avant-Garde / From Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance / Actor or Puppet: The Body in the Theatres of the Avant-Garde / Fragmentation of the Body in Spanish Surrealism / The Surface of Illusion: Avant-Garde Apperception and Antecedence in Structural/Materialist Film / What Avant-Garde? / The Limits of “Non-Plan”: Architecture and the Avant-Garde / Montage in the Arts: A Reassessment / Means and Metaphors of Change: Technology and the Danish Avant-Garde of the 1960's / Literature under the Impact of Film: On Dutch Author-Critics of the Avant-Garde and Neo-Avant-Garde / List of Illustrations / Index / |
isbn |
94-012-0258-3 1-4237-8851-6 90-420-1925-5 |
callnumber-first |
B - Philosophy, Psychology, Religion |
callnumber-subject |
BH - Aesthetics |
callnumber-label |
BH301 |
callnumber-sort |
BH 3301 A94 A93 42005 |
era_facet |
20th century. 21st century. |
illustrated |
Illustrated |
dewey-hundreds |
100 - Philosophy & psychology |
dewey-tens |
110 - Metaphysics |
dewey-ones |
111 - Ontology |
dewey-full |
111.85 |
dewey-sort |
3111.85 |
dewey-raw |
111.85 |
dewey-search |
111.85 |
oclc_num |
70791649 |
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