Movement as meaning : : in experimental film / / Daniel Barnett.
This book offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, r...
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| Superior document: | Consciousness, literature & the arts ; 13 |
|---|---|
| : | |
| Year of Publication: | 2008 |
| Edition: | 1st ed. |
| Language: | English |
| Series: | Consciousness, literature & the arts ;
13. |
| Physical Description: | 1 online resource (239 p.) |
| Notes: | Description based upon print version of record. |
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Table of Contents:
- Preliminary Material
- Two pictures of a rose in the dark
- Modes of Perception and Modes of Expression
- Dynamic And Syntactic Universals
- The Moving Target
- Appendix A
- Acknowledgements
- Bibliography
- Filmography
- Index.