Subjectivity / / editors, Willem van Reijen, Willem G. Weststeijn.
Subjectivity is one of the central issues of twentieth-century philosophy, literature and art. Modernism, which “discovered” the subconscious, put an end to the belief in the Cartesian Subject as the autonomous centre of knowledge and self-consciousness. Instead, the subject became something uncontr...
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| Superior document: | Avant garde critical studies ; 12 |
|---|---|
| TeilnehmendeR: | |
| Place / Publishing House: | Atlanta, Georgia : : Rodopi,, [2000] 2000 |
| Year of Publication: | 2000 |
| Language: | English |
| Series: | Avant-Garde Critical Studies
12. |
| Physical Description: | 1 online resource (330 pages) :; illustrations. |
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Table of Contents:
- INTRODUCTION / Willem van Reijen and Willem G. Weststeijn
- DYNAMICS OF SUBJECTIVITY IN THE HISTORICAL AVANT-GARDE / Mario Moroni
- DADAIST SUBJECTIVITY AND THE POLITICS OF INDIFFERENCE: On some contrasts and correspondences between Dada in Zürich and Berlin / Hubert van den Berg
- SUBJECTIVITY IN A POST-COLONIAL SYMBOLIC THE ANXIETY OF JOYCE: / Christine van Boheemen
- PROUST AND SUBJECTIVITY / Annelies Schulte Nordholt
- A GLIMPSE OF THE SELF: Defence of subjectivity in Beckett and his later theatre / Matthijs Engelberts
- THE SUBJECT IN MODERN RUSSIAN POETRY / Willem G. Weststeijn
- SELF-AWARENESS AND SELF-KNOWLEDGE: Mental Familiarity and Epistemic Self-Ascription / Manfred Frank
- TESTED TO THE BREAKING POINT: POSTMODERNITY IN MODERNITY / Willem van Reijen
- THE RUSSIAN NOVEL AS A SERIAL MURDER OR THE POETICS OF BUREAUCRACY / Boris Groys
- SUBJECTIVITY AS A BASIC PRESUPPOSITION OF MODERNITY IN MUSIC / Albrecht von Massow
- NEW SUBJECTIVITY IN CINEMA: THE VERTIGO OF STRANGE DAYS / Patricia Pisters
- IT TAKES THREE TO EPISTEMOLOGY / Saskia Kersenboom.