Plato and the moving image / / edited by Shai Biderman, Michael Weinman.

This book shows how and why debates in the philosophy of film can be advanced through the study of the role of images in Plato’s dialogues, and, conversely, why Plato studies stands to benefit from a consideration of recent debates in the philosophy of film. Contributions range from a reading of Pha...

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Place / Publishing House:Leiden ;, Boston : : Brill,, 2019.
Year of Publication:2019
Language:English
Series:Value Inquiry Book Series 332.
Physical Description:1 online resource (276 pages).
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spelling Plato and the moving image / edited by Shai Biderman, Michael Weinman.
Leiden ; Boston : Brill, 2019.
1 online resource (276 pages).
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
Value inquiry book series ; 332
Philosophy of film
Includes bibliographical references and index.
This book shows how and why debates in the philosophy of film can be advanced through the study of the role of images in Plato’s dialogues, and, conversely, why Plato studies stands to benefit from a consideration of recent debates in the philosophy of film. Contributions range from a reading of Phaedo as a ghost story to thinking about climate change documentaries through Plato’s account of pleonexia . They suggest how philosophical aesthetics can be reoriented by attending anew to Plato’s deployment of images, particularly images that move. They also show how Plato’s deployment of images is integral to his practice as a literary artist. Contributors are Shai Biderman, David Calhoun, Michael Forest, Jorge Tomas Garcia, Abraham Jacob Greenstine, Paul A. Kottman, Danielle A. Layne, David McNeill, Erik W. Schmidt, Timothy Secret, Adrian Switzer, and Michael Weinman.
Front Matter -- Copyright Page -- Acknowledgements -- Illustrations -- Notes on Contributors -- Introduction / Shai Biderman and Michael Weinman -- From Plato to the Moving Image: Reorienting Film-Philosophy -- Accounting for Images in the Sophist / Abraham Jacob Greenstine -- Pseudos, Kalos and Eikōs Mythos in Plato and Film / Danielle A. Layne and Erik W. Schmidt -- Dead Ringers: Plato and Turning the Camera Back / Timothy Secret -- The Cinematic Image as Platonic Simulacrum / Jorge Tomas Garcia -- The Myth of Er as Rationalizing Recording Device / Michael Weinman -- From the Moving Image to Plato: Reorienting Plato Studies -- Learning to Notice: Light and Shadow, from Chauvet Cave to Plato’s Cave and Beyond / Paul A. Kottman -- Phaedo: a Ghost Story / David N. McNeill -- Fascism Re-performed: Benjaminian Mimesis, Platonic Methexis and Bertolucci’s The Conformist / Adrian Switzer -- Entranced by the Spectacle of Truth: Wonder and Ascent in Plato and Terrence Malick’s Knight of Cups and To the Wonder / David H. Calhoun -- Plato, Pleonexia and Environmental Documentaries / Michael Forest -- Truth, Reality and Fiction in the Documentary of Errol Morris: Refiguring ‘Platonism’ in Epistemology and Aesthetics / Shai Biderman -- Back Matter -- Index.
Motion pictures Philosophy.
Plato Influence.
90-04-39810-4
Biderman, Shai, editor of compilation.
Weinman, Michael, editor of compilation.
Value Inquiry Book Series 332.
language English
format eBook
author2 Biderman, Shai,
Weinman, Michael,
author_facet Biderman, Shai,
Weinman, Michael,
author2_role TeilnehmendeR
TeilnehmendeR
author_additional Shai Biderman and Michael Weinman --
Abraham Jacob Greenstine --
Danielle A. Layne and Erik W. Schmidt --
Timothy Secret --
Jorge Tomas Garcia --
Michael Weinman --
Paul A. Kottman --
David N. McNeill --
Adrian Switzer --
David H. Calhoun --
Michael Forest --
Shai Biderman --
title Plato and the moving image /
spellingShingle Plato and the moving image /
Value inquiry book series ;
Philosophy of film
Front Matter --
Copyright Page --
Acknowledgements --
Illustrations --
Notes on Contributors --
Introduction /
From Plato to the Moving Image: Reorienting Film-Philosophy --
Accounting for Images in the Sophist /
Pseudos, Kalos and Eikōs Mythos in Plato and Film /
Dead Ringers: Plato and Turning the Camera Back /
The Cinematic Image as Platonic Simulacrum /
The Myth of Er as Rationalizing Recording Device /
From the Moving Image to Plato: Reorienting Plato Studies --
Learning to Notice: Light and Shadow, from Chauvet Cave to Plato’s Cave and Beyond /
Phaedo: a Ghost Story /
Fascism Re-performed: Benjaminian Mimesis, Platonic Methexis and Bertolucci’s The Conformist /
Entranced by the Spectacle of Truth: Wonder and Ascent in Plato and Terrence Malick’s Knight of Cups and To the Wonder /
Plato, Pleonexia and Environmental Documentaries /
Truth, Reality and Fiction in the Documentary of Errol Morris: Refiguring ‘Platonism’ in Epistemology and Aesthetics /
Back Matter --
Index.
title_full Plato and the moving image / edited by Shai Biderman, Michael Weinman.
title_fullStr Plato and the moving image / edited by Shai Biderman, Michael Weinman.
title_full_unstemmed Plato and the moving image / edited by Shai Biderman, Michael Weinman.
title_auth Plato and the moving image /
title_alt Front Matter --
Copyright Page --
Acknowledgements --
Illustrations --
Notes on Contributors --
Introduction /
From Plato to the Moving Image: Reorienting Film-Philosophy --
Accounting for Images in the Sophist /
Pseudos, Kalos and Eikōs Mythos in Plato and Film /
Dead Ringers: Plato and Turning the Camera Back /
The Cinematic Image as Platonic Simulacrum /
The Myth of Er as Rationalizing Recording Device /
From the Moving Image to Plato: Reorienting Plato Studies --
Learning to Notice: Light and Shadow, from Chauvet Cave to Plato’s Cave and Beyond /
Phaedo: a Ghost Story /
Fascism Re-performed: Benjaminian Mimesis, Platonic Methexis and Bertolucci’s The Conformist /
Entranced by the Spectacle of Truth: Wonder and Ascent in Plato and Terrence Malick’s Knight of Cups and To the Wonder /
Plato, Pleonexia and Environmental Documentaries /
Truth, Reality and Fiction in the Documentary of Errol Morris: Refiguring ‘Platonism’ in Epistemology and Aesthetics /
Back Matter --
Index.
title_new Plato and the moving image /
title_sort plato and the moving image /
series Value inquiry book series ;
Philosophy of film
series2 Value inquiry book series ;
Philosophy of film
publisher Brill,
publishDate 2019
physical 1 online resource (276 pages).
contents Front Matter --
Copyright Page --
Acknowledgements --
Illustrations --
Notes on Contributors --
Introduction /
From Plato to the Moving Image: Reorienting Film-Philosophy --
Accounting for Images in the Sophist /
Pseudos, Kalos and Eikōs Mythos in Plato and Film /
Dead Ringers: Plato and Turning the Camera Back /
The Cinematic Image as Platonic Simulacrum /
The Myth of Er as Rationalizing Recording Device /
From the Moving Image to Plato: Reorienting Plato Studies --
Learning to Notice: Light and Shadow, from Chauvet Cave to Plato’s Cave and Beyond /
Phaedo: a Ghost Story /
Fascism Re-performed: Benjaminian Mimesis, Platonic Methexis and Bertolucci’s The Conformist /
Entranced by the Spectacle of Truth: Wonder and Ascent in Plato and Terrence Malick’s Knight of Cups and To the Wonder /
Plato, Pleonexia and Environmental Documentaries /
Truth, Reality and Fiction in the Documentary of Errol Morris: Refiguring ‘Platonism’ in Epistemology and Aesthetics /
Back Matter --
Index.
isbn 90-04-39829-5
90-04-39810-4
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1995
callnumber-sort PN 41995 P515 42019
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.4301
dewey-sort 3791.4301
dewey-raw 791.4301
dewey-search 791.4301
work_keys_str_mv AT bidermanshai platoandthemovingimage
AT weinmanmichael platoandthemovingimage
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is_hierarchy_title Plato and the moving image /
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