On Verbal / Visual Representation : : Word & Image Interactions IV / / edited by Martin Heusser, Michèle Hannoosh, Eric Haskell, Leo H. Hoek, David Scott, Jan de Voogd.

The twenty-one essays collected in this volume offer a broad range of critical views on the intricate interdependence between verbal and visual representation. Drawing on recent research, scholars from Europe, America and Asia approach the topic from a host of different angles, exploring topics such...

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Bibliographic Details
Superior document:Textxet: Studies in Comparative Literature ; 50
TeilnehmendeR:
Place / Publishing House:Leiden; , Boston : : BRILL,, 2005.
Year of Publication:2005
Language:English
Series:Textxet: Studies in Comparative Literature ; 50.
Physical Description:1 online resource (256 pages)
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Table of Contents:
  • Intro
  • Title Page
  • Copyright Page
  • TABLE OF CONTENTS
  • ACKNOWLEDGMENTS
  • ART, CRITICISM, TASTE
  • Redon and Huysmans, Suggestion and Transposition d'Art. Art Criticism between the History of Reception, the Sociology of Culture and Hermeneutics
  • A Third Republic Variant on the Quarrel of the Ancients and the Moderns: The Case of Fromentin
  • The Recognition Factor in French Art Criticism in 1855
  • The Example of Millet: The Role of the Press in the Emergence of a Public Space for Fine Arts in Buenos Aires (1880-1900)
  • Zola vis-à-vis the Barbizon Landscape: Art Criticism and Art Institutions
  • BOOKS, BOOK ILLUSTRATION, T YPOGRAPHY
  • Down the Rabbit Hole: Alice's Adventures in Wonderland and Image-Text Inquiry
  • A Reading of Steve McCaffery's Carnival
  • Pierre Lecuire and the Artists
  • The Emergence of the Autonomous Image in Pre-modern Japanese Word and Image Text
  • REPRESENTING CULTURAL CONCEPTS
  • The Iconic Turn and the Commemoration of Destruction
  • Images of Thought and Deleuze's Pictures: Diagram, Line, Film and Face
  • Virtual Ephemeralities: Idoru and Evangelion, Popular Visual Cultures in Japan
  • Cultural Appropriation and National Identity: The Landscapes of Albert Bierstadt and James Fenimore Cooper
  • BORDER-CROSSING
  • Le monogramme - Un genre intersémiotique
  • Body of Evidence: Devotional Graffiti in a Piedmontese Chapel
  • Exquises esquisses by Gisèle and Mario Prassinos: The Craftswoman, the Writer and Her Brother
  • A Fourth Dimension in Marinetti's Writing
  • Ekphrastic Double Exposure: Blake Morrison, Francis Bacon, Robert Browning and Fra Pandolf as Four-in-One
  • THEORETICAL EXPLORATIONS
  • The Digital Cultural Heritage and Word and Image Studies
  • Textual Trompe-l'œil in Jacques Derrida's Memoirs of the Blind
  • Visual Cultures: Minding the Gap.