Imaginary films in literature / edited by Stefano Ercolino, Massimo Fusillo, Mirko Lino, Luca Zenobi.
Since cinema is a composite language, describing a movie is a complex challenge for critics and writers, and greatly differs from the ancient and successful genre of the ekphrasis , the literary description of a visual work of art. Imaginary Films in Literature deals with a specific and significant...
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Place / Publishing House: | Leiden ;, Boston : : Brill,, 2015. |
Year of Publication: | 2015 |
Language: | English |
Series: | Textxet: Studies in Comparative Literature
82. |
Physical Description: | 1 online resource (247 p.) |
Notes: | Description based upon print version of record. |
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Imaginary films in literature [e-book] / edited by Stefano Ercolino, Massimo Fusillo, Mirko Lino, Luca Zenobi. Leiden ; Boston : Brill, 2015. 1 online resource (247 p.) text txt computer c online resource cr Studies in comparative literature ; v. 82 Description based upon print version of record. English Includes bibliographical references and index. Preliminary Material / Stefano Ercolino , Massimo Fusillo , Mirko Lino and Luca Zenobi -- Introduction / Massimo Fusillo -- Notes toward a Theory of Cinematic “Ekphrasis” / James A.W. Heffernan -- The Killing Vision: David Foster Wallace’s Infinite Jest / Stefano Ercolino -- “Writing the Making of”: A New Literary Genre? / Jan Baetens -- “A Film Run in Installments”: Memory and Cinema in Tom McCarthy’s Remainder / Vincenzo Maggitti -- Towards Other Worlds, Towards Other Meanings: Screenplays on the Edge of the Plot / Clotilde Bertoni -- Paul Auster, Hector Mann and The Book of Illusions / Anna Scannavini -- Mañana en la batalla piensa en mí: Cinema, Theatre, Television and the Creative Force of the Word / Federica Ivaldi -- “Quo vadis – Kino?” Kurt Pinthus and the Theoretical Debate on the Birth of Cinema in Germany / Luca Zenobi -- The Outer Life of Martin Frost, or Never Make an Imaginary Film / Silvia Albertazzi -- On Conceiving (and Sometimes Not Succeeding in Making) a Film / Giulio Iacoli -- The “Quasi-Truth”: Literature and Cinema in Starnone and Piccolo / Gianluigi Simonetti -- Breakfast at the Prater: Christopher Isherwood, His Women and Men / Gian Piero Piretto -- Alpdrücken and the Spectrum of Power in Gravity’s Rainbow by Thomas Pynchon / Mirko Lino -- Pattern Recognition: The “Postcinema” Seen by William Gibson / Simone Arcagni -- Bibliography / Stefano Ercolino , Massimo Fusillo , Mirko Lino and Luca Zenobi -- Index / Stefano Ercolino , Massimo Fusillo , Mirko Lino and Luca Zenobi. Since cinema is a composite language, describing a movie is a complex challenge for critics and writers, and greatly differs from the ancient and successful genre of the ekphrasis , the literary description of a visual work of art. Imaginary Films in Literature deals with a specific and significant case within this broad category: the description of imaginary, non-existent movies – a practice that is more widespread than one might expect, especially in North American postmodern fiction. Along with theoretical contributions, the book includes the analyses of some case studies focusing on the borders between the visual and the literary, intermedial practices of hybridization, the limits of representation, and other related notions such as “memory”, “fragmentation”, “desire”, “genre”, “authorship”, and “censorship”. Film adaptations History and criticism. Motion pictures and literature. Ercolino, Stefano, 1985- Fusillo, Massimo, 1959- Lino, Mirko. Zenobi, Luca. 90-04-30632-3 Textxet: Studies in Comparative Literature 82. |
language |
English |
format |
eBook |
author2 |
Ercolino, Stefano, 1985- Fusillo, Massimo, 1959- Lino, Mirko. Zenobi, Luca. |
author_facet |
Ercolino, Stefano, 1985- Fusillo, Massimo, 1959- Lino, Mirko. Zenobi, Luca. |
author2_variant |
s e se m f mf m l ml l z lz |
author2_role |
TeilnehmendeR TeilnehmendeR TeilnehmendeR TeilnehmendeR |
author_sort |
Ercolino, Stefano, 1985- |
author_additional |
Stefano Ercolino , Massimo Fusillo , Mirko Lino and Luca Zenobi -- Massimo Fusillo -- James A.W. Heffernan -- Stefano Ercolino -- Jan Baetens -- Vincenzo Maggitti -- Clotilde Bertoni -- Anna Scannavini -- Federica Ivaldi -- Luca Zenobi -- Silvia Albertazzi -- Giulio Iacoli -- Gianluigi Simonetti -- Gian Piero Piretto -- Mirko Lino -- Simone Arcagni -- Stefano Ercolino , Massimo Fusillo , Mirko Lino and Luca Zenobi. |
title |
Imaginary films in literature |
spellingShingle |
Imaginary films in literature Studies in comparative literature ; Preliminary Material / Introduction / Notes toward a Theory of Cinematic “Ekphrasis” / The Killing Vision: David Foster Wallace’s Infinite Jest / “Writing the Making of”: A New Literary Genre? / “A Film Run in Installments”: Memory and Cinema in Tom McCarthy’s Remainder / Towards Other Worlds, Towards Other Meanings: Screenplays on the Edge of the Plot / Paul Auster, Hector Mann and The Book of Illusions / Mañana en la batalla piensa en mí: Cinema, Theatre, Television and the Creative Force of the Word / “Quo vadis – Kino?” Kurt Pinthus and the Theoretical Debate on the Birth of Cinema in Germany / The Outer Life of Martin Frost, or Never Make an Imaginary Film / On Conceiving (and Sometimes Not Succeeding in Making) a Film / The “Quasi-Truth”: Literature and Cinema in Starnone and Piccolo / Breakfast at the Prater: Christopher Isherwood, His Women and Men / Alpdrücken and the Spectrum of Power in Gravity’s Rainbow by Thomas Pynchon / Pattern Recognition: The “Postcinema” Seen by William Gibson / Bibliography / Index / |
title_full |
Imaginary films in literature [e-book] / edited by Stefano Ercolino, Massimo Fusillo, Mirko Lino, Luca Zenobi. |
title_fullStr |
Imaginary films in literature [e-book] / edited by Stefano Ercolino, Massimo Fusillo, Mirko Lino, Luca Zenobi. |
title_full_unstemmed |
Imaginary films in literature [e-book] / edited by Stefano Ercolino, Massimo Fusillo, Mirko Lino, Luca Zenobi. |
title_auth |
Imaginary films in literature |
title_alt |
Preliminary Material / Introduction / Notes toward a Theory of Cinematic “Ekphrasis” / The Killing Vision: David Foster Wallace’s Infinite Jest / “Writing the Making of”: A New Literary Genre? / “A Film Run in Installments”: Memory and Cinema in Tom McCarthy’s Remainder / Towards Other Worlds, Towards Other Meanings: Screenplays on the Edge of the Plot / Paul Auster, Hector Mann and The Book of Illusions / Mañana en la batalla piensa en mí: Cinema, Theatre, Television and the Creative Force of the Word / “Quo vadis – Kino?” Kurt Pinthus and the Theoretical Debate on the Birth of Cinema in Germany / The Outer Life of Martin Frost, or Never Make an Imaginary Film / On Conceiving (and Sometimes Not Succeeding in Making) a Film / The “Quasi-Truth”: Literature and Cinema in Starnone and Piccolo / Breakfast at the Prater: Christopher Isherwood, His Women and Men / Alpdrücken and the Spectrum of Power in Gravity’s Rainbow by Thomas Pynchon / Pattern Recognition: The “Postcinema” Seen by William Gibson / Bibliography / Index / |
title_new |
Imaginary films in literature |
title_sort |
imaginary films in literature |
series |
Studies in comparative literature ; |
series2 |
Studies in comparative literature ; |
publisher |
Brill, |
publishDate |
2015 |
physical |
1 online resource (247 p.) |
contents |
Preliminary Material / Introduction / Notes toward a Theory of Cinematic “Ekphrasis” / The Killing Vision: David Foster Wallace’s Infinite Jest / “Writing the Making of”: A New Literary Genre? / “A Film Run in Installments”: Memory and Cinema in Tom McCarthy’s Remainder / Towards Other Worlds, Towards Other Meanings: Screenplays on the Edge of the Plot / Paul Auster, Hector Mann and The Book of Illusions / Mañana en la batalla piensa en mí: Cinema, Theatre, Television and the Creative Force of the Word / “Quo vadis – Kino?” Kurt Pinthus and the Theoretical Debate on the Birth of Cinema in Germany / The Outer Life of Martin Frost, or Never Make an Imaginary Film / On Conceiving (and Sometimes Not Succeeding in Making) a Film / The “Quasi-Truth”: Literature and Cinema in Starnone and Piccolo / Breakfast at the Prater: Christopher Isherwood, His Women and Men / Alpdrücken and the Spectrum of Power in Gravity’s Rainbow by Thomas Pynchon / Pattern Recognition: The “Postcinema” Seen by William Gibson / Bibliography / Index / |
isbn |
90-04-30633-1 90-04-30632-3 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1997 |
callnumber-sort |
PN 41997.85 I525 42016EB |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
800 - Literature, rhetoric & criticism |
dewey-ones |
809 - History, description & criticism |
dewey-full |
809.93357 |
dewey-sort |
3809.93357 |
dewey-raw |
809.93357 |
dewey-search |
809.93357 |
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