Avant-garde/Neo-avant-garde / / editor, Dietrich Scheunemann.
This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the vari...
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Superior document: | Avant Garde critical studies ; 17 |
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TeilnehmendeR: | |
Year of Publication: | 2005 |
Language: | English |
Series: | Avant garde critical studies ;
17. |
Physical Description: | 1 online resource (346 pages) :; illustrations, portrait |
Notes: | Contributions mostly based on papers previously presented at a conference held in Edinburgh in Sept. 2002. |
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245 | 0 | 0 | |a Avant-garde/Neo-avant-garde / |c editor, Dietrich Scheunemann. |
260 | |a Amsterdam ; |a New York, N.Y. : |b Rodopi, |c 2005. | ||
300 | |a 1 online resource (346 pages) : |b illustrations, portrait | ||
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490 | 1 | |a Avant Garde critical studies ; |v 17 | |
546 | |a English | ||
505 | 0 | 0 | |t Preliminary Material / |r Dietrich Scheunemann -- |t Preface / |r Dietrich Scheunemann -- |t From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde / |r DIETRICH SCHEUNEMANN -- |t Wilhelm Worringer and the Historical Avant-Garde / |r RHYS W. WILLIAMS -- |t On the Historiographic Distinction between Historical and Neo-Avant-Garde / |r HUBERT VAN DEN BERG -- |t Abstraction, Sublation and the Avant-Garde: The Case of De Stijl / |r MICHAEL WHITE -- |t Sameness and Difference: Duchamp’s Editioned Ready-mades and the Neo-Avant-Garde / |r DAVID HOPKINS -- |t Paint it Black: Ad Reinhardt’s Paradoxical Avant-Gardism / |r BEN HIGHMORE -- |t Verbal Chemistry and Concrete Poetry / |r KEITH ASPLEY -- |t How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry / |r ANNA KATHARINA SCHAFFNER -- |t American Language Poetry and the Definition of the Avant-Garde / |r JACOB EDMOND -- |t From Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance / |r GÜNTER BERGHAUS -- |t Actor or Puppet: The Body in the Theatres of the Avant-Garde / |r OLGA TAXIDOU -- |t Fragmentation of the Body in Spanish Surrealism / |r UTA FELTEN -- |t The Surface of Illusion: Avant-Garde Apperception and Antecedence in Structural/Materialist Film / |r DAVID MACRAE -- |t What Avant-Garde? / |r GÉRARD LEBLANC -- |t The Limits of “Non-Plan”: Architecture and the Avant-Garde / |r RICHARD WILLIAMS -- |t Montage in the Arts: A Reassessment / |r JENNIFER VALCKE -- |t Means and Metaphors of Change: Technology and the Danish Avant-Garde of the 1960's / |r TANIA ØRUM -- |t Literature under the Impact of Film: On Dutch Author-Critics of the Avant-Garde and Neo-Avant-Garde / |r KLAUS BEEKMAN -- |t List of Illustrations / |r Dietrich Scheunemann -- |t Index / |r Dietrich Scheunemann. |
520 | |a This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De Stijl , on verbal chemistry and dadaist poetry and on body art from futurism to surrealism. In addition, the collection wishes to open up the discussion of the avant-garde to a thorough investigation of neo-avant-garde activities in the 1950's and 1960's. For decades the appreciation of neo-avant-garde art and literature, film and architecture suffered from a general and all-inclusive rebuke. This volume is designed to contribute to a breakthrough towards a more competent and more precise investigation of this research field. Contributions include a discussion of Warhol’s multiples as well as Duchamp’s editioned ready-mades, forms of concrete and digital poetry as well as the architectural “Non-Plan”. The main body of the volume is based on presentations and discussions of a three-day research seminar held at the University of Edinburgh in September 2002. The research group formed around the Avant-Garde Project at Edinburgh will continue with its efforts to elaborate a new theory of the avant-garde in the coming years. | ||
500 | |a Contributions mostly based on papers previously presented at a conference held in Edinburgh in Sept. 2002. | ||
504 | |a Includes bibliographical references and index. | ||
650 | 0 | |a Avant-garde (Aesthetics) | |
650 | 0 | |a Arts, Modern |y 20th century. | |
650 | 0 | |a Arts, Modern |y 21st century. | |
700 | 1 | |a Scheunemann, Dietrich. | |
776 | 0 | |z 90-420-1925-5 | |
830 | 0 | |a Avant garde critical studies ; |v 17. | |
906 | |a BOOK | ||
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