Early Buddhist art of China and Central Asia

Early Buddhist art of China and Central Asia / Volume 3, : The Western Ch'in in Kansu in the Sixteen Kingdoms period and inter-relationships with the Buddhist art of Gandhara / / by Marylin Martin Rhie.

This book, third in a series on the early Buddhist art of China and Central Asia, centers on Buddhist art from the Western Ch'in (385-431 A.D.) in eastern Kansu (northwest China), primarily from the cave temples of Ping-ling ssu and Mai-chi shan. A detailed chronological and iconographic study...

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Superior document:Handbook of Oriental studies = Handbuch der Orientalistik. Section 4, China, vol. 12/3
:
Rhie, Marylin M.
Year of Publication:2010
Language:English
Series:Handbuch der Orientalistik. China ; v. 12/3.
Physical Description:1 online resource (1017 p.)
Notes:Description based upon print version of record.
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spelling Rhie, Marylin M.
Early Buddhist art of China and Central Asia Volume 3, The Western Ch'in in Kansu in the Sixteen Kingdoms period and inter-relationships with the Buddhist art of Gandhara / by Marylin Martin Rhie.
Leiden : Brill, 2010.
1 online resource (1017 p.)
text txt
computer c
online resource cr
Handbook of Oriental studies = Handbuch der Orientalistik. Section 4, China, 0169-9520 ; vol. 12/3
Description based upon print version of record.
English
Preliminary Material -- Introduction -- Chapter One The Western Ch’in (385-431 A.D.): History and Buddhism -- Chapter Two Bronze Buddha Altar from Ching-ch’uan -- Chapter Three Ping-ling ssu Stone Caves: Introduction and Niche No. 1 -- Chapter Four Ping-ling ssu Cave 169: West (Rear) Wall -- Chapter Five Ping-ling ssu Cave 169: East and South Walls -- Chapter Six Ping-ling ssu Cave 169: North Wall (I) -- Chapter Seven Ping-ling ssu Cave 169: North Wall (II) -- Chapter Eight The Five Buddhas and Sets of Multiple Buddhas in the Art of Gandhāra and Afghanistan and their Relation to Cave 169 at Ping-ling ssu and the Five T’an-yao Caves at Yün-kang -- Chapter Nine Mai-chi shan: Early Caves -- Conclusions: Volume III -- Appendix I: Communication Routes during the Sixteen Kingdoms Period -- Appendix II: Table of Texts Regarding Amitāyus and Sukhāvatī -- Bibliography -- Index -- Color Plates.
This book, third in a series on the early Buddhist art of China and Central Asia, centers on Buddhist art from the Western Ch'in (385-431 A.D.) in eastern Kansu (northwest China), primarily from the cave temples of Ping-ling ssu and Mai-chi shan. A detailed chronological and iconographic study of sculptures and wall paintings in Cave 169 at Ping-ling ssu particularly yields a chronological framework for unlocking the difficult issues of dating early fifth century Chinese Buddhist art, and offers some new insights into textual sources in the Lotus, Hua-yen and Amitabha sutras. Further, this study introduces the iconographpy of the five Buddhas and its relation to the art of Gandhara and the famous five colossal T'an-yao caves at Yün-kang.
Includes bibliographical references and index.
Art, Central Asian.
Art, Chinese.
Buddhist art Asia, Central.
Buddhist art China.
90-04-18400-7
Handbuch der Orientalistik. Vierte Abteilung, China ; v. 12/3.
language English
format eBook
author Rhie, Marylin M.
spellingShingle Rhie, Marylin M.
Early Buddhist art of China and Central Asia
Handbook of Oriental studies = Handbuch der Orientalistik. Section 4, China,
Preliminary Material -- Introduction -- Chapter One The Western Ch’in (385-431 A.D.): History and Buddhism -- Chapter Two Bronze Buddha Altar from Ching-ch’uan -- Chapter Three Ping-ling ssu Stone Caves: Introduction and Niche No. 1 -- Chapter Four Ping-ling ssu Cave 169: West (Rear) Wall -- Chapter Five Ping-ling ssu Cave 169: East and South Walls -- Chapter Six Ping-ling ssu Cave 169: North Wall (I) -- Chapter Seven Ping-ling ssu Cave 169: North Wall (II) -- Chapter Eight The Five Buddhas and Sets of Multiple Buddhas in the Art of Gandhāra and Afghanistan and their Relation to Cave 169 at Ping-ling ssu and the Five T’an-yao Caves at Yün-kang -- Chapter Nine Mai-chi shan: Early Caves -- Conclusions: Volume III -- Appendix I: Communication Routes during the Sixteen Kingdoms Period -- Appendix II: Table of Texts Regarding Amitāyus and Sukhāvatī -- Bibliography -- Index -- Color Plates.
author_facet Rhie, Marylin M.
author_variant m m r mm mmr
author_sort Rhie, Marylin M.
title Early Buddhist art of China and Central Asia
title_full Early Buddhist art of China and Central Asia Volume 3, The Western Ch'in in Kansu in the Sixteen Kingdoms period and inter-relationships with the Buddhist art of Gandhara / by Marylin Martin Rhie.
title_fullStr Early Buddhist art of China and Central Asia Volume 3, The Western Ch'in in Kansu in the Sixteen Kingdoms period and inter-relationships with the Buddhist art of Gandhara / by Marylin Martin Rhie.
title_full_unstemmed Early Buddhist art of China and Central Asia Volume 3, The Western Ch'in in Kansu in the Sixteen Kingdoms period and inter-relationships with the Buddhist art of Gandhara / by Marylin Martin Rhie.
title_auth Early Buddhist art of China and Central Asia
title_new Early Buddhist art of China and Central Asia
title_sort early buddhist art of china and central asia the western ch'in in kansu in the sixteen kingdoms period and inter-relationships with the buddhist art of gandhara /
series Handbook of Oriental studies = Handbuch der Orientalistik. Section 4, China,
series2 Handbook of Oriental studies = Handbuch der Orientalistik. Section 4, China,
publisher Brill,
publishDate 2010
physical 1 online resource (1017 p.)
contents Preliminary Material -- Introduction -- Chapter One The Western Ch’in (385-431 A.D.): History and Buddhism -- Chapter Two Bronze Buddha Altar from Ching-ch’uan -- Chapter Three Ping-ling ssu Stone Caves: Introduction and Niche No. 1 -- Chapter Four Ping-ling ssu Cave 169: West (Rear) Wall -- Chapter Five Ping-ling ssu Cave 169: East and South Walls -- Chapter Six Ping-ling ssu Cave 169: North Wall (I) -- Chapter Seven Ping-ling ssu Cave 169: North Wall (II) -- Chapter Eight The Five Buddhas and Sets of Multiple Buddhas in the Art of Gandhāra and Afghanistan and their Relation to Cave 169 at Ping-ling ssu and the Five T’an-yao Caves at Yün-kang -- Chapter Nine Mai-chi shan: Early Caves -- Conclusions: Volume III -- Appendix I: Communication Routes during the Sixteen Kingdoms Period -- Appendix II: Table of Texts Regarding Amitāyus and Sukhāvatī -- Bibliography -- Index -- Color Plates.
isbn 1-283-85246-2
90-04-19019-8
90-04-18400-7
issn 0169-9520 ;
callnumber-first N - Fine Arts
callnumber-subject N - Visual Arts
callnumber-label N8193
callnumber-sort N 48193 C6 R4753 42010
geographic_facet Asia, Central.
China.
illustrated Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 700 - Arts
dewey-ones 704 - Special topics in fine & decorative arts
dewey-full 704.9
704.9/4899430951
704.94899430951
dewey-sort 3704.9
dewey-raw 704.9
704.9/4899430951
704.94899430951
dewey-search 704.9
704.9/4899430951
704.94899430951
oclc_num 823381013
601013587
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title_part_txt The Western Ch'in in Kansu in the Sixteen Kingdoms period and inter-relationships with the Buddhist art of Gandhara /
hierarchy_parent_title Handbook of Oriental studies = Handbuch der Orientalistik. Section 4, China, vol. 12/3
hierarchy_sequence v. 12/3.
is_hierarchy_title Early Buddhist art of China and Central Asia
container_title Handbook of Oriental studies = Handbuch der Orientalistik. Section 4, China, vol. 12/3
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