Japanese theatre and the international stage / / edited by Stanca Scholz-Cionca and Samuel L. Leiter.
This well-illustrated work is the first attempt to bridge the gap between several specialized discourses concerning Japanese theatre. Central are problems of scholarly and practical reception of Japanese theatre forms in the West. The essays by a careful selection of internationally well-reputed sch...
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Superior document: | Brill's Japanese studies library ; Volume 12 |
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TeilnehmendeR: | |
Place / Publishing House: | Leiden ;, Boston ;, Köln : : Brill,, [2001] ©2001 |
Year of Publication: | 2001 |
Language: | English |
Series: | Brill's Japanese studies library ;
Volume 12. |
Physical Description: | 1 online resource. |
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Summary: | This well-illustrated work is the first attempt to bridge the gap between several specialized discourses concerning Japanese theatre. Central are problems of scholarly and practical reception of Japanese theatre forms in the West. The essays by a careful selection of internationally well-reputed scholars range widely through Japanese theatre, from the ancient to the postmodern, or, one might say, from kagura to angura . It deals with reception of Japanese theatre in the West, the treatment of the body in stage art and drama, Western influence, the impact of Japanese theatre practice and theory upon the actor's training, and stage directing in the West. Readers will come across a wide variety of intriguing topics, such as lion dances, kabuki , nôh , folk theatre, taishu engeki , and several important modern playwrights, etc. This book truly promises to intensify future dialogue between the many disciplines concerned with Japanese theatre. |
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Bibliography: | Includes bibliographical references (pages 419-441) and index. |
ISBN: | 9004483055 |
Hierarchical level: | Monograph |
Statement of Responsibility: | edited by Stanca Scholz-Cionca and Samuel L. Leiter. |