Kabuki's Forgotten War : : 1931-1945 / / James R. Brandon.

According to a myth constructed after Japan’s surrender to the Allied Forces in 1945, kabuki was a pure, classical art form with no real place in modern Japanese society. In Kabuki’s Forgotten War, senior theater scholar James R. Brandon calls this view into question and makes a compelling case that...

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Superior document:Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package
VerfasserIn:
Place / Publishing House:Honolulu : : University of Hawaii Press, , [2008]
©2008
Year of Publication:2008
Language:English
Online Access:
Physical Description:1 online resource (480 p.) :; 130 illus.
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Other title:Frontmatter --
contents --
Acknowledgments --
Introduction --
Part 1: Kabuki’s Foreign Adventure: 1931–1939 --
Chapter One. Prelude to War --
Chapter Two. Kabuki and the Manchurian and Shanghai Incidents 1931–1934 --
Chapter Three. Kabuki and the Marco Polo Bridge Incident 1937–1938 --
Chapter Four .The Darkening Storm 1939 --
Part 2: Fruits of Victory: 1940–1942 --
Chapter Five. Kabuki and 2,600 Years of Imperial Rule 1940 --
Chapter Six .Confrontation with America and Britain 1941 --
Chapter Seven .Japan and Kabuki at the Zenith 1942 --
Part 3: Defeat and Survival: 1943–1945 --
Chapter Eight. Kabuki and Japan’s “Decisive Battle” 1943 --
Chapter Nine. Kabuki Is a Luxury 1944 --
Chapter Ten. The Agony Ends 1945 --
Chapter Eleven. War Plays in Kabuki — a Retrospection August 1945 --
Part 4 :Kabuki Outlasts the Occupation: 1945–1947 --
Chapter Twelve. Inventing Classic Kabuki 1945–1947 --
Notes --
Sources --
Index of Play Titles in English and Japanese --
Index of Kabuki Actors’ Names in the Text --
index
Summary:According to a myth constructed after Japan’s surrender to the Allied Forces in 1945, kabuki was a pure, classical art form with no real place in modern Japanese society. In Kabuki’s Forgotten War, senior theater scholar James R. Brandon calls this view into question and makes a compelling case that, up to the very end of the Pacific War, kabuki was a living theater and, as an institution, an active participant in contemporary events, rising and falling in consonance with Japan’s imperial adventures.Drawing extensively from Japanese sources—books, newspapers, magazines, war reports, speeches, scripts, and diaries—Brandon shows that kabuki played an important role in Japan’s Fifteen-Year Sacred War. He reveals, for example, that kabuki stars raised funds to buy fighter and bomber aircraft for the imperial forces and that pro-ducers arranged large-scale tours for kabuki troupes to entertain soldiers stationed in Manchuria, China, and Korea. Kabuki playwrights contributed no less than 160 new plays that dramatized frontline battles or rewrote history to propagate imperial ideology. Abridged by censors, molded by the Bureau of Information, and partially incorporated into the League of Touring Theaters, kabuki reached new audiences as it expanded along with the new Japanese empire. By the end of the war, however, it had fallen from government favor and in 1944–1946 it nearly expired when Japanese government decrees banished leading kabuki companies to minor urban theaters and the countryside. Kabuki’s Forgotten War includes more than a hundred illustrations, many of which have never been published in an English-language work. It is nothing less than a com-plete revision of kabuki’s recent history and as such goes beyond correcting a significant misconception. This new study remedies a historical absence that has distorted our understanding of Japan’s imperial enterprise and its aftermath.
Format:Mode of access: Internet via World Wide Web.
ISBN:9780824863210
9783110649772
9783110564143
9783110663259
DOI:10.1515/9780824863210
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: James R. Brandon.