Subjectivity / / editors, Willem van Reijen, Willem G. Weststeijn.
Subjectivity is one of the central issues of twentieth-century philosophy, literature and art. Modernism, which “discovered” the subconscious, put an end to the belief in the Cartesian Subject as the autonomous centre of knowledge and self-consciousness. Instead, the subject became something uncontr...
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Superior document: | Avant garde critical studies ; 12 |
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Place / Publishing House: | Atlanta, Georgia : : Rodopi,, [2000] 2000 |
Year of Publication: | 2000 |
Language: | English |
Series: | Avant-Garde Critical Studies
12. |
Physical Description: | 1 online resource (330 pages) :; illustrations. |
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(CKB)3710000000828749 (OCoLC)43857799 (nllekb)BRILL9789004333826 (MiAaPQ)EBC6481616 (EXLCZ)993710000000828749 |
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Subjectivity / editors, Willem van Reijen, Willem G. Weststeijn. Atlanta, Georgia : Rodopi, [2000] 2000 1 online resource (330 pages) : illustrations. text txt rdacontent computer c rdamedia online resource rdacarrier Avant garde critical studies ; 12 Subjectivity is one of the central issues of twentieth-century philosophy, literature and art. Modernism, which “discovered” the subconscious, put an end to the belief in the Cartesian Subject as the autonomous centre of knowledge and self-consciousness. Instead, the subject became something uncontrollable, unreliable, incomplete and fragmentary. The attempts to recapture the unity of the subject led to the existential quest and the flight into ideology (nazism, communism). Postmodernism, the cultural movement of the second half of the twentieth century, did not consider the subject any longer as an important category. Attention was focused on the “I” and the “Other”, on dialogism and polyphonism (Bakhtin). Ideology lost its appeal and so did the “great” stories (Lyotard). In this issue of Avant-Garde Critical Studies the problem of subjectivity in twentieth-century culture is discussed from various angles by specialists in the field of philosophy, literature, film, music and dance. Includes bibliographical references. INTRODUCTION / Willem van Reijen and Willem G. Weststeijn -- DYNAMICS OF SUBJECTIVITY IN THE HISTORICAL AVANT-GARDE / Mario Moroni -- DADAIST SUBJECTIVITY AND THE POLITICS OF INDIFFERENCE: On some contrasts and correspondences between Dada in Zürich and Berlin / Hubert van den Berg -- SUBJECTIVITY IN A POST-COLONIAL SYMBOLIC THE ANXIETY OF JOYCE: / Christine van Boheemen -- PROUST AND SUBJECTIVITY / Annelies Schulte Nordholt -- A GLIMPSE OF THE SELF: Defence of subjectivity in Beckett and his later theatre / Matthijs Engelberts -- THE SUBJECT IN MODERN RUSSIAN POETRY / Willem G. Weststeijn -- SELF-AWARENESS AND SELF-KNOWLEDGE: Mental Familiarity and Epistemic Self-Ascription / Manfred Frank -- TESTED TO THE BREAKING POINT: POSTMODERNITY IN MODERNITY / Willem van Reijen -- THE RUSSIAN NOVEL AS A SERIAL MURDER OR THE POETICS OF BUREAUCRACY / Boris Groys -- SUBJECTIVITY AS A BASIC PRESUPPOSITION OF MODERNITY IN MUSIC / Albrecht von Massow -- NEW SUBJECTIVITY IN CINEMA: THE VERTIGO OF STRANGE DAYS / Patricia Pisters -- IT TAKES THREE TO EPISTEMOLOGY / Saskia Kersenboom. Description based on print version record. Subjectivity. 90-420-0738-9 ebrary Weststeijn, Willem G., editor. Reijen, Willem van, 1938- editor. Avant-Garde Critical Studies 12. |
language |
English |
format |
eBook |
author2 |
Weststeijn, Willem G., Reijen, Willem van, 1938- |
author_facet |
Weststeijn, Willem G., Reijen, Willem van, 1938- |
author2_variant |
w g w wg wgw w v r wv wvr |
author2_role |
TeilnehmendeR TeilnehmendeR |
author_additional |
Willem van Reijen and Willem G. Weststeijn -- Mario Moroni -- Hubert van den Berg -- Christine van Boheemen -- Annelies Schulte Nordholt -- Matthijs Engelberts -- Willem G. Weststeijn -- Manfred Frank -- Willem van Reijen -- Boris Groys -- Albrecht von Massow -- Patricia Pisters -- Saskia Kersenboom. |
title |
Subjectivity / |
spellingShingle |
Subjectivity / Avant garde critical studies ; INTRODUCTION / DYNAMICS OF SUBJECTIVITY IN THE HISTORICAL AVANT-GARDE / DADAIST SUBJECTIVITY AND THE POLITICS OF INDIFFERENCE: On some contrasts and correspondences between Dada in Zürich and Berlin / SUBJECTIVITY IN A POST-COLONIAL SYMBOLIC THE ANXIETY OF JOYCE: / PROUST AND SUBJECTIVITY / A GLIMPSE OF THE SELF: Defence of subjectivity in Beckett and his later theatre / THE SUBJECT IN MODERN RUSSIAN POETRY / SELF-AWARENESS AND SELF-KNOWLEDGE: Mental Familiarity and Epistemic Self-Ascription / TESTED TO THE BREAKING POINT: POSTMODERNITY IN MODERNITY / THE RUSSIAN NOVEL AS A SERIAL MURDER OR THE POETICS OF BUREAUCRACY / SUBJECTIVITY AS A BASIC PRESUPPOSITION OF MODERNITY IN MUSIC / NEW SUBJECTIVITY IN CINEMA: THE VERTIGO OF STRANGE DAYS / IT TAKES THREE TO EPISTEMOLOGY / |
title_full |
Subjectivity / editors, Willem van Reijen, Willem G. Weststeijn. |
title_fullStr |
Subjectivity / editors, Willem van Reijen, Willem G. Weststeijn. |
title_full_unstemmed |
Subjectivity / editors, Willem van Reijen, Willem G. Weststeijn. |
title_auth |
Subjectivity / |
title_alt |
INTRODUCTION / DYNAMICS OF SUBJECTIVITY IN THE HISTORICAL AVANT-GARDE / DADAIST SUBJECTIVITY AND THE POLITICS OF INDIFFERENCE: On some contrasts and correspondences between Dada in Zürich and Berlin / SUBJECTIVITY IN A POST-COLONIAL SYMBOLIC THE ANXIETY OF JOYCE: / PROUST AND SUBJECTIVITY / A GLIMPSE OF THE SELF: Defence of subjectivity in Beckett and his later theatre / THE SUBJECT IN MODERN RUSSIAN POETRY / SELF-AWARENESS AND SELF-KNOWLEDGE: Mental Familiarity and Epistemic Self-Ascription / TESTED TO THE BREAKING POINT: POSTMODERNITY IN MODERNITY / THE RUSSIAN NOVEL AS A SERIAL MURDER OR THE POETICS OF BUREAUCRACY / SUBJECTIVITY AS A BASIC PRESUPPOSITION OF MODERNITY IN MUSIC / NEW SUBJECTIVITY IN CINEMA: THE VERTIGO OF STRANGE DAYS / IT TAKES THREE TO EPISTEMOLOGY / |
title_new |
Subjectivity / |
title_sort |
subjectivity / |
series |
Avant garde critical studies ; |
series2 |
Avant garde critical studies ; |
publisher |
Rodopi, |
publishDate |
2000 |
physical |
1 online resource (330 pages) : illustrations. |
contents |
INTRODUCTION / DYNAMICS OF SUBJECTIVITY IN THE HISTORICAL AVANT-GARDE / DADAIST SUBJECTIVITY AND THE POLITICS OF INDIFFERENCE: On some contrasts and correspondences between Dada in Zürich and Berlin / SUBJECTIVITY IN A POST-COLONIAL SYMBOLIC THE ANXIETY OF JOYCE: / PROUST AND SUBJECTIVITY / A GLIMPSE OF THE SELF: Defence of subjectivity in Beckett and his later theatre / THE SUBJECT IN MODERN RUSSIAN POETRY / SELF-AWARENESS AND SELF-KNOWLEDGE: Mental Familiarity and Epistemic Self-Ascription / TESTED TO THE BREAKING POINT: POSTMODERNITY IN MODERNITY / THE RUSSIAN NOVEL AS A SERIAL MURDER OR THE POETICS OF BUREAUCRACY / SUBJECTIVITY AS A BASIC PRESUPPOSITION OF MODERNITY IN MUSIC / NEW SUBJECTIVITY IN CINEMA: THE VERTIGO OF STRANGE DAYS / IT TAKES THREE TO EPISTEMOLOGY / |
isbn |
90-04-33382-7 90-420-0738-9 |
callnumber-first |
B - Philosophy, Psychology, Religion |
callnumber-subject |
BD - Speculative Philosophy |
callnumber-label |
BD222 |
callnumber-sort |
BD 3222 S835 42000 |
illustrated |
Not Illustrated |
dewey-hundreds |
100 - Philosophy & psychology |
dewey-tens |
120 - Epistemology |
dewey-ones |
126 - The self |
dewey-full |
126 |
dewey-sort |
3126 |
dewey-raw |
126 |
dewey-search |
126 |
oclc_num |
43857799 |
work_keys_str_mv |
AT weststeijnwillemg subjectivity AT reijenwillemvan subjectivity |
status_str |
n |
ids_txt_mv |
(CKB)3710000000828749 (OCoLC)43857799 (OCoLC)43346493 (OCoLC)215201835 (nllekb)BRILL9789004333826 (MiAaPQ)EBC6481616 (EXLCZ)993710000000828749 |
hierarchy_parent_title |
Avant garde critical studies ; 12 |
hierarchy_sequence |
12. |
is_hierarchy_title |
Subjectivity / |
container_title |
Avant garde critical studies ; 12 |
author2_original_writing_str_mv |
noLinkedField noLinkedField |
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