Plato and the moving image / / edited by Shai Biderman, Michael Weinman.

• TeilnehmendeR: Biderman, Shai,; Weinman, Michael,
• Place / Publishing House: Leiden ;, Boston : : Brill,, 2019.
• Year of Publication: 2019
• Language: English
• Series: Value Inquiry Book Series 332.
• Physical Description: 1 online resource (276 pages).
• Other title: Front Matter --; Copyright Page --; Acknowledgements --; Illustrations --; Notes on Contributors --; Introduction /; From Plato to the Moving Image: Reorienting Film-Philosophy --; Accounting for Images in the Sophist /; Pseudos, Kalos and Eikōs Mythos in Plato and Film /; Dead Ringers: Plato and Turning the Camera Back /; The Cinematic Image as Platonic Simulacrum /; The Myth of Er as Rationalizing Recording Device /; From the Moving Image to Plato: Reorienting Plato Studies --; Learning to Notice: Light and Shadow, from Chauvet Cave to Plato’s Cave and Beyond /; Phaedo: a Ghost Story /; Fascism Re-performed: Benjaminian Mimesis, Platonic Methexis and Bertolucci’s The Conformist /; Entranced by the Spectacle of Truth: Wonder and Ascent in Plato and Terrence Malick’s Knight of Cups and To the Wonder /; Plato, Pleonexia and Environmental Documentaries /; Truth, Reality and Fiction in the Documentary of Errol Morris: Refiguring ‘Platonism’ in Epistemology and Aesthetics /; Back Matter --; Index.
• Bibliography: Includes bibliographical references and index.
• ISBN: 9004398295
• Hierarchical level: Monograph
• Statement of Responsibility: edited by Shai Biderman, Michael Weinman.

This book shows how and why debates in the philosophy of film can be advanced through the study of the role of images in Plato’s dialogues, and, conversely, why Plato studies stands to benefit from a consideration of recent debates in the philosophy of film. Contributions range from a reading of Phaedo as a ghost story to thinking about climate change documentaries through Plato’s account of pleonexia . They suggest how philosophical aesthetics can be reoriented by attending anew to Plato’s deployment of images, particularly images that move. They also show how Plato’s deployment of images is integral to his practice as a literary artist. Contributors are Shai Biderman, David Calhoun, Michael Forest, Jorge Tomas Garcia, Abraham Jacob Greenstine, Paul A. Kottman, Danielle A. Layne, David McNeill, Erik W. Schmidt, Timothy Secret, Adrian Switzer, and Michael Weinman.