Imaginary films in literature / edited by Stefano Ercolino, Massimo Fusillo, Mirko Lino, Luca Zenobi.

Since cinema is a composite language, describing a movie is a complex challenge for critics and writers, and greatly differs from the ancient and successful genre of the ekphrasis , the literary description of a visual work of art. Imaginary Films in Literature deals with a specific and significant...

Full description

Saved in:
Bibliographic Details
TeilnehmendeR:
Place / Publishing House:Leiden ;, Boston : : Brill,, 2015.
Year of Publication:2015
Language:English
Series:Textxet: Studies in Comparative Literature 82.
Physical Description:1 online resource (247 p.)
Notes:Description based upon print version of record.
Tags: Add Tag
No Tags, Be the first to tag this record!
Table of Contents:
  • Preliminary Material / Stefano Ercolino , Massimo Fusillo , Mirko Lino and Luca Zenobi
  • Introduction / Massimo Fusillo
  • Notes toward a Theory of Cinematic “Ekphrasis” / James A.W. Heffernan
  • The Killing Vision: David Foster Wallace’s Infinite Jest / Stefano Ercolino
  • “Writing the Making of”: A New Literary Genre? / Jan Baetens
  • “A Film Run in Installments”: Memory and Cinema in Tom McCarthy’s Remainder / Vincenzo Maggitti
  • Towards Other Worlds, Towards Other Meanings: Screenplays on the Edge of the Plot / Clotilde Bertoni
  • Paul Auster, Hector Mann and The Book of Illusions / Anna Scannavini
  • Mañana en la batalla piensa en mí: Cinema, Theatre, Television and the Creative Force of the Word / Federica Ivaldi
  • “Quo vadis – Kino?” Kurt Pinthus and the Theoretical Debate on the Birth of Cinema in Germany / Luca Zenobi
  • The Outer Life of Martin Frost, or Never Make an Imaginary Film / Silvia Albertazzi
  • On Conceiving (and Sometimes Not Succeeding in Making) a Film / Giulio Iacoli
  • The “Quasi-Truth”: Literature and Cinema in Starnone and Piccolo / Gianluigi Simonetti
  • Breakfast at the Prater: Christopher Isherwood, His Women and Men / Gian Piero Piretto
  • Alpdrücken and the Spectrum of Power in Gravity’s Rainbow by Thomas Pynchon / Mirko Lino
  • Pattern Recognition: The “Postcinema” Seen by William Gibson / Simone Arcagni
  • Bibliography / Stefano Ercolino , Massimo Fusillo , Mirko Lino and Luca Zenobi
  • Index / Stefano Ercolino , Massimo Fusillo , Mirko Lino and Luca Zenobi.