Movement as meaning : in experimental film / / Daniel Barnett.
This book offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, r...
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Superior document: | Consciousness, literature & the arts ; 13 |
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: | |
Year of Publication: | 2008 |
Language: | English |
Series: | Consciousness, literature & the arts ;
13. |
Physical Description: | 1 online resource (239 p.) |
Notes: | Description based upon print version of record. |
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